Follow Us

Copyright 2019 Schneider Rondan Organization All Rights Reserved

Additional Guests Announced For Dave Navarro & Billy Morrison’s “ABOVE GROUND 3” Concert Benefitting Musicares® in LA on 12/20

DATE: DECEMBER 8, 2021

FROM: MITCH SCHNEIDER/MARCEE RONDAN/KELLY WALSH
SRO PR

 

A picture containing text, sign Description automatically generated

DAVE NAVARRO AND BILLY MORRISON
ANNOUNCE EXPANDED LINE-UP FOR THIRD
“ABOVE GROUND” BENEFIT CONCERT
DECEMBER 20
AT THE FONDA THEATRE IN HOLLYWOOD, CA

JERRY HARRISON (TALKING HEADS),
JASON AALON BUTLER (FEVER333),
OTEP
AND OTHERS ADDED TO BILL THAT INCLUDES
PERFORMANCES FROM
NAVARRO AND MORRISON,
BILLY IDOL,
PERRY FARRELL AND ETTY LAU FARRELL
(KIND HEAVEN ORCHESTRA),
COREY TAYLOR,
TAYLOR HAWKINS,
MARK MCGRATH,
STEVE STEVENS AND FRANKY PEREZ

EVENT TO BE HOSTED BY
DR. DREW PINSKY
WITH ART INSTALLATION BY
RISK ROCK JUST ANNOUNCED

CONCERT WILL PROMOTE AWARENESS AND RAISE FUNDS FOR THE TREATMENT OF MENTAL HEALTH
WITH ALL PROCEEDS BEING DONATED TO MUSICARES®

TICKETS AVAILABLE NOW

In just under two weeks, the third “ABOVE GROUND” benefit concert founded by guitarists Dave Navarro (Jane’s Addiction) and Billy Morrison (Billy Idol) will take place on December 20 at The Fonda Theatre in Hollywood, CA. Newly added special guests Jerry Harrison (Talking Heads), Jason Aalon Butler (Fever333), OTEP, Mickey Avalon, Josh Freese (The Offspring, A Perfect Circle, Danny Elfman), Chris Chaney (Jane’s Addiction, Miley Cyrus), Piggy D (Rob Zombie), Dave Kushner (Velvet Revolver, Sons of Anarchy) and Donovan Leitch join an all-star bill that includes Billy Idol, Perry Farrell, Etty Lau Farrell, Corey Taylor, Taylor Hawkins, Mark McGrath, Steve Stevens, and Franky Perez. Look for the event to also feature host Dr. Drew Pinsky and an art installation by Risk Rock. Tickets are available now HERE.

Following previous successful events in 2018 and 2019, while sitting out in 2020 due to Covid, the evening will celebrate the vinyl album as an art form, with the performance of two seminal albums in their entirety, while at the same time raising awareness and funds for the treatment of mental health. Throughout the event there will be an art installation from multi-talented fine artist, sculptor and graffiti pioneer RISK ROCK.

Proceeds from the event will be donated to MusiCares®, the leading music charity that acts as a safety net for the music community. “MusiCares has literally saved more than a few of our friends from dying,” share NAVARRO and MORRISON. “Their role cannot be overstated, and we have precious few organizations that actively step in to help people on the brink. On the frontline, finding and paying for beds in treatment, arranging therapy and counseling, and actually speaking up on a public level about the importance of mental health are all reasons why we continue to do what we can to draw attention to this subject.”

Navarro and Morrison, with an array of special guests, will perform two musically/culturally seismic albums: Lou Reed’s Transformer (1972) and Sex Pistol’s Never Mind The Bollocks, Here’s The Sex Pistols (1977). As in previous years, they have kept trend of featuring one American artist and one British artist with former installations featuring Kings Of The Wild Frontier by Adam And The Ants and The Velvet Underground & Nico (2018) and David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars and the Stooges’ self-titled debut album, on which the world was introduced to Iggy Pop (2019). Read a Q&A with Navarro and Morrison about the event, and why they chose these albums to perform, here.

Click here to watch NAVARRO and MORRISON discuss the event.

###

ABOUT ABOVE GROUND
Founded in 2018, by Dave Navarro, Billy Morrison and manager Rick Canny, Above Ground is a registered 501(c)(3) corporation dedicated to raising funds for and awareness to the issues of mental health.

ABOUT MUSICARES
MusiCares helps the humans behind music because music gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. Founded by the Recording Academy in 1989 as a U.S. based 501(c)(3) charity, MusiCares safeguards the well-being of all music people through direct financial grant programs, networks of support resources, and tailored crisis relief efforts. For more information please visit: https://www.musicares.org/

For ABOVE GROUND press inquiries, please contact SRO PR:
Mitch Schneider, mschneider@msopr.com
Marcee Rondan, marcee@msopr.com
Kelly Walsh, kwalsh@msopr.com

MUSICARES CONTACT:
Jenn Kerr for MusiCares
jennifer.kerr@porternovelli.com

###


A Cool Double Bill: LA Guns & Budderside @ Count’s Vamp’d

Terrific to see L.A. Guns roll into Vegas this past weekend with SRO PR clients Budderside—two bands from Hollywood, CA—for a pair of packed shows at Count’s Vamp’d on Sahara. Budderside, fronted charismatically by Patrick Alan Stone, came on strong with its alt-rock, metal + grunge blend and songs from their 2021 debut album ‘Spiritual Violence’ plus new single “Too Far” that dig deep into mental health turmoil. L.A. Guns delivered the goods as well. With Tracii Guns and Phil Lewis still at the helm, they remain appealingly tough + skillful, and it felt good to hear their  blunt sing-a-longs “Sex Action” and “Kiss My Love Goodbye” alongside tunes from their new album ‘Checkered Past.’ It was a perfect + satisfying double bill…


Hollywood Rockers BUDDERSIDE Tackle Mental Health Issues in New Single “Too Far”

DT: DECEMBER 3, 2021

FM: KELLY WALSH / SRO PR

HOLLYWOOD HARD ROCK GROUP
BUDDERSIDE
SHOW WHAT HAPPENS WHEN THINGS GO
“TOO FAR”
IN NEW SINGLE/MUSIC VIDEO

WATCH HERE

BAND TO JOIN L.A. GUNS FOR TWO SHOWS
THIS WEEKEND IN LAS VEGAS
12/3 & 12/4 @ COUNT’S VAMP’D BAR & GRILL

A picture containing map Description automatically generated

“Sick of the excuses
Everybody gives
And all the expectations
Not living up to them
I just want to be happy
Always something in the way
Don’t feel like living
One more day”
–BUDDERSIDE, “Too Far” Lyrics

Hollywood, CA rock outfit BUDDERSIDE share their latest single, “Too Far,” available today across all digital platforms. The track is taken from their upcoming summer 2022 record via oneRPM and was recorded with producer Matt Good (Asking Alexandria, Hollywood Undead). The song gives a harrowing look into what can happen when people are pushed to the edge and things go ‘’too far.” Its music video, filmed at several iconic locations on the famed Sunset Strip including the Whisky a-Go-Go and The Rainbow Bar & Grill, premiered yesterday (12/2) via antiMusic. Directed by Vicente Cordero (Industrial Films LA), it shares a visually graphic dramatization tackling mental health issues and triggers.

“We are all so close to the edge,” says vocalist Patrick Alan Stone. “Saying something kind could save a life. It’s easy to be reckless, but what we do and say can push people too far. Hollywood is the city of dreams, where they are born and die every day. I’ve seen good people murder over infidelity. I’ve lost my sister and my two closest friends to suicide over broken hearts, others to overdose–all just trying to ease the pain of a cruel world.”

“‘Too Far’ is about the struggle I’ve gone through with depression and suicidal thoughts after being f*cked over by people around me. I took that depression and turned it into rage to create a song that strips away all of the b.s. It’s a reminder to others to not push people too far, because they can snap and hurt themselves or even others. Just an honest cry for the world to do the right thing. If someone you know is in need of help, you’re not alone. Call the National Suicide Prevention Hotline (1-800-273-8255) or 911, there is help.”

 

Stream “Too Far” here: https://onerpm.link/248279409136

BUDDERSIDE will join glam metal group L.A. Guns for two shows at Count’s Vamp’d Bar & Grill in Las Vegas: tonight, December 3 and tomorrow, December 4. Their set list will include singles from their recent album SPIRTUAL VIOLENCE, released earlier this year via Mötorhead Music/Silver Lining Music, along with previews of new material from their upcoming effort. The band appeared at Rocklahoma festival this year and previously have toured with the likes of Slayer, Anthrax and Motörhead in addition to appearing overseas at festivals including Wacken Open Air, Malmö Festival and on cruises (Motörhead’s Motörboat and Monsters Of Rock).

BUDDERSIDE was formed by STONE following his stint as vocalist of Adler’s Appetite, after receiving encouragement from the late Lemmy Kilmister of Motörhead who he worked for as part of his infamous ‘road crew’ and was also a close friend. Lemmy signed them to his own label, Motörhead Music and they released their self-titled debut album in 2016.The group is rounded out by guitarists Sam “Bam” Koltun (Dorothy, Faster Pussycat) and Logan Nikolic, drummer Jeff Dewbray and bassist Gabe Maska—who is currently appearing as Kurt Cobain in the Las Vegas show ’27.’

A group of men walking down a sidewalk Description automatically generated with medium confidencePhoto Credit: George Reed

For more information on BUDDERSIDE, please visit:
FACEBOOK | INSTAGRAM | WEBSITE

SRO PR Assets: www.sropr.com/portfolio/budderside

###

For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


Eddie Griffin Ongoing Residency at the Hip Sahara Las Vegas

Last night was a perfect one to see comedian + actor Eddie Griffin; it  marked the birthday of his hero—Richard Pryor—which he noted from the outset. As part of his ongoing residency at the newly remodeled + atmospherically hip Sahara Las Vegas, Griffin dug his heels deep into racial injustice, vaccination mistrust, religious hypocrisy + more (he grew up unhappily as a Jehovah’s Witness). With drink in hand, Griffin remains freewheeling, outrageously funny + enlightening. He can make some folks feel uncomfortable, but I think they’re better for it. We started the evening by admiring the vintage Sahara hotel photos in the lobby before segueing into the excellent + stylish Uno Mas Tacos. Really nice to see a taco with Impossible meat on the menu. Extra points for that, not to mention their beaded lighting fixtures. 💡

 


Los Angeles Singer-Songwriter And Alternative Rock Musician ABE GROSSMAN Sets January Release For His Debut Album ‘NIGHT WINDOW’

DATE: DECEMBER 1, 2021

FROM: MARCEE RONDAN

A person standing in front of a red door with a sign above it Description automatically generated with medium confidence

ABE GROSSMAN
SET TO RELEASE DEBUT ALBUM
‘NIGHT WINDOW’
IN JANUARY 2022

ALBUM HAS BEEN PREVIEWED BY
THE VIDEO-TRILOGY
SPEED OF THE NIGHT,”
GHOST IN THE DARK” AND
DIRTY CHEAP HOTEL,
ALONG WITH THE DEBUT SINGLE, “BLUE JAYS

A person standing in front of a building with a sign on it Description automatically generated with medium confidence

An album “more than 40 years into a life of music” is how singer-songwriter and alternative rock musician ABE GROSSMAN describes his debut album NIGHT WINDOW. Set for release in January 2022, the album has been previewed by the video-trilogy Speed Of The Night,” Ghost In The Dark and Dirty Cheap Hotel,” as well as the debut single, Blue Jays.”

GROSSMAN has taken a long journey to bloom into the artist that he is today. When asked why now? “Because,” he reflects, thoughtfully, “now I have something to say.”

The sound throughout NIGHT WINDOW drips with classic nostalgia–a rich tapestry of 70’s classic rock and heartstring-pulling acoustic folk, stitched together by GROSSMAN’s distinctive, smokey lead vocal and lush orchestral arrangements. Subtle hints of familiar sounds, from Pink Floyd and John Mayer to Bob Dylan, may peek through here and there, and yet there’s some fresh unknown that makes the songs on NIGHT WINDOW their own instant classics.

The album comes out swinging with “Speed Of The Night” and “Ghost In The Dark,” two wine-drunk, lumbering power-ballads where ABE’s classic, raspy vocal storms on the back of punching drums, pearlescent grand piano, a belting organ, and a fuming, distorted electric guitar. ABE reveals a sweet vulnerability in strikingly honest tracks like “Dirty Cheap Hotel” and “Blue Jays,” where jangling acoustic guitar gives way to a wave of strings that wash the listener in a gushing river of nostalgia. In “Always Know You’re Somewhere,” ABE pours out his heart in a tender ballad to his father, revealing an artist matured by the passing of time and a hopeful nod to the past. Floating on a spring breeze of lapsteel guitar, the southern rock twang of “Closer Stars” brings fresh color to the album, while “Ain’t Good Looking Enough” bubbles effervescently with masterful arrangements reminiscent of classic records of the 60’s and 70/s. In “Born To Die,” angelic female background vocals ooze from the cracks of a building ballad that overflows into a soulful, Gilmour-esque electric guitar solo. “Lucky Boy” concludes the album, finding the most mature and reflective version of GROSSMAN yet. A wistful, lo-fi acoustic undercurrent drifts and bobs on a vast sea of strings and a brilliant wash of reverb that takes the listener back through the journey of the album and, inevitably, leaves one reflecting sentimentally on the journey of one’s own life. Earnest, nostalgic, and lush, NIGHT WINDOW stands as a 10-song homage to the light of life that can only be found on the other side of darkness.

Many of the songs on NIGHT WINDOW (2022) and most notably the video-trilogy–“Speed Of The Night,” “Ghost In The Dark,” and “Dirty Cheap Hotel”–tell the story of ABE’s relationship with Brookie, a fellow lost soul with a loving heart and a troubled past.

ABE’s relationship with music started in earnest when he was 13. His grandparents took him on a trip to Nairobi, Kenya, where ABE vividly recalls narrowly escaping death in the now-infamous 1981 Norfolk Hotel bombing. In an effort to help ABE express himself constructively, his parents got him his first guitar, which would begin a lifelong relationship with music.

“That experience forced me into a desperate need to connect,” ABE recalls. “There was an immediacy to needing to find some deeper meaning in the world. Everybody needs an avenue or instrument to connect with the world in a meaningful and purposeful way. Often, through the cauldron of a difficult experience, created by oneself or by circumstance, you search for whatever that tool is. For me it was the guitar.”

ABE’s professional musical journey began when he moved to Los Angeles. Invigorated by music as a means for connection and validation, ABE relentlessly pursued a career as an artist. In Los Angeles, he collaborated with local musicians and formed his own rock band, Small Motor Land. After years of trying and very little success, lack of purpose and growing addictions began to consume ABE. He spun out into more than a decade of darkness, defined by bad habits and empty pursuits. Music faded into the background. During this time of wandering like a ghost through Los Angeles, ABE fell in love with Brookie. They ran on the outskirts of society together, enabling each other’s lifestyles of addiction and the pursuit of transient pleasure.

And then, after more than a decade of spiraling downward, everything changed in an instant. Just what happened is a mystery, even to ABE, but he recalls a deep “moment of clarity” where he realized that he needed to clean up his life, or else lose himself forever. ABE had found the will to life that he had been searching for all along. ABE implored Brookie to change with him, but she was too entrenched in her habits and eventually, Brookie’s hard-and-fast living would take her life.

For three years post-epiphany, he didn’t have any desire to play music at all. And then, out of nowhere and all at once, the songs began to pour through him–poignant reflections on love and loss, and the search for purpose. ABE found new wisdom in perspective, and the songs gave that perspective voice.

“When I was younger, my music was so backed up by my own ego. It was like a clogged artery, like being on the verge of having a heart attack all the time,” ABE explains. “Finding a deep spiritual connection–or a connection with God, or however you want to say it–got me through that by giving me perspective. I had to believe in my own story to write music that was authentic to me. When I was younger, I wanted to tell a story that I thought other people wanted to hear. When I found a way out of myself, I found it easy to share my feelings through music.”

He continues, “Everyone is given some activity or tool that allows them to find the meaning of life, which is connecting with people. Unity. When you feel unity, you feel purpose and belonging, and you don’t feel inadequate in life. Music has been that for me.”

Fast forward to October 2021. ABE checks his Instagram direct messages. A fan writes, thanking ABE for sharing himself vulnerably. She cites “Speed Of The Night” as a comfort to her as she reflects on the loss of her husband and her father, respectively. “She’s giving a voice to similar experiences to mine and making me feel a part of something – a part of the human experience with other human beings,” ABE reflects, earnestly. “The gift is being given back to me by people listening to my music. They have a voice that sings with me.” He smiles. Better than fame or fortune, he’s found that deeper-something that he’s been looking for all along.

The NIGHT WINDOW track listing is as follows:

Speed Of the Night
Ghost In The Dark
Down To The World
Dirty Cheap Hotel
Always Know You’re Somewhere
Blue Jays
Ain’t Good Looking Enough
Closer Stars
Born To Die
Lucky Boy

Instagram
Facebook
Website
Spotify
Soundcloud
Youtube

 


Acclaimed Autobiography ‘PERMANENT DAMAGE: MEMOIRS OF AN OUTRAGEOUS GIRL’ Generates Strong Praise In 2021

DATE: DECEMBER 1, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

‘PERMANENT DAMAGE:
MEMOIRS OF AN OUTRAGEOUS GIRL’
BY MERCY FONTENOT WITH LYNDSEY PARKER
GENERATES STRONG PRAISE IN 2021

A book with a person's face on it Description automatically generated with low confidence

Permanent Damage: Memoirs of An Outrageous Girl (Rare Bird Books), which veteran music journalist Lyndsey Parker co-wrote with late GTOs member Mercy “Miss Mercy” Fontenot, has turned out to be one of the most acclaimed music books of the year. See the pull quotes below including four-star reviews from Mojo and Goldmine and praise from The Guardian which noted that “The book reads like a romp, aided by Mercy’s keen sense of the absurd and flair for black humor…”

Released June 9, 2021, it received strong notices from the press and accolades from Mercy’s contemporaries. It was also honored with events in Los Angeles, including an in-store at Stories Books and Cafe and virtual events with the GRAMMY MUSEUM® and the Women’s International Music Network.

“It has been bittersweet to see the support the book has received, because she [Mercy] didn’t live to see Permanent Damage’s success,” PARKER says (Mercy died July 27, 2020). “I think she would have gotten a real kick out of seeing her name on the charts (go to #4 on Amazon’s Music Books list) or in a four-star Mojo magazine review–like the rock star she was born to be. But I don’t believe she would have been surprised by the reception, because she believed in herself, and in way, neither am I, because I believed in her too. I always thought if Mercy’s stranger-than-fiction story could be told, it would find an audience. That is why I was so hell-bent on getting her to write her memoirs, wearing her down for years before she finally agreed! I am so thrilled her story will live on forever now.”

Permanent Damage: Memoirs of An Outrageous Girl shows us the world of the 1960s and 1970s music scene through Mercy Fontenot’s eyes, as well as the fallout of that era–experiencing homelessness before sobering up and putting her life back together. Written just prior to her death in 2020, Miss Mercy’s journey is a can’t miss for anyone who was there and can’t remember, or just wishes they’d been there. Read some highlights from the book here.

“All Miss Mercy ever really wanted was respect. I knew she was important, of course, but I think I was so close to this project, and to Mercy herself, that I didn’t fully grasp her impact until the accolades for the book came in. She definitely made her mark,” PARKER notes of things she gleaned after the book was published.

She adds: “I also learned that even though she was a relatively obscure figure in the rock world, she was revered and respected by so many–from the celebrities like Alice Cooper and Shirley Manson who were so eager and delighted to promote the book, to the young GTOs fans who literally cosplay as Mercy on Instagram.”

Mercy Fontenot was a Zelig who grew up in the San Francisco Haight-Ashbury scene, where she crossed paths with Charles Manson, went to the first Acid Test, and was friends with Jimi Hendrix (she was later in his movie Rainbow Bridge). She predicted the Altamont disaster when reading the Rolling Stones’ tarot cards at a party and left San Francisco for the climes of Los Angeles in 1967 when the Haight “lost its magic.” Buy the book here.

Here’s some critical praise for the book:

“Great writing; wild stories, but very dark…But through all of it Mercy emerged undaunted.”
★★★★ –Sylvie Simmons, MOJO, 2021

“Though it all, through the homelessness, the assaults, the estrangement of her family, she always carried herself with class, style and her own perverse sense of dignity.”
★★★★ –Mike Greenblatt, GOLDMINE, 2021

“The book reads like a romp, aided by Mercy’s keen sense of the absurd and flair for black humor…”
–Jim Farber, THE GUARDIAN, June 2021

“Mercy, Mercy, She: A Famous Groupie’s Wild Child Story…The stories came fast and furious, as Mercy recounts her encounters with acts like those mentioned above along with Gene Simmons of KISS, Arthur Lee of Love, Shuggie Otis, Jobriath, Ike Turner, Gram Parsons, and Janis Joplin. Then there’s the book’s Marquee Batshit Crazy Story: Chuck Berry.”
–Bob Ruggiero, HOUSTON PRESS, May 2021

“Whoa! With what sometimes feels like a minor miracle, Miss Mercy’s life story careens from delight to disaster and back so many times there is a considerable chance of whiplash during the reading…With writer Lyndsey Parker’s above and beyond assistance, everything from tragedy, treachery, heartbreak and happiness come through in day-glo colors. In the end, Miss Mercy stands upright as a true survivor, except for the fact that she died not long before the book’s completion. But what is surely a small miracle, the memoir was finished and now permanently stands as a cautionary tale for those who get too close to the flame, or don’t have working brakes in how they live their life. And while there is no way to capture the three-dimensional swing of Miss Mercy’s daily travels in black & white, PERMANENT DAMAGE and its evocative prose and complete honesty comes close enough to the bonfire to catch afire. What a trip.”
–Bill Bentley, AMERICANA HIGHWAYS, June 2021

Miss Mercy lays her story bare with the help of her friend and co-writer, journalist and author Lyndsey Parker. Armed with over 60 hours of interviews with Fontenot, Parker carves out a down and dirty episodic memoir that rolls into the lost hours of night, like an empty bottle between bar close and sunrise.”
— Noah Lekas, LETHAL AMOUNTS, 2021

“Lyndsey Parker’s excellent book Permanent Damage: Memoirs of an Outrageous Girl, written with and about GTO Miss Mercy Fontenot, is receiving heaps of well-deserved praise and attention.”
–Brett Callwood, LA WEEKLY, June 2021

“Permanent Damage: Memoirs of an Outrageous Girl is the posthumously published memoir of Mercy Fontenot…the memoir is, in two words, wild and weird…Fearless, shameless and regret-less, Miss Mercy’s tone in the book is casual, alarmingly so when she’s speaking about the most traumatic events: rapes, homelessness, the suicides of her parents, her drug use.”
–Lily Moayeri, ROCK AND ROLL GLOBE, June 2021

“Permanent Damage: Memoirs Of An Outrageous Girl…is full of stories, the ultimate tale of sex, drugs, rock & roll, rape, violence, homelessness, fun, parties, lovers, and independence…From page one, you are enveloped by Mercy’s straightforward, honest personality and you don’t feel like you’re simply reading another musical soap opera. She hooks you immediately and you laugh with her at her goofyness, drop your mouth to the floor when she casually mentions that her second husband beat her so bad he had broken all the bones in the side of her face, and envy her hangs with Robert Plant and Jimi Hendrix. The words flow like she’s right there telling them to you herself and the 208 pages fly by in no time.”
–Leslie Michele Derrough, GLIDE MAGAZINE, June 2021

“She passed away in July last year, but judging by this book she didn’t half live.”
–Johnny Sharp, CLASSIC ROCK, 2021

And here’s some feedback from Mercy’s friends and colleagues:

“Miss Mercy was dripping in sarcasm. She was a very funny and lovely lady. She may have been the voice of reason for the GTOs… but I doubt it.”— Alice Cooper

“Mercy wore unusual and stunning makeup. She set a trend. She was a very individualistic, charismatic woman. The GTOs made the party swing and were an integral part of rock ‘n’ roll culture at the time.”– Dave Davies, the Kinks

“Miss Mercy spun herself through the most magical days of the ‘60s and into the arms of punk. She was a that one-of-a-kind character none of us will ever forget.”— Exene Cervenka, X

“I am thrilled to know this book is finally out there and we can know firsthand what it was like to live in Miss Mercy’s towering platform shoes. I love rock ‘n’ roll, and Lyndsey Parker has the most encyclopedic knowledge of all music; I can’t think of a better person to bring Mercy’s story to life.”— Margaret Cho

“Miss Mercy was a one-off iconoclast, style- and taste-wise. She looked, lived, and loved uniquely and was a trailblazer for women in rock ‘n’ roll.”— Siobhan Fahey, Bananarama and Shakespears Sister

“Mercy was one of the most inspirational and magical people I ever got the chance to meet and work with. She had endless stories to tell and the coolest style, like a badass Gypsy pirate witch. She embodied that old spirit of Hollywood that we never get to see anymore. Mercy was and will always be a legend.”— Arrow de Wilde, Starcrawler

“Lyndsey and Mercy had many things in common, the most important of which was commitment. Both committed to the music and the musicians that made it. Mercy had secrets and stories and reveals them here to someone who understands. An imperative read for anyone with a rock ‘n’ roll soul.”— Michael Des Barres

About Lyndsey Parker:

Lyndsey Parker is the music editor at Yahoo Entertainment and host of the daily SiriusXM Volume show Volume West. Considered an expert in music and pop culture, Parker is an Online Journalism Award nominee and has written for Elle, MOJO, Rolling Stone, NME, and Guitar. She has appeared as a commentator for the ABC special The Show Must Go On: The Queen + Adam Lambert Story, AXS TV’s The Top Ten Revealed, and the documentary I Want My MTV, as well as for VH1’s Behind the Music, CNN, MTV, The Insider, and Good Day L.A.. She is the author of Careless Memories of Strange Behavior: My Notorious Life as a Duran Duran Fan (one of the first e-books published as part of Rhino Records’ all-digital music book series, which went to #1 on the iTunes Music Books chart).

SRO PRESS RELEASES AND ASSETS

AVAILABLE IN HARDCOVER and E-BOOK
BIOGRAPHY/ AUTOBIOGRAPHY/ MUSIC
9781644281826 | US $27.00 | 6 x 9 in. | 320 pp.
RARE BIRD BOOKS, A BARNACLE BOOK
DISTRIBUTED WOLRDWIDE BY PUBLISHERS GROUP WEST
RAREBIRDLIT.COM

###

 


Master Chef James Trees’ Mozz Bar

Master chef James Trees owns three restaurants here in Las Vegas that are at the top of the list: Esther’s Kitchen, Al Solito Posto and Ada’s Wine + Tapas.  Now Trees’ soul-satisfying creativity lights up Mozz Bar, his Italian sandwiches food counter at Resorts World’s impressively sprawling food hall. Try the eggplant Parmesan sandwich, with pomodoro sauce, mozzarella, basil + arugula, on a soft house-made sesame roll—it’s the stuff that dreams are made of. Definitely putting Mozz Bar into my regular rotation.


Modern Classic Rock Trio THE BLACK MOODS Debut New Track “She Gets Out” from Third Album Due Spring 2022

DT: NOVEMBER 30, 2021

FM: KELLY WALSH, SRO PR

MODERN CLASSIC ROCK TRIO
THE BLACK MOODS
REVEAL DEBUT TRACK
“SHE GETS OUT”
FROM UPCOMING THIRD ALBUM DUE SPRING 2022
WITH NEW MUSIC VIDEO

WATCH HERE

THE BLACK MOODS—Tempe, Arizona-based modern classic rock trailblazers—are excitingly building on their success with “She Gets Out,” the newly released first track from their as-yet-untitled third full-length album due in spring 2022 (exact release TBA).

The song, with its mix of ringing electric and warm acoustic guitars, delivers a fresh, fiery update of a timeless sound and lyrically continues the storyline of the troubled character from the band’s Top 20 Billboard Active Rock single Sunshine” (also the title track from their most recent album released in 2020).

Watch the “She Gets Out” music video below or directly on YouTube HERE. Directed by Jeremy Simmons, it features concept scenes shot in Los Angeles with live and behind-the-scenes footage from the band’s return to the stage with a sold-out hometown show at The Marquee in Tempe this past May.

She Gets Out” was released last Friday, November 26 via Wit Hustle / The Orchard / Steelhorse Entertainment with an exclusive feature via Loudwire where the band also shared a list of their “Top 10 Best Sequel Songs.” Stream or download the single on all digital platforms here: https://orcd.co/shegetsout.

“‘She Gets Out,’ our newest song, is meant to be a continuation of the character from our last record ‘Sunshine,’” shares THE BLACK MOODS vocalist and guitarist JOSH KENNEDY. “In its title track, ‘Sunshine,’ she’s someone that’s struggling to deal with finding a way to change her life. With ‘She Gets Out,” she makes the decision to take a stand and make her life her own, no matter how scary or what the consequences might be.”

THE BLACK MOODS’ upcoming album was recorded at a makeshift home studio in the Ozarks (hometown of KENNEDY) with Grammy-nominated producer Johnny K (Disturbed, 3 Doors Down)—who also produced their 2020 album SUNSHINE–and includes a remotely recorded track with legendary Grammy award-winning producer Eddie Kramer (Led Zeppelin, The Beatles) who was based in Canada.

SUNSHINE marked several career highlights for the trio despite being released amidst a global pandemic. It saw the band achieve a career highlight by achieving their first-ever Top 20 single, title track “Sunshine” (#16) as well as land three additional Top 30 singles (“Bad News” [#24], “Bella Donna” [#29] and “Whatcha Got[#30]). The band also released a fiery cover of one of their most esteemed musical icons–Tom Petty and the Heartbreakers—with the 1978 single, “I Need To Know,” which has received airplay on SiriusXM’s Tom Petty Radio show.

Known for their engaging live performance, which AZ Central praised stating, They’re absolutely on fire when it comes to their brand of pure and unadulterated hard rock… you get a dynamic show whether its 5 people or 5,000,” THE BLACK MOODS have been seen on stages across the nation with acts including The Doors’ Robbie Krieger, Shinedown, Jane’s Addiction, Whitesnake, The Dead Daisies, Collective Soul and The Gin Blossoms as well as recently being featured at this year’s Aftershock Festival in Sacramento, CA.

Lineup (l-r): Jordan Hoffman (bass, backing vocals), Josh Kennedy (vocals, guitar), Chico Diaz (drums)
Photo Credit: Jim Louvau

For more information on THE BLACK MOODS, please visit:
FACEBOOK | INSTAGRAM | TWITTER | WEBSITE

SRO PR Assets + Releases: http://sropr.com/portfolio/the-black-moods/

###

For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from - Youtube
Vimeo
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google