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Femme Fatale Metal Artist VANA Reveals ‘Disturbing & Unapologetically Hot’ Video for “Serpentine”; New EP Out Now

DT: NOVEMBER 19, 2024

FM: KELLY WALSH, SRO PR

DISRUPTIVE FEMME FATALE METAL ARTIST
VANA
UNLEASHES
‘DISTURBING AND UNAPOLOGETICALLY HOT’
MUSIC VIDEO FOR LATEST SINGLE
“SERPENTINE”
ALONGSIDE RELEASE OF SOPHOMORE EP
‘TRIAL AND TERROR’
OUT NOW VIA REBELLION RECORDS

WATCH “SERPENTINE” VIDEO HERE

STREAM/DOWNLOAD EP HERE

A person with red hair and a chain around her neck Description automatically generatedVANA (Download HERE)
Credit: SADSWIM

New Zealand-based, Anaheim-born artist VANA merges brutal metal riffs with haunting electro-pop elements, offering a glimpse into a world where horror, femininity, and raw intensity collide on her sophomore EP TRIAL AND TERROR. Stream/download the album out now via Rebellion Records–digitally HERE. The singer, songwriter, and self-taught musician captured global attention earlier this summer with her breakout single “Beg” which independently amassed over 7 million streams and 1.7 million video views. VANA’s boundary-pushing sound serves as an open invitation to those who might feel out of place in traditional metal spaces, making her an approachable bridge into heavier music for women and queer audiences and has earned her acclaim from international media including Rolling Stone Australia, Vice New Zealand, NZ Musician, Rova, and more.

“‘Trial and Terror’ is my experiment in pushing every boundary possible while rooting it in a metal foundation,” exclaims VANA. “I aimed to make the EP as extreme as I could, bringing horror, sexuality, and raw psychotic lyrics to a point where it feels almost unhinged. There’s a lot of commentary there; it’s like I’m mocking the narrow and contradictory expectations people place on women in entertainment. ‘Be sexy but not too sexy; edgy but not too dark.’ I turned up every dial to the maximum and leaned into the absurd. The EP feels chaotic…each track is different from the last, as if every song is a new trial in itself. I like to think of my performance as a kind of ‘drag’ act, drawing inspiration from queens who embody intensity and unapologetic self-expression. Some people find this EP polarizing which to me means I did it right. I want to be abrasive, to be felt.”

VANA has today, November 18, shared a provocative music video for the EP single “Serpentine.” Watch it streaming below or via YouTube HERE.

“With this music video I wanted to dive deep into horror and reinterpret a familiar story with raw, seductive energy,” says VANA. “The song plays on the story of Eve from a twisted perspective, where Lilith seduces her into a snake servant. It’s disturbing and it’s also unapologetically hot. Working with a cast of women and a queer female director was essential to capturing the essence of what it feels like to be a queer woman, bringing an authenticity that embraces the passionate, almost primal side of sapphic love—not just the ‘innocent’ depictions people are used to where two women fall in love and get a cottage on a farm and bake each other pies. Viewers who look closely at the plot will see Lilith isn’t the serpent herself; she’s corrupting Eve, turning her into one of her many serpent minions. It’s a thrill to bring this level of intensity to the screen, playing with horror and seduction and the unsettling beauty of transformation.”

VANA – Trial And Terror EP Artwork (Download HERE)

TRIAL AND TERROR Track listing:

  1. RAGDOLL
  2. BEG!
  3. HARLQUINN!
  4. PLAYBOi (FEAT. SOPHIEPOWERS)
  5. NOXIOUS
  6. Clandestine
  7. SERPENTINE

ABOUT VANA:
Despite having no formal music training and being raised in a small rural town in New Zealand, VANA is self-taught—a feat that reflects her fierce dedication to her craft. She draws inspiration from artists like Pierce the Veil, Sleeping with Sirens and Bring Me The Horizon who shaped her early musical tastes, as well as current trailblazing women in metal like Courtney LaPlante, Maria Brink, and Poppy.

VANA released her debut EP Die For Me! in 2023 which MMF applauded stating “Vana’s ability to seamlessly blend genres, her evocative storytelling, and her dedication to addressing LGBTQ+ themes in her work make ‘Die for Me!’ a standout in the world of dark pop music.”

She has built a strong online fanbase via her Twitch stream where she engages daily with fans over shared interests of music, horror movies, fantasy/role-play gaming (i.e. (Dungeons & Dragons, Baldur’s Gate) and more. She’s also amassed over 34.7 million views on TikTok and over 910k followers.

VANA is passionate about creating an inclusive, empowering space within the metal genre allowing for representation and visibility for all walks of life without fear of judgment or exclusion. Through her unfiltered lyrics, chaotic soundscapes, and magnetic presence, VANA aims to redefine what it means to be a metal artist in today’s society.

Find VANA online at:
WEBSITE | IG | X | TIKTOK | TWITCH | YOUTUBE | SPOTIFY

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


BRIT FLOYD Team With ALAN PARSONS For An Exclusive Limited Run Of West Coast Dates In Summer 2025

DATE: NOVEMBER 18, 2024

FROM: MARCEE RONDAN/MITCH SCHNEIDER/ANDREA FAULK

PALLADIUM ENTERTAINMENT PROUDLY PRESENTS
BRIT FLOYD AND ALAN PARSONS
FOR AN EXCLUSIVE LIMITED RUN OF
WEST COAST DATES IN SUMMER 2025

A poster with a person and a picture of a person Description automatically generated

BRIT FLOYD—”widely recognized as the world’s premiere Pink Floyd experience…” by Rolling Stone—and ALAN PARSONS have collaborated to bring an extraordinary tour to the West Coast in summer 2025, creating a thrilling experience for fans of progressive and psychedelic rock. Presented by Palladium Entertainment, the exclusive limited engagement run spans several key venues across California and Nevada, kicking off July 11 at the iconic Greek Theatre in Los Angeles with stops in San Diego, CA, Reno, NV and Murphys, CA. The pairing of these artists will capture the essence of live music that both BRIT FLOYD and ALAN PARSONS are renowned for. The shows will highlight the artists’ unique and captivating blend of musical innovation and tribute art, each bringing their distinct essence to the live stage, while the intricate light show and impeccable sound quality will captivate concertgoers.

