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Active Rockers PISTOLS AT DAWN Announce Debut Album ‘ASCENSION’ out 8/19 via Megaforce/MRI, Release “The Truth” Music Video

DT: JUNE 16, 2022

FM: KELLY WALSH / SRO PR

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ATLANTA-BASED ACTIVE ROCK GROUP
PISTOLS AT DAWN
ANNOUNCE DEBUT STUDIO ALBUM
‘ASCENSION’
DUE AUGUST 19
VIA MEGAFORCE/MRI ENTERTAINMENT

BAND REVEAL MUSIC VIDEO FOR THOUGHT-PROVOKING
DEBUT RADIO SINGLE
“THE TRUTH”
AVAILABLE ON DIGITAL PLATFORMS TOMORROW, JUNE 17

WATCH HERE | PRE-SAVE HERE

A group of men standing next to a fence Description automatically generated with low confidence Credit: Michael Mueller/ M3 Creative
l-r: Cris Hodges (vocals), Adam Jaffe (drums), Billy Sullivan (bass), Devin White (guitar)
[not pictured: Tommy Richardson (guitar)]

Atlanta, GA-based group PISTOLS AT DAWN deliver hard-hitting hooks, magnetic melodies and intricate instrumentation with old school arena-size ambition on their debut studio album ASCENSION due August 19 via Megaforce/MRI Entertainment. After independently amassing over 6 million streams across streaming and video platforms via previously released singles from their debut 2021 EP NOCTURNAL YOUTH, PISTOLS AT DAWN returned to the studio to work with Grammy Award-winning producer and engineer Sylvia Massy (Tool, System Of A Down, Johnny Cash) on the new release. “Pistols at Dawn is bright, modern, driving aggression with a halo of vintage darkness,” says MASSY. “Angular guitars and other-worldly vocals crown the super-human strength of these tracks, yet lyrically they describe a fragile earth-bound mortality. Pistols at Dawn are poised to roar into a post-isolation world.”

PISTOLS AT DAWN have today (6/16) debuted the riveting music video for the album’s first single “The Truth,” which introduces new vocalist CRIS HODGES who also fronts In The End: The Premiere Linkin Park Experience and has written music for several blockbuster movies including ‘Top Gun: Maverick’ and ‘Baywatch.’ Watch “The Truth” music video streaming below or HERE. “The Truth” nods to nineties alternative with a distinct and dynamic twist. It’s scheduled for release this Friday, June 17 across all digital platforms; pre-save it at ffm.to/padthetruth.

“‘The Truth’ revolves the around the constant noise we have in our head pushing and pulling our emotions so much that we sometimes lose total control and explode,” explains drummer ADAM JAFFE. “We have to be careful to maintain our thoughts and emotions, or ‘The Truth’ is that they could ‘tear us apart.’ The inspiration behind the music video was to show the constant emotional pinball game our minds play on us privately, coupled with the explosive reality of what can happen if we are truly triggered into chaos.”

JAFFE further remarks on adding HODGES to the lineup: “Cris Hodges joining PAD can only be equated to what it must have felt like when Taylor Hakwins joined Foo Fighters or Grohl joined Nirvana. From our very first hour-long conversation to our very first rehearsal and video shoot, it just felt like it was and is meant to be. Cris is an elite front man with vocal abilities sent from the gods. Our guitarist Devin said it best, ‘it feels like home now.’”

PISTOLS AT DAWN “The Truth” Official Music Video

PISTOLS AT DAWNADAM JAFFE [drums], DEVIN WHITE [guitar], BILLY SULLIVAN [bass], TOMMY RICHARDSON [guitar] and CRIS HODGES [vocals]–were originally formed in 2015 but disintegrated after the tragic passing of guitarist Mike Buffa in 2018. They reformed in 2019 before releasing NOCTURNAL YOUTH in 2021 which was recorded with Jeff Tomei (Smashing Pumpkins, Matchbox 20). With live music at a halt due to the global pandemic, the band engaged fans worldwide with an immersive online campaign for the EP’s singles “Cold” “Voices,” “Crown,” and “Now Is The Time” which exploded with over 2 million Spotify streams and 6 million video streams combined.

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ASCENSION Track Listing
1. Under The Surface
2. Fly
3. Keep Me Guessing
4. For You
5. The Truth
6. Gravity
7. Get Away
8. Dictator

Find PISTOLS AT DAWN online:
FACEBOOK | INSTAGRAM | WEBSITE

PR
ASSETS: http://sropr.com/portfolio/pistols-at-dawn/

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For press opportunities, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com

For radio inquiries, please contact:
CO5
Ken Pittman – ken@co5music.com
Todd Sievers – todd@co5music.com

For all other inquiries, please contact:
TLG Entertainment
Denny Sanders – denny@tlgent.com


Vegas Test Kitchen Takes Over Greene Street at The Palms Fridays + Saturdays Through July 30

There’s a lot of reasons to cheer on the newly reopened Palms Casino Resort—the first resort in Vegas now fully owned + operated by a Native American Tribe—after a two-year pandemic closure. 

Chief among those reasons is the massive multi-room Greene Street space, with its colorful + imaginative eye candy including whimsical apocalyptic-chic decor. Really perfect, then, that downtown’s adventurous + acclaimed Vegas Test Kitchen has taken over the space Fridays + Saturdays through the end of July with rotating guest chefs. 

It was an honor to be invited to a media preview dinner ahead of its last Friday official opening, with chef Josh Bianchi helming the first weekend and unveiling a memorable four-course “Rustic American Italian” dinner. 

The artfully prepped antipasto board—with roasted + pickled vegetables, pepperoni croquettes, and focaccia with salsa verde aioli—was a home run, segueing into the silky Thai Snapper Crudo, with fava beans + a wild mushroom agrodolce. Both dishes set the stage for the outstanding entree, the tonnarelli (typical egg pasta shaped like spaghetti), which nicely hung onto the spot-on sausage sauce. Bianchi’s menu was topped off with his Strawberry Rhubarb Pavolva, a meringue-based tart-and-sweet creation that instantly felt like summertime, perfectly matched to these triple digit days.  

The VTK prix-fixe menus are hip, tasty + moderately priced at $59, and the Greene St. space is the perfect venue for them. Go here for the VTK schedule at Greene St:  https://vegastestkitchen.com


JOE PERRY Sets Three Solo July Performances For The Joe Perry Project

DATE: JUNE 13, 2022

FROM: MARCEE RONDAN/MITCH SCHNEIDER

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JOE PERRY
SETS THREE SOLO JULY PERFORMANCES FOR
THE JOE PERRY PROJECT
INCLUDING A HOMETOWN SHOW
IN BOSTON

Legendary AEROSMITH guitarist and songwriter JOE PERRY has confirmed three Northeast solo gigs in July for THE JOE PERRY PROJECT: Thursday July 21 at Hampton Beach Casino (Hampton, NH); Friday, July 22 at Leader Bank Pavilion (Boston, MA); and Saturday, July 23 at the Atlantic City Hard Rock Casino (Atlantic City, NJ). These performances mark the first solo shows for PERRY in more than four years (around the release of his 2018 SWEETZERLAND MANIFESTO album).

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“Since my schedule has freed up and we have a slot of time to play some shows, I wanted to jump on that opportunity,” JOE PERRY says. “Aside from the obvious, terrible effects the pandemic brought with it, I missed being on the road. However, it is actually the first time that myself and my wife Billie were able to sleep in our own bed for this long of a period without having to think about packing our bags. So it has been a new experience for us. Now, I’m really excited to do these shows, especially with this lineup of The Joe Perry Project: Buck Johnson on keyboards (Aerosmith, Doobie Brothers, Hollywood Vampires), Joe Pet on drums (one of the original members of the Joe Perry Project), Chris Wyse on bass guitar (Hollywood Vampires, The Cult and Ozzy Osbourne) and the incredible Gary Cherone on vocals.”

The Rock and Roll Hall of Fame inductee continues, “The setlist will have a couple of new songs, a couple of my other solo songs, and a couple of Aerosmith songs that Aerosmith usually doesn’t play, and everything in between, lol…”

“I am also releasing another solo album on vinyl called Sweetzerland Manifesto MKII later this year, so it seemed like the perfect opportunity to get some of the new songs out there. And since people will probably be sharing the new tracks on social media, the two new songs from the set—which I recorded in London with my sons Roman and Tony–are “Quake,” with vocal by Gary Cherone and “Fortunate One” which features Chris Robinson. The new album will also include a couple of songs from the first release (Sweetzerland Manifesto), some of which weren’t ready to go on that initial record.”

Following these shows, PERRY will return to his Aerosmith commitments. “We are gearing up to celebrate the 50th anniversary of the band and will definitely have some incredible forgotten treasures for our fans that we found deep-diving into the vaults and there’s a lot more to come! On the live side, we can’t wait to get back on the stage together! We have a special date in Maine in September and our big 50th anniversary show at home at Fenway [Boston] before we head back to Vegas for the two residencies.”

DATE VENUE CITY

Thurs, July 21 Hampton Beach Casino Hampton, NH
**Fri, July 22 Leader Bank Pavilion Boston, MA
Sat, July 23 Atlantic City Hard Rock Casino Atlantic City, NJ

**Special guest with ZZ Top

For more information, visit:

joeperry.com
http://facebook.com/OfficialJoePerry
twitter.com/joeperry
https://www.instagram.com/joeperryofficial/

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QUICK HITS: Mochinut in Chinatown; Derek Hough’s “No Limit” Venetian Residency; Sand Dollar Opens Second Location Downtown: Vegas’ Non-Stop “Fest Life”; The Outstanding Allegro at the Wynn


MOCHINUT CRAZE
: Didn’t learn until recently that Vegas is known as the “ninth island” of Hawaii since many native Hawaiians have settled in Southern Nevada. Which explains why there are so many Hawaiian restaurants in Vegas. And you can grab a quick taste of Hawaii here in Chinatown at the worldwide chain Mochinut which serves the Mochi donut—a union of Japanese rice cake (mochi) + American-style doughnuts that originated in Hawaii.



DEREK HOUGH’S CREATIVE VISUALIZATION: Dropped into Derek Hough’s “No Limit” show at the Venetian. There were of course the insanely great how-did-they-do that? dance moves. And then there was Hough as uplifting motivational speaker…someone who creatively visualized himself right into a packed high-end showroom on The Strip.



SAND DOLLAR DOWNTOWN OPENS
: On a recent hot Thursday night, there were cool grooves at the opening bash for the The Sand Dollar Downtown, at the Plaza Hotel, with sets from Billy Gibbons, Franky Perez and John Popper. This sharp-looking + excellent-sounding space is the second Sand Dollar location—the original one is still rocking in Chinatown. Thanks to marketing guru Eric Gladstone for the invite and Chris Vranian for letting me use your ace live shots. 


“CITY OF MUSIC FESTIVALS”: Like  a buffet that keeps adding new food stations, the jammed Las Vegas festival calendar continues to expand Vegas is “a town that could add City of Music Festivals to its already-bursting résumé,” writes Brock Radke in the recent  “Fest Love” cover story of Las Vegas Weekly. This publication, expertly edited by Spencer Patterson, keeps pointing me in the right directions when it comes to restaurants, shows + other cultural happenings. Read about it here: 

 https://lasvegasweekly.com/news/2022/may/19/festival-vegas-how-this-city-became-music-mecca/


OUTSTANDING ALLEGRO AT THE WYNN: Really nice to have a top-shelf Italian restaurant like Allegro at Wynn Las Vegas which we’ve now been to twice before shows at the Encore Theater Their Caesar salad is one of the best around, and we followed it with their artfully prepared Foccacia Pizza (mozzarella, cream cheese, smoked salmon, capers) and the Potato Gnocchi, with an excellently blended pork, veal + beef bolognese, burrata cheese + pine nut pesto. Couldn’t finish the pizza—no way—so they packed it up for us in this fancy box that will be hard to throw away.


NYC Rocker LORNE BEHRMAN Today Shares “A Little Midnight”—First Single And Video From Upcoming Debut Album (Out 9/16)

DT: JUNE 9, 2022

FM: MITCH SCHNEIDER/ANDREA FAULK/SRO PR

LORNE BEHRMAN
TODAY SHARES “A LITTLE MIDNIGHT,”
FIRST SINGLE AND VIDEO FROM
UPCOMING DEBUT ALBUM OF THE SAME NAME
OUT SEPTEMBER 16 ON SPAGHETTY TOWN RECORDS
WATCH THE “A LITTLE MIDNIGHT” VIDEO HERE

AND READ A NEW Q&A BELOW

Lorne Behrman; Photo credit: Katherine Ward
(Download)

Coming off his acclaimed 2021 four-song EP When I Hit The Floor–which prompted the esteemed Jesse Malin to praise it as Real blood and guts rock and roll that bleeds with soul and redemption”–NYC punk rock n’ roll singer-songwriter-guitarist LORNE BEHRMAN today (June 9) shares the video for “A Little Midnight.” It’s the first single (out digitally this Friday, June 10) from his debut album of the same name, available September 16 on Spaghetty Town Records. Watch the video, directed by David J Barron, here and read a new Q&A below. It was premiered yesterday (June 8) by Glide which noted that the song “features a blackened riff howl of punk bands like The Damned and The Gun Club mixed with pop sensibilities of The Replacements. When Behrman sings “A little midnight/ it’s alright/A little midnight/does you right,” listeners get a gracious sense of rock and roll escapism at its most pure form.”

The “A Little Midnight” single is a slice of dirty rock n’ roll scrapped off of the streets of the Bowery with an introspective heart from the artist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things. “The moonlight looks on good you/Not darkness just silver blue/A little midnight/it’s alright/A little midnight/does you right,” sings LORNE on the song.

A LITTLE MIDNIGHT is a 10-song collection is a series of New York City vignettes haunted by shadows but guided by light. The words here are literate and lacerating, recalling the street poetics of Lou Reed, Richard Hell, and Television. The songs feature stark and fluid guitar playing in the spirit of The Stooges’ James Williamson, Johnny Thunders, and Lou Reed.

“This album is about struggling to be reborn,” LORNE shares. “Wanting to run back to the arms of toxic people or the patterns of self-destruction. It’s about clawing your way to a new existence while acknowledging all the causalities, and all you’re letting go. You glimpse a new life, but you don’t feel it yet.”

The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). A LITTLE MIDNIGHT was mastered by Grammy-nominated engineer Joe Lambert. Wyldlife bassist Spencer Alexander designed the album artwork, and it is a subtly playful homage to the cover of Tom Petty and the Heartbreakers’ Damn the Torpedoes.

The track listing for A LITTLE MIDNIGHT is:

01 – Love Stumbles By
02 – Harlem River Serenade
03 – I Can Burn You Down
04 – Monday Morning
05 – Well, I Can’t Hold You
06 – A Little Midnight
07 – You Wont Live In This Past
08 – I Hope The Sun Doesn’t Catch Us
09 – Black Cars
10 – Further On Down The Road

 

“A Little Midnight” Single Cover Art
(Download)

Q&A with LORNE BEHRMAN ABOUT THE SONG + VIDEO
“A LITTLE MIDNIGHT”

–What inspired you to write “A Little Midnight,” which is also the title of your upcoming album, and release it as the first single? It’s a punchy and upbeat song, with your angular guitar work and almost conversationally delivered vocals. It also possesses the lyrical urgency you’re becoming known for.

It came down to me having a bad day where a lot of normal but challenging life things were stacking up. I was nervous about paying bills. I had taken my cat to the vet, it looked like she was really sick, and I was waiting on results. And someone in my family was struggling with some serious mental health issues. I felt overwhelmed. When I feel that way, I want to escape from it all. But I couldn’t—it’s real life; it’s being an adult. I was so worried and I sat on the couch and picked up my guitar and sang and played that opening line, “I don’t want to run away again/my problems like feathers in the wind.” It gave me a lot of comfort—like a punk rock n’ roll lullaby to ease my fears. A lot of times the problems we have in life seem more manageable on the other side of the day. Like hang on for a bit, the strength and wisdom to deal with your problems will come.

My decision to release it first was that I feel like it set the tone for the album which is hope. It’s a personal and candid album about my life, but there is an optimism and warmth there, even in the sadness and aggressive parts of the music. There’s always, always hope in my music. Always.

–When you sing the lines, “Cracked sidewalk/crooked roots/Shoot up till you fade away,” are you writing about your own experiences?

That was a poetic image on my street. A tree coming up at an angle from the sidewalk and cracking the sidewalk, and next to it on the ground, a hypodermic needle. The image was just really metaphorically powerful.

–The song clocks in at 1:47 seconds. How do you feel that short length benefits the song?

I love the idea of a little dose of strength or a quick jolt into resilience. The thought being, maybe someone is having a hard time, and they can take less than two minutes and “A Little Midnight” will reset them and make them feel better. For me, punk rock always made me feel better quickly. When it’s the right song, you only need to hear a small amount of it to feel centered, hence, the lyric A little midnight/ it’s alright/A little midnight it does you right.

–As with the EP, the upcoming album was produced by Matt Chiaravalle. Can you talk about why you feel his production style is the perfect fit for your songs?

The main thing is I trust Matt. He will tell me when something is up to par, or if a song needs something else, or if I am missing the mark. He’s honest, blunt, but also says things in a way that makes you feel like you can achieve the ideal he sees. Matt is also really eclectic and can reverently realize lots of different musical visions. We can nerd out about Motown, guitarist Robert Quine, 1990s punk, the Stones, Dylan, the Cure, Television, Lou Reed, and he knows the ins and outs of those classic records. In addition to being a great producer, he’s also a great engineer. He gets great tones, can coax great performances out of musicians, and he’s fast in the studio. He’s also hilarious, and I find myself laughing about things we talk about in the studio for weeks after a session. Matt doesn’t give a lot of compliments, and when he says he likes something or a song is good it’s for real. I admire his honesty. He brought out the best in me, and I am so grateful.

–For the video, you went with a fun and light-hearted feel. You’re seen a photo shoot, having playful + flirty exchanges with Paige Campbell, the song’s back-up singer. What inspired you to take this approach and who directed the video?

I was telling the director David J Baron about the meaning of the song and the story that inspired it. He thought it would be interesting to explore the narrative with levity. We talked about the great Replacements video for “Bastards of Young,” and the idea of a video where everything goes wrong.

Paige is like a sister to me, and we’ve been guiding lights with each other’s music careers. I’ve played on a few of her recordings for her band How Tragic before they found their guitar player. So, doing things together, and me being playfully annoying, is part of our lives as close friends and collaborators, especially that scene with the guitar solo.

When we shot the video it was me, Paige, director David, and my fiancée, Danielle, just hanging out at a studio having fun. Just friends laughing and doing something low key. It was a lot of fun and very loose, and I wasn’t self-conscious. However, when I first saw the video, I was nervous because I felt like all the “uncool” things about myself were exposed. I showed it to Paige and Danielle and they were like “that is you,” and that made me feel like I should just got with it. I was overthinking it, and taking myself too seriously.

WEBSITE
FACEBOOK
INSTAGRAM

SRO Press Releases + Assets:
https://sropr.com/portfolio/lorne-behrman/

A person holding a guitar

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‘A Little Midnight’ Album Cover
(Download)

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THE BLACK MOODS Go Back To School In Rebellious Music Video “Youth Is Wasted On The Young”

DT: JUNE 9, 2022
FM: KELLY WALSH, SRO PR

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THE BLACK MOODS
GO BACK TO SCHOOL IN NEW MUSIC VIDEO FOR
“YOUTH IS WASTED ON THE YOUNG”

WATCH HERE

THIRD ALBUM ‘INTO THE NIGHT’ OUT NOW
VIA WIT HUSTLE / THE ORCHARD / STEELHORSE ENTERTAINMENT
STREAM/DOWNLOAD NOW

Phoenix, AZ-based trio THE BLACK MOODS mix hard-hitting rock with electric blues, strong attitude, and plenty of anthemic choruses on their newly released third studio album INTO THE NIGHT out now via Wit Hustle/The Orchard / Steelhorse Entertainment. Produced by Grammy Award-nominated producer Johnny “K” Karkazis (Disturbed, 3 Doors Down), INTO THE NIGHT “blends the most elemental components of rock and roll music into new songs that achieve a nearly-perfect balance of guts, glory, guitar, and big-league hooks,” according to Rock & Blues Muse who further praised the band as “one of the most crucial and exciting American bands working today.”

THE BLACK MOODSJosh Kennedy (vocals, guitar), Chico Diaz (drums) and Jordan Hoffman (bass)—have today (June 9) released a farcical music video for their vibrant and punchy single “Youth Is Wasted On The Young” following its exclusive premiere via MXDWN yesterday. The video was filmed at Combs High School in San Tan Valley, AZ and includes appearances from the school’s principal and student members alongside the band throughout various skits. Watch it streaming below or on YouTube HERE.

Loaded with rebellious lyrics (“You don’t like the like the way I spend my time / You don’t like the way we live our lives / You always let me know it’s on your dime / You act like being young is such a crime”), the song’s message of nonconformity is relatable to all generations.

Sharing how the song developed, Kennedy says, “The guys and I were hanging out in the studio jamming away and this song started crawling out. The hook line came right to me. I could hear it immediately. The first lines I wrote were the last ones in the song, ‘There’s no life where there’s no love, Youth Is Wasted On The Young’…it just flowed. The rest of it came out a few weeks later once everything was shut down due to Covid and reality had time to sink in. We felt like little kids being grounded, not allowed to go out and play, so we wrote it from that perspective.”

When it came to coming up with a video concept for “Youth Is Wasted On The Young,” Kennedy remarks, “We had a couple ideas as to what we wanted for the video. We wound up getting the option to take over a high school for a couple days, so we HAD to go with that. All the locations in one place, it was a no-brainer. A good friend of ours that we met from playing shows in Arizona and Mexico was retiring from his principal gig and asked us if we wanted to take over his school for a couple days. We couldn’t pass that up! Initially we were just gonna shoot some short videos for social media and then play a few songs for the kids, but inspiration struck. We brainstormed for a couple hours and storyboarded it out and it worked. We are huge Foo Fighter fans, to say the least. Their videos are amazing. We are most definitely paying homage to those guys in this video. It’s got a ‘Learn To Fly’ meets ‘Sabotage’ vibe for me. We are also fans of the Naked Gun movies as well as anything Broken Lizard does, so we obviously don’t take ourselves too seriously.”

THE BLACK MOODS – “Youth Is Wasted On The Young” Music Video

THE BLACK MOODS are currently in Mexico taking part in Roger Clyne & The Peacemakers’ annual Circus Mexicus festival (June 9 & 10) and will then return to Arizona for upcoming headlining shows in Tucson and Pinetop-Lakeside before making their way West for a stop in Wisconsin with Scott Stapp. Current upcoming shows can be found listed below. Stay tuned for further summer tour dates to be announced in the coming weeks.

INTO THE NIGHT is available to stream/download now at https://orcd.co/tbmintothenight.

Limited-edition autographed CDs (300 total) are also still available on their webstore HERE.

THE BLACK MOODS Tour Dates:
6/9 & 10 – Puerto Penasco, MX @ Circus Mexicus
6/18 – Tucson, AZ @ The Rock
6/24 & 25 – Pinetop-Lakeside, AZ @ Weekend In The Pines
7/23 – Wisconsin Dells, WI @ Crystal Grand Music Theatre (w/Scott Stapp)

Find THE BLACK MOODS online:
FACEBOOK | INSTAGRAM | TWITTER | WEBSITE

SRO PR Assets + Releases: http://sropr.com/portfolio/the-black-moods/

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


Mammoth, Inc. Expands Footprint With New York City Office; Mammoth Northeast To Be Headed By Industry Veteran Sean Striegel

DATE: JUNE 8, 2022

FROM: MARCEE RONDAN

INTRODUCING
MAMMOTH NORTHEAST
NEW YORK OFFICE TO BE
HEADED BY INDUSTRY VETERAN
SEAN STRIEGEL

Leading Midwest promoter Mammoth, Inc. is expanding their footprint by opening a New York City branch and launching Mammoth Northeast. The New York office (in the city’s historic South Street Seaport area) will be headed by industry veteran Sean Striegel.

With more than three decades of experience as one of the nation’s leading talent buyers, Striegel brings his expertise in concert buying and event production to Mammoth, establishing an east coast presence for various live events ranging from clubs and arenas to national tours.

“The Mammoth team has worked hard at creating a forward-thinking, artist friendly business that serves the customer,” Sean Striegel says. “Adding my decades of experience in the live music industry to what Mammoth has built is a natural fit. Combining all of our knowledge and perspective will amplify the great service that artists, agents, managers, venues, and fans have come to expect of Mammoth.”

“We’ve had a long working relationship with Sean that’s developed into a close friendship,” says Mammoth’s Jeff Fortier. “His renowned booking abilities are a huge asset and addition to Mammoth’s capabilities. We’re very excited to have him as part of the growing team.”

Mammoth’s Josh Hunt notes, “Growth is organically happening within Mammoth, when the opportunity to include Sean on the east coast presented itself, it just made sense. We can’t think of anyone better suited to take on the responsibility of opening and running a Mammoth Northeast office.”

This news comes on the heels of the announcement of Mammoth’s expansion into the Pacific Northwest as a result of their recently announced establishment of Mammoth Northwest, a merger with Portland, Oregon’s Mike Thrasher Presents. Read more here.

Launched in 2006, Mammoth produces a wide array of live events including concerts and festivals, as well as national tours. Mammoth’s events range in size from small club shows to amphitheaters and arena shows (including more than 50 historic indoor theaters). The company is headed by Jeff Fortier and Josh Hunt, who together have over 55 years of combined music industry experience. With home offices in Lawrence, KS and Kansas City, MO, Mammoth produces more than 1,000 concerts and live events across the country per year, and those numbers sure to grow with the addition of Mammoth Northeast and Sean Striegel.

For more information, please visit https://www.mammothlive.com/

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“Piece of Me,” New Murder Mystery Web Series, Celebrated with 80s Prom Murder Mystery Dinner at Downtown Vegas’ Millennium Fandom Bar

It’s always a joy to support the vibrant creative community here in Las Vegas, so with that in mind I headed last week to the fun “Piece of Me” 80s Prom Murder Mystery Dinner, a benefit at downtown’s highly cool Millennium Fandom Bar.

The event raised funds for the cast of the new “Piece of Me” murder mystery/dark comedy web series about the COVID-19 pandemic—the pilot for which is now streaming on IFT Network—and The Shade Tree of Las Vegas which assists the women, children, and pets at their shelter who’ve survived domestic violence, human trafficking, and homelessness. Watch the “Piece of Me” trailer here. All six episodes will eventually stream on IFT, an online  platform for indie films and off-Broadway plays, later this month: http://www.iftnetwork.com

I caught up at the event with Darlene Dalmaceda, the producer, actress, and screenwriter who owns ACE Vegas Studios, an independent film production company. She wrote most of “Piece of Me” (collaborating with another screenwriter, Randall Potts) and stars in it as Lisa, the main character.

What exactly inspired “Piece of Me” which was filmed in Vegas and directed by Nicholas Grant?

“It’s based on a real-life incident right before the pandemic when a nerdy young pizza delivery driver came to my door and asked me all kinds of inappropriate questions that creeped me out,” said Dalmaceda. “After I called and complained to the female manager who seemed to know who I was talking about, I wrote the first draft of the pilot. I put it away for a while, but when the pandemic hit, I decided to create a limited web series about it. I couldn’t work on my bigger scale projects because of the Covid restrictions that were in place last year, but I still wanted to do another film project, just on a smaller scale.”

Dalmaceda went on to elaborate that “Lisa is a paranoid young woman who takes social distancing to the extreme. She’s being stalked by an obsessive pizza delivery driver while under quarantine at her apartment and must figure out a way to escape from him, even if it ends up in murder.”

The pandemic has definitely kicked all of our collective asses, and in some cases inspired creatives like Darlene Dalmaceda to use it as a thematic jumping off point for their projects. With “Piece of Me,” Dalmaceda has created a dark comedy designed to get under your skin and follow you around like a stalker.




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