Brit Floyd

BRIT FLOYD capture the iconic sound, intricate compositions, and psychedelic visuals that made the original band legendary. Their dedication to authenticity has garnered them a loyal following worldwide, as they pay homage to the monumental contributions of Pink Floyd to rock music. Consisting of a talented group of musicians, BRIT FLOYD‘s performances are immersive experiences, meticulously recreating Pink Floyd’s illustrious catalog’s sonic depth and atmospheric qualities.

Alan Parsons

This unique pairing teams BRIT FLOYD with ALAN PARSONS—a distinguished figure in the music industry, renowned for his work as a sound engineer, producer, and musician. PARSONS gained fame for his engineering work on albums such as the Beatles’ Abbey Road, Al Stewart’s Year of the Cat, as well as his role in crafting one of the best-selling albums of all time—Pink Floyd’s The Dark Side of the Moon, which has sold over 45 million copies worldwide. The Alan Parsons Project, his symphonic rock band, further solidified his reputation with hits that combined elaborate production and progressive rock elements.

DATE CITY VENUE
July 11 Los Angeles, CA Greek Theatre
July 12 San Diego, CA Cal Coast Credit Union Open Air Theatre
July 15 Reno, NV Grand Sierra Resort
July 18 Murphys, CA Ironstone Amphitheater

Brit Floyd – The World’s Greatest Pink Floyd Experience
Facebook: @britfloydoffical
Instagram: @britfloydband
Twitter (X): @britfloydband
YouTube: @britfloydofficial

Alan Parsons
Instagram: @Alanparsonsmusic
Facebook: @alanparsons
Twitter (X): @alanparsons

PALLADIUM ENTERTAINMENT GROUP

Contacts:

SRO PR

National:
Mitch Schneider, mschneider@sropr.com
Marcee Rondan, marcee@sropr.com

Tour:
Andrea Faulk, afaulk@sropr.com

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ROSS VALORY Rolls Out New Film Noir-Inspired Video For “Touched, Pt. II” From His Debut Solo Album ‘All Of The Above’ As Four-Part YouTube Live Performance Series Wraps

DATE: NOVEMBER 18, 2024

FROM: MITCH SCHNEIDER/MARCEE RONDAN, SRO PR

ROSS VALORY,
THE ORIGINAL JOURNEY BASSIST
AND SONGWRITER,
ROLLS OUT NEW FILM NOIR-INSPIRED VIDEO FOR
“TOUCHED, PT. ll”

TRACK FEATURED ON HIS DEBUT SOLO ALBUM
‘ALL OF THE ABOVE’
WRAPS FOUR-PART YOUTUBE LIVE PERFORMANCE SERIES,
“THE SANDBOX SESSIONS”

A person playing a guitar on a stage Description automatically generatedCourtesy of Ross Valory, captured here during “The Sandbox Sessions”

ROSS VALORY has rolled out a new video for “Touched, Pt. ll,” a track from his debut solo album ALL OF THE ABOVE (OID Music). This film noir-inspired video is the the latest collaboration between the original Journey bassist and songwriter and video director Michael Cotten. He has also created the visually arresting videos for the album’s previous tracks: “Tomland (the album’s hypnotic first single), Wild Kingdom (with its Latin-fired intensity), and Windmill (defined by its Brazilian flair), his interpretation of War’s classic cruising anthemLow Rider and Nightflower” (a pastoral ribbon of music featuring Journey founding member George Tickner and longtime bandmate Steve Smith, along with Steve Roseman of Cold Blood).

VALORY hasn’t announced shows yet in connection with ALL OF THE ABOVE (which was released April 19), but he’s flexed his performance chops with a four-part YouTube live performance series billed as “The Sandbox Sessions.” “Until I play out, I’m Playing In!” says ROSS.

Recorded at his Northern California studio, the live performance clips debuted last month and feature VALORY, bass; Bobby Strickland, sax; Paul Spina, drums; Eric Levy, keyboards; and Vernon “Ice” Black, guitar, vocals on a series of cover songs: “Root Down” (Jimmy Smith), “Big Legged Woman” (Freddie King), “Cissy Strut” (The Meters), and “If You Want Me To Stay” (Sly & the Family Stone).

Here’s a Q&A with ROSS about the YouTube live performance series:

What motivated you to create the YouTube video covers series?

ROSS VALORY (RV): So many people have been waiting for me to perform and have been asking–for more than the year–when I’m going to play out. That will eventually happen but, in the meantime, I’ve decided to ‘play in!’

How was it decided which songs all of you would play?

RV: Rather than going to the trouble to assemble a small orchestra, in order to perform the album material in the way I envisioned it, Idecided to just have fun, with some great players at hand to perform some cool cover tunes.

It’s interesting that your debut album featured another cover, “Low Rider.” Did that influence this series?

RV: “Low Rider” definitely influenced me to do more cover tunes, most of which I’ve rarely had the opportunity to play in the past.

Can you tell us about the musicians you featured and how you assembled the group?

RV: I’ve been working with these same local musicians over the last three years. They have appeared in my music videos and we’ve also recorded yet-to-be-released material. It’s been very convenient and so easy to work up these cover tunes, as these players are quite talented and versatile.

Where and when was the series recorded?

RV: The Sandbox Sessions were recorded in August at my studio, which has made it very easy for us to step away from new music projects to do some jamming.

Is there any plan to release the songs as a stand-alone recording?

RV: It is possible that some of these songs from the Sandbox sessions could be recorded as standalone pieces, but there are no plans for that yet.

What’s next for you in 2025?

RV: I plan to release more material in 2025, from music I have recorded over the last three years. In the meantime, I will be recording performances for the release of Sandbox Sessions Volume Two!

ALL OF THE ABOVE) was produced by VALORY and co-produced by Eric Levy and Jacob Stowe. The nine tracks on the album represent the full maturity of VALORY’s musical gifts, cutting a broad swath through the instrumental territory the music travels. He plays keyboards, guitar, and, of course, many basses in a display of cultivated virtuosity across a palette far broader than could be found in his work with Journey. He is stepping out from behind his bass and, for the first time in his more than half-century as a professional musician, representing his vision and his compositions.

A group of people playing instruments Description automatically generatedCourtesy of Ross Valory

 

A statue of a person with weights on a record Description automatically generatedAlbum cover for ALL OF THE ABOVE
Credit: Prairie Prince

FACEBOOK
X
INSTAGRAM
YOUTUBE
SRO PR Press Releases + Assets HERE

Contact:

SRO PR
Mitch Schneider, mschneider@sropr.com
Marcee Rondan, marcee@sropr.com

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FINISH TICKET Release Holiday Cover of “White Christmas”

DT: NOVEMBER 15, 2024

FM: KELLY WALSH, MITCH SCHNEIDER/SRO PR

ALT-ROCK OUTFIT
FINISH TICKET
RELEASE HOLIDAY COVER OF
“WHITE CHRISTMAS”
AND SHARE ITS WISTFUL MUSIC VIDEO

WATCH HERE | STREAM HERE

BAND’S SOPHOMORE ALBUM
‘ECHO AFTERNOON’
OUT NOW VIA BETTER NOISE MUSIC

Alt-rock outfit FINISH TICKET have released a stripped-down cover of the timeless holiday favorite “White Christmas,” arriving just in time to set the perfect mood for the holiday season. Listen to the Bay Area band’s wistful take—out digitally today, November 15, via Better Noise Music—via your preferred platform HERE. The band—Brendan Hoye (vocals), Alex DiDonato (guitar), Gabe Stein (drums), and Ryan Blair (bass)—have also shared an intimate music video for “White Christmas,” in which the guys are seen wistfully singing and playing the tune. Watch it streaming above or directly via YouTube HERE.

FINISH TICKET – “White Christmas” Single Artwork (Download HERE)

FINISH TICKET released their second full-length album, ECHO AFTERNOON, this past September via Better Noise Music. Co-produced by the band alongside Jim Kaufman (Danny Worsnop, Helmet, Atlas Genius) and Michael Coleman (Chappell Roan, Sure Sure, Em Beihold), ECHO AFTERNOON’s 12 tracks show the band at their most vulnerable as they take listeners on an emotional roller coaster narrating the struggles and anxiety of being stuck in limbo while trying to find an escape to a brighter future. “‘Echo Afternoon’ captures the raw energy and introspective songwriting that fans fell in love,” lauds Asteria Zine who further calls it a standout that channels the band’s signature mix of emotional depth and catchy hooks.” Find ECHO AFTERNOON on CD, vinyl, and digitally at https://finishticket.ffm.to/echoafternoon.

FINISH TICKETECHO AFTERNOON Album Artwork (Download HERE)

FINISH TICKET’s 2014 debut album Tears You Apart (Atlantic Records) saw the band make their debut late-night TV performance on “Late Night With Conan O’Brien” alongside a wave of sold-out shows across the Bay Area. In 2019, they self-released the hit track “Dream Song,” which garnered over 4.1 million streams, and embarked on a successful headlining tour, selling out multiple venues across the country before COVID pandemic put a halt to live events. FINISH TICKET spent the next three years writing and recording Echo Afternoon, signing to Better Noise Music and continuing to perform across the U.S. including festival appearances at Lollapalooza and Innings Fest.

A group of men standing in front of trees Description automatically generatedFINISH TICKET (Download HERE)
l-r: Ryan Blair (bass), Alex DiDonato (guitar), Brendan Hoye (vocals), Gabe Stein (drums)
Photo Credit: Brit O’Brien

Find FINISH TICKET online:
WEBSITE | FB | IG | TWITTER | TIK TOK | YOUTUBE
SPOTIFY | APPLE | AMAZON | DEEZER | PANDORA

SRO PR Assets: www.sropr.com/portfolio/finish-ticket

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ABOUT BETTER NOISE MUSIC
BETTER NOISE MUSIC is the premiere independent music label under BETTER NOISE ENTERTAINMENT, a content creation, and marketing company that produces music, books, films, documentaries, TV shows, theatrical productions, and tours. Better Noise Music founded in 2006 by music industry veteran and independent pioneer Allen Kovac, focuses on artist development and has grown into a music industry independent powerhouse, with a roster including Five Finger Death Punch, Asking Alexandria, Bad Wolves, Dirty Heads, Nothing More, The HU, From Ashes To New, Cory Marks, and Fire From The Gods. Partnering with FUGA, AMPED, and Membran, the company operates a global marketing and distribution platform with offices in New York, Los Angeles, London, Berlin, Toronto, and Sydney. The label was named Billboard’s #1 Mainstream Rock Airplay Label and #1 Mainstream Rock Airplay Imprint of 2022. The label has made history by ranking as the #1 Mainstream Rock Airplay Imprint for five years in a row (2018-2022).

CONNECT WITH BETTER NOISE
Website | Facebook | YouTube | Spotify | Instagram | Twitter | TikTok

###

For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
Mitch Schneider – mschneider@sropr.com


THE FUNERAL PORTRAIT Land First #1 Single; Celebrate 10-Year Anniversary With “Casanova (Beyond The Abyss)”

DT: NOVEMBER 15, 2024

FM: KELLY WALSH, MITCH SCHNEIDER / SRO PR

THE FUNERAL PORTRAIT
LAND FIRST-EVER #1 SINGLE ACROSS
ROCK RADIO CHARTS
WITH
“SUFFOCATE CITY (FEAT. SPENCER CHARNAS OF ICE NINE KILLS)”
CELEBRATE 10-YEAR ANNIVERSARY
BY THANKING FANS WITH NEW VERSION OF
“CASANOVA (C’EST LA VIE)”
AS PART OF ‘BEYOND THE ABYSS’ SERIES
OUT DIGITALLY TODAY, NOVEMBER 15,

STREAM “CASANOVA (BEYOND THE ABYSS)” HERE

EMO ROCKERS
SELL OUT FIRST ANNUAL
‘SUFFOCATE CITY TOWN HALL MEETING’
ANNIVERSARY SHOW THIS SUNDAY, NOVEMBER 17 AT THE MASQUERADE
IN ATLANTA, GA HOMETOWN

Emo rock revivalists THE FUNERAL PORTRAIT have landed the #1 spot on Billboard’s Mainstream Rock Airplay and Mediabase’s Active Rock radio charts with their hit single “Suffocate City (feat. Spencer Charnas of Ice Nine Kills).” This marks the bands first-ever #1 radio single and first entry onto any Billboard chart. The single has garnered over 4.2 million streams globally and over 436k views for its prom-themed music video.

THE FUNERAL PORTRAIT will celebrate their 10-year anniversary by thanking fans old and new with an updated version of their breakout fan-favorite 2014 track “Casanova (C’est La Vie).” The now-reimagined “Casanova (Beyond The Abyss)” is out digitally today, November 15, via Better Noise Music. Stream and/or download it at https://thefuneralportrait.ffm.to/casanova.

“‘Casanova (From Beyond The Abyss)’ is us tipping our hat to the fans that have been with us throughout the 10 years of us being a band, while also acknowledging how far we’ve come and how much we’ve changed,” proclaims frontman LEE JENNINGS. “We reimagined the song to sound like it was meant to be on our recent album ‘Greetings From Suffocate City’ all along, while not losing the essence of what the OG fans love about it. We are so thankful to everyone who has stayed with us all this time, this one is for them.”

A skeleton sitting on a grave Description automatically generated

THE FUNERAL PORTRAIT will commemorate their anniversary and honor their devoted fanbase (‘The Coffin Crew’) with the first-ever annual “Suffocate City Town Hall Meeting,” to be held at The Masquerade (Hell) in their hometown of Atlanta, GA this Sunday, November 17. The all-ages show is officially SOLD OUT and will include support from Dark Divine, Sarah and The Safe Word, and Not Enough Space, along with special guest appearances from the ‘icons’ who appear on the cover of their brand-new album GREETINGS FROM SUFFOCATE CITY, exclusive merch, and the opportunity to hang out and meet the band throughout the event.

A poster for a concert Description automatically generated

The “Suffocate City Town Hall Meeting” will mark TFP’s final show of 2024. This year the band has extensively toured the country including a packed arena jaunt with Five Finger Death Punch over the summer, a fall direct support run with The HU, several headlining dates, and festival appearances at Aftershock and Louder Than Life. THE FUNERAL PORTRAIT will return to the road in 2025 as direct support to metalcore outfit Catch Your Breath throughout North America from February 6 to March 8. Tickets are available now via TFP’s new website HERE. See dates listed below.

A group of people standing in front of a building with purple lights Description automatically generatedGreetings From Suffocate City Cover Art (Download HERE)

THE FUNERAL PORTRAIT’s sophomore album GREETINGS FROM SUFFOCATE CITY consists of 14 tracks of theatrical, dramatic, unapologetic, full-throated flair with guest appearances from Bert McCracken of The UsedSpencer Charnas of Ice Nine KillsDanny Worsnop of Asking Alexandria, and Eva Under Fire. To celebrate Halloween, THE FUNERAL PORTRAIT shared an intimate live acoustic performance of three of the album’s tracks including “Suffocate City,” “Holy Water,” and “Dark Thoughts.” Watch it HERE. Get a copy of GREETINGS FROM SUFFOCATE CITY on cd or digital download now at https://thefuneralportrait.ffm.to/gfsc.

THE FUNERAL PORTRAIT TOUR DATES
11/17 Atlanta, GA – Suffocate City Town Hall Meeting @ The Masquerade (Hell)
2/6 Seattle, WA – The Crocodile ^
2/7 Portland, OR – Hawthorne Theatre ^
2/8 Bend, OR – Volcanic Theatre ^
2/10 Sacramento, CA – Ace of Spades ^
2/11 Pomona, CA – The Glass House ^
2/12 Phoenix, AZ – The Crescent Ballroom ^
2/14 Oklahoma City, OK – Beer City Music Hall ^
2/15 Dallas, TX – Southside Music Hall ^
2/16 Austin, TX – Come & Take It Live ^
2/17 Houston, TX – Warehouse Live Midtown ^
2/20 Orlando, FL – The Abbey ^
2/21 Atlanta, GA – The Masquerade – Hell ^
2/22 Charlotte, NC – Neighborhood Theatre ^
2/24 Baltimore, MD – Baltimore Soundstage ^
2/25 Philadelphia, PA – The Foundry ^
2/27 New York, NY – Gramercy Theatre ^
2/28 Cambridge, MA – The Middle East ^
3/1 Montreal, QC – Theatre Fairmount ^
3/2 Toronto, ON – Opera House ^
3/4 Chicago, IL – Bottom Lounge ^
3/5 Minneapolis, MN – Varsity Theater ^
3/7 Denver, CO – Bluebird Theater ^
3/8 Salt Lake City, UT – Grand @ The Complex ^
^ with Catch Your Breath & Archers

A group of men in black suits Description automatically generatedTHE FUNERAL PORTRAIT
Credit: Aaron Marsh

Follow THE FUNERAL PORTRAIT online at
Facebook | Instagram | Twitter | TikTok | YouTube

SRO PR Assets: www.sropr.com/portfolio/the-funeral-portrait

ABOUT BETTER NOISE MUSIC
BETTER NOISE MUSIC is the premiere independent music label under BETTER NOISE ENTERTAINMENT, a content creation, and marketing company that produces music, books, films, documentaries, TV shows, theatrical productions, and tours. Better Noise Music founded in 2006 by music industry veteran and independent pioneer Allen Kovac, focuses on artist development and has grown into a music industry independent powerhouse, with a roster including Five Finger Death Punch, Asking Alexandria, Bad Wolves, Dirty Heads, Nothing More, The HU, From Ashes To New, Cory Marks, and Fire From The Gods. Partnering with FUGA, AMPED, and Membran, the company operates a global marketing and distribution platform with offices in New York, Los Angeles, London, Berlin, Toronto, and Sydney. The label  was named Billboard’s #1 Mainstream Rock Airplay Label and #1 Mainstream Rock Airplay Imprint of 2022. The label has made history by ranking as the #1 Mainstream Rock Airplay Imprint for five years in a row (2018-2022).

CONNECT WITH BETTER NOISE
Website | Facebook | YouTube | Spotify | Instagram | Twitter | TikTok

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
Mitch Schneider – mschneider@sropr.com

 


Guitarist Extraordinaire TOMMY EMMANUEL Announces March 21, 2025 Release of ‘Live At The Sydney Opera House’ Album

DT: NOVEMBER 14, 2024

FM: MITCH SCHNEIDER/ANDREA FAULK/LYNDIE WENNER
SRO PR (LOS ANGELES, NASHVILLE, LAS VEGAS)

TOMMY EMMANUEL
ANNOUNCES MARCH 21, 2025 RELEASE OF
‘LIVE AT THE SYDNEY OPERA HOUSE’
THE GRAMMY AWARD-WINNING GUITARIST EXTRAORDINAIRE
TODAY RELEASES THE 16-TRACK ALBUM’S FIRST SINGLE AND LIVE PERFORMANCE VIDEO,“THE JOLLY SWAGMAN”
LISTEN HERE/WATCH HERE

HEADS BACK ON THE ROAD IN DECEMBER
FOR AN ARRAY OF NORTH AMERICAN TOUR DATES
STRETCHING INTO 2025

A person holding a guitar Description automatically generated‘Live At The Sydney Opera House’ Cover Art

TOMMY EMMANUEL is an acoustic guitarist extraordinaire, composer, global touring artist, and Grammy® Award winner. He is also one of five people ever named a C.G.P. (Certified Guitar Player) by Chet Atkins, the great innovator, songwriter, producer, record company executive, and visionary. Today, TOMMY has announced the March 21, 2025 release of LIVE AT THE SYDNEY OPERA HOUSE (C.G.P. Sounds) and the album’s first single and live performance video, “The Jolly Swagman,” beautifully filmed by Bondi Rocks Media at the Sydney Opera House in his native Australia. Listen to track HERE and watch the video HERE.

“I wrote ‘The Jolly Swagman’ for an imaginary character,” says TOMMY, “who makes us all happy by clicking his heels in the air while playing the concertina!!”

EMMANUEL is no stranger to iconic stages from Nashville’s Ryman Auditorium to London’s Royal Festival Hall and Paris’ L’Olympia. The legendary entertainer has dazzled audiences across the world. But there’s something truly magical about the Sydney Opera House, and the magic of his sold-out performances there has finally been captured on this new EMMANUEL-produced album. It features 16 tracks, four of which are medleys, including his famous “Beatles Medley” (a previous live version of this has been viewed more than 2 million times on YouTube).

“The moment and power in these hours spent playing music, is perfectly preserved here on this record,” says TOMMY. “I hope you can feel the intensity of our musical and spiritual relationship… a bond built on a life freely given to all.”

He played two spellbinding shows on the Concert Hall stage in May 2023, with the best of both performances represented here. The setlist showcases the most beloved songs of TOMMY’s career—classic compositions like “Tall Fiddler,” “Mombasa,” and “Country Wide,” recent fan favorites like “Fuel” and “Sail On,” his now iconic arrangement of “Classical Gas,” and his thrilling “Beatles Medley.”

“As a 15-year-old boy living in Circular Quay, I spent many a time walking past the Opera House,” he says. “I would daydream about what it must be like in there, what it would be like to perform there. After fifty years in the business, we finally got there!”

“Playing the shows for this recording was a dream come true for me,” TOMMY adds. “I felt so ready! I was surrounded by my team of brilliant people, and I was looking into the faces of so many loving and happy fans in the concert Hall. The momentum and power in these hours spent playing music, is perfectly captured and preserved here on this record. I hope you can feel the intensity of our musical and spiritual relationship…a bond built on a life freely given to all.”

A noted fingerstyle guitarist, EMMANUEL frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. You can hear his wizardry captured brilliantly on LIVE AT THE SYDNEY OPERA HOUSE.

Here’s the album’s track listing:

  1. Countrywide
  2. Fuel
  3. The Jolly Swagman
  4. Deep River Blues
    -Doc’s Guitar
    -Blue Smoke
    -Cannonball Rag
  5. Song for a Rainy Morning
  6. Since We Met
  7. Secret Love
  8. Drums/Mombasa
  9. Gdansk
    -Tall Fiddler
  10. Smokey Mountain Lullaby
  11. Windy & Warm
  12. Beatles Medley
    -She’s A Women
    -Please Please Me
    -While My Guitar Gently Weeps
    -Day Tripper
    -Lady Madonna
  13. Classical Gas
  14. April Sun in Cuba
  15. Sail On
  16. American Tune
    -Waltzing Matilda

Here are TOMMY’s North American tour dates for 2024-25. The full international list of dates is HERE.

2024
December 5 – Orlando, FL – The Plaza Live
December 6 – Fort Myers, FL – Babara B Mann Performing Arts Hall
December 7 – Clearwater, FL – Bilheimer Capitol Theatre
December 8 – Jacksonville, FL – Florida Theatre
December 10 – Charlotte, NC – Knight Theater
December 11 – Newberry, SC – Newberry Opera House
December 12 – Asheville, NC – The Orange Peel
December 14 – Charlottesville, VA – The Paramount Theater
December 15 – Hopewell, VA – Beacon Theatre

2025
January 8 – Irvine, CA – Irvine Barclay Theatre
January 9 – Malibu, CA – Smother Theatre @ Lisa Smith Wengler Ctr for the Arts
January 10 – Menlo Park, CA – The Guild Theatre
January 11 – Grass Valley, CA – The Center for The Arts
January 12 – Red Bluff, CA – State Theatre for the Arts
March 25 – Thunder Bay, ON – Thunder Bay Community Auditorium
March 26 – Winnipeg, MB – Burton Cummings Theatre
March 27 – Saskatoon, SK – TCU Place
March 28 – Regina, SK – Conexus Arts Centre
March 30 – Calgary, AB – The Jak Singer Concert Hall
April 1 – Kelowna, BC – Kelowna Community Theatre
April 2 – Vancouver, BC – The Centre for Performing Arts
April 4 – Victoria, BC – Royal Theatre
April 5 – Campbell River, BC – Tidemark Theatre

A person playing a guitar Description automatically generatedArtist: Tommy Emmanuel
Photo Credit: Simone Cecchetti

ABOUT TOMMY EMMANUEL:

TOMMY EMMANUEL has achieved enough musical milestones to satisfy several lifetimes. At the age of six, the Grammy® Award winner was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a C.P.G. (Certified Guitar Player) by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. He’s piled up numerous accolades, including two Grammy Award nominationstwo ARIA Awards from the Australian Recording Industry Association (the Aussie equivalent of the Recording Academy); repeated honors in the Guitar Player magazine reader’s poll including a cover story for their August 2017 issue; a cover feature for Vintage Guitar’s July 2020 issue; and was Music Radar’s reader’s poll #1 winner of the Ten Best Acoustic Guitarists in The World (December 2019). He has also earned the “Lifetime Achievement” Award from The National GUITAR Museum. A noted fingerstyle guitarist, EMMANUEL frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. His talents, which translate in any language, carry him to the far corners of the globe, but EMMANUEL never plays the same show twice, and he improvises big chunks of every date. That leaves him open to those technical imperfections, though they also provide some of the humanity to an other-worldly talent.

For more information on TOMMY EMMANUEL, visit:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

SRO PR Assets + Press Releases:
http://sropr.com/portfolio/tommyemmanuel/

SRO PR: Los Angeles, Nashville, Las Vegas
Mitch Schneider // mschneider@sropr.com
Andrea Faulk // afaulk@sropr.com
Lyndie Wenner // lwenner@sropr.com

 

 


RIVAL SONS Announce ‘PAIR OF ACES’: LIVE FROM SANTA CATALINA ISLAND’ Video & Audio Release

DT: NOVEMBER 13, 2024

FM: KELLY WALSH, MITCH SCHNEIDER / SRO PR

RIVAL SONS
TO RELEASE ‘PAIR OF ACES’: LIVE FROM SANTA CATALINA ISLAND’
AVAILABLE FOR FIRST TIME ON VIDEO AND AUDIO STREAMING PLATFORMS

FEATURES TWO PERFORMANCES FROM BAND’S LIVESTREAMED CONCERTS IN JUNE 2021 PLAYING THE ‘BEFORE THE FIRE’ ALBUM AND ‘RIVAL SONS’ EP IN THEIR ENTIRETY

PART 1 DUE 11/22; PRE-SAVE HERE
PART 2 DUE 12/13; PRE-SAVE HERE

A group of men standing on a dock Description automatically generated(Download image HERE)

In June 2021, Rock’n’roll band RIVAL SONS delivered two live performances from Catalina Island, CA. They were originally streamed via VEEPS to fans at home across the world, many of whom were still in lockdown because of the Covid-19 pandemic.

RIVAL SONS set out from their homes in L.A. and Long Beach, and on a friend’s yacht they sailed over to Catalina Island with all their equipment and their crew, to perform in the Catalina Casino for global audiences. Frontman Jay Buchanan comments: “‘Pair Of Aces’ was recorded over two days in May of 2021 at the Casino in Avalon Bay on Santa Catalina Island, California. Part One (‘Before The Fire’) was recorded in the ballroom on May 19th and part two (‘Rival Sons’ EP) was recorded in the historic theater on May 20th.”

At the time, the band stated: “We’ve all been through so much this past year and a half. We have longed to be on the road playing for you. As you know, we launched our label Sacred Tongue Recordings and have been re-releasing our early material. We felt that revisiting these first two records in a live, prestigious setting was the best way to give them the first-class treatment that our humble beginnings couldn’t provide.”

Now, for the first time, these performances will be available to watch on YouTube and to stream on audio platforms. Both performances will be premiered via YouTube and released in their entirety digitally. A PAIR OF ACES: LIVE FROM SANTA CATALINA ISLAND (PART 1) will be released on November 22; pre-save HERE. RSVP for the YouTube premiere HERE. A PAIR OF ACES: LIVE FROM SANTA CATALINA ISLAND (PART 2) will be released on December 13; pre-save HERE. Individual songs for both nights will also be made available the following day.

Buchanan states: “To finally release both audio and video of these performances feels good. When we recorded these performances, the band was neck deep in what was to become the DARKFIGHTER/LIGHTBRINGER collection so breaking away from all of that heavy lifting to go blow some dust off of our origin story felt amazing. It’s a raw, unfiltered glimpse at a band raging against the isolation of the times.”

Watch two preview clips of RIVAL SONS performing “I Want More” (from Night #1) HERE and “Soul” (from Night #2) HERE.

A stage with lights and people on it Description automatically generatedPhoto by Rick Horn (Download HERE)

Santa Catalina Island is a rocky island, off the coast of Southern California in the Gulf of Santa Catalina. The island covers an area of about 75 square miles. The Catalina Casino is a 92-year-old building built by The Wrigleys. Dominating the Avalon landscape from its regal perch along the bay, the casino exemplifies the style and romance of Catalina Island.

A group of people on a boat Description automatically generatedPhoto by Rick Horn | Download HERE

Buchanan elaborates, “It had been a dream of mine to play the Casino since I’d gone there as a child. Through the pandemic years we’d had the intention to record a live stream, but we’d been turned off by how terribly we’d seen it go for so many bands. We wanted to record a performance where we were just playing for each other without an audience. Generate the energy together for the sake of doing it. Along with everyone else, we hadn’t been able to tour or play shows at all in over fifteen months and it was killing us.”

Guitarist Scott Holiday comments: “You can see Catalina Island from the beach town I live in. I’ve been visiting it for years. Every time I’ve gone, I’ve made sure to visit the old historic casino that sits proudly at one end of the harbor in Avalon. And every time I’ve taken the tour I’ve thought the same thing…wouldn’t it be so great to play in these rooms and make a live film? And so…Rival Sons did just that.”

A group of people walking on a dock Description automatically generatedPhoto by Rick Horn (Download HERE)

At the time the band stated: “It is beautiful, and perfectly exudes how we wanted to portray these recordings.” Scott elaborates: “In recognition of the 10-year anniversary of our first 2 albums, we played each album in its entirety over 2 different nights. One night in the ballroom (in the round!) performing ‘Before the Fire,’ and the next night we played the self-titled record in the old movie theatre. It was every bit as cool and interesting as I’d hoped. A real honor and pleasure to fill this beautiful place with sound. The director did a great job capturing it for everyone to share in the experience with us and now it will be available to listen and watch anytime you’d like.”

Before The Fire, originally recorded in 2009 with producer (and now 9x Grammy Award winner) Dave Cobb, was RIVAL SONS’ debut album, and includes the fan favorites “Tell Me Something,” “Memphis Sun,” and “On My Way.”

The Rival Sons six-song EPoriginally recorded in 2010, again with Dave Cobb—was the release which led to the band first getting signed. It includes tracks such as “Get What’s Coming,” “Torture,” “Radio,” “Sacred,” “Tongue,” and “Soul,” which are all fan favorites.

The band promised that “Each night will have its own surprises and songs will be delivered with a new presentation of who we are now.”

A PAIR OF ACES : LIVE FROM SANTA CATALINA ISLAND (PART 1) Track Listing:

  1. Tell Me Something
  2. Lucky Girl
  3. Memphis Sun
  4. Angel
  5. Pocketful Of Stones
  6. The Man Who Wasn’t There
  7. Pleasant Return
  8. On My Way
  9. I Want More
  10. Flames Of Lanka
  11. Nanda Nandana

A PAIR OF ACES : LIVE FROM SANTA CATALINA ISLAND (PART 2) Track Listing:

  1. Get What’s Coming
  2. Torture
  3. Radio
  4. Sleepwalker
  5. Soul
  6. Sacred Tongue

Credits: Jay Buchanan / Vocals. Scott Holiday / Guitars. Dave Beste / Bass. Michael Miley / Drums. Todd Ogren / Keyboards.

A Pair Of Aces: A live performance recording. Mixed by /Mark Rains. Mastered by / Pete Lyman for Infrasonic Mastering. Recorded at The Catalina Casino in Avalon, California. Recording engineer / Spencer Bishop. Recording assistants / Pierre Rochman & Tim Koch. Tour management / Pete Stahl. Front of house engineer, head of live production / Neil Macdonald. Guitar technician / Nate Dawson. Drum technician / “Classic” Nate Miller. Cover art / Nick Steinhardt. Photo / Rick Horn. Graphic Layout / Mike Anderson. Produced by Rival Sons.

ABOUT RIVAL SONS:
Rival Sons play rock ‘n’ roll in its purest form without apology or pretense. They simply plug in, turn up, and rip on a path of their own. Along the way, they’ve architected a critically acclaimed catalogue, including Pressure & Time [2011], Head Down [2012], Great Western Valkyrie [2014], Hollow Bones [2016], and FERAL ROOTS [2019]. The latter represented a creative and critical high watermark, scoring a pair of GRAMMY® Award nominations in the categories of “Best Rock Album” and “Best Rock Performance” for the single “Too Bad.” Elevating the band to another level, “Do Your Worst” vaulted to #1 at Rock Radio as their biggest hit to date, tallying north of 60 million streams and counting. Speaking to their impact, Rolling Stone attested, “Rival Sons have done their part to introduce new fans to rock. Beyond sharing stages with everyone from Black Sabbath, The Rolling Stones, and AC/DC to Guns N’ Roses and Lenny Kravitz, they’ve ignited television shows such as The Late Late Show with James Corden. During 2021, they launched their own label Sacred Tongue Recordings distributed by Thirty Tigers and celebrated the anniversary of their debut album with live streamed performances from Catalina Island Casino.

Hand-picked by Black Sabbath for their final tour, they’ve held their own on stage with the greats like The Rolling Stones, AC/DC, Guns N’ Roses, and Lenny Kravitz in addition to blowing the roof off television staples such as The Late Late Show with James Corden, Jools Holland, and Jimmy Kimmel.

In 2023, they continued to subvert expectations with two full-length LPs—DARKFIGHTER and LIGHTBRINGER. Though the genesis of these albums is intertwined, they also speak to the band’s perpetual progression forward.

The band once played over 250 shows in a year, and they are regulars on the festival circuit both through Europe and North America. One of the most hard-working rock’n’roll bands out there, 2024 saw the band complete extensive European festival dates throughout the summer, and then embark on the “Two Headed-Beast” tour with Clutch across North America.

Find RIVAL SONS online at:
WEBSITE | FB | IG | TIKTOK | X | YOUTUBE | SPOTIFY | APPLE MUSIC

###

For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
Mitch Schneider – mschneider@sropr.com


MEGADETH Celebrate 30th Anniversary Of First-Ever Band Website—Megadeth, Arizona—And ‘Youthanasia’ Album; Read A Dave Mustaine Q&A

DATE: NOVEMBER 8, 2024

FROM: MARCEE RONDAN/KELLY WALSH/MITCH SCHNEIDER, SRO PR

MEGADETH
CELEBRATE 30th ANNIVERSARY OF FIRST-EVER
BAND WEBSITE
MEGADETH, ARIZONA—
AND ‘YOUTHANASIA’ ALBUM

READ A
DAVE MUSTAINE
Q&A BELOW

In October 1994, MEGADETH and their label took a chance with a new venture. To celebrate the release of the YOUTHANASIA album, the pioneering band established Megadeth, Arizona. It was the first-ever band website on the Internet.

The website—as Billboard (October 31, 2024) noted in a story celebrating its anniversary—was “based on the location of the band’s new studio in Phoenix,” and “was the concept for the first-ever artist website. In addition to the chat room, called the Megadiner, the site featured an art and digital-postcard repository, Vic’s Cactus Hut and Souvenir Shop, a newspaper titled Horrorscopes and links to videos and online-radio tracks.”

“When the internet came into our lives, we really didn’t understand it, just like anyone else,” MEGADETH founder Dave Mustaine explains. “But we had the greatest opportunity because we were the ones chosen to be the guinea pig. When the people over at Capitol had shown us what this was, the basic layout and some of the artwork, the images were all cool. The woman that had done the images had done a bunch of great images and made it really look cool like the stickers that are on the back of campers and shit like that, so I thought it was really great and exciting. Again, no one really knew what it was, so once we clicked on the launch button and it started all whizzing and banging and all that kind of stuff, it was remarkable. There’s been no looking back since.” (See below for DAVE Q&A about Megadeth, Arizona).

Meanwhile, the multi-platinum-selling and GRAMMY® Award-winning rockers just wrapped their U.S. tour which followed successful runs in Latin America (Peru, Chile, Argentina, Brazil and México) and Europe (Sweden, Italy, France, Germany, and more) and garnered stellar reviews (see below). Next up, MEGADETH will head into the studio to record new music, and look for additional dates to be announced for 2025. Here’s some critical feedback from MEGADETH’s recent tour:

“Dave Mustaine and company steamrolled Houston with a setoff of hits encompassing their 40+ year career, highlighted by ‘Angry Again,’ ‘Hangar 18,’ ‘Sweating Bullets,’ ‘Trust’ and the smash ‘Symphony Of Destruction’…The light show was nothing short of phenomenal, especially during songs like ‘Tornado Of Souls’ and ‘Dystopia.’”
KNAC (Houston, TX, 8/3/24)

“Standout songs like ‘Trust’ and ‘Peace Sells’ made it easy to forget there were even two other bands on the bill, but when Megadeth ripped through ‘Mechanix’ it was sheer bliss.”
PHOENIX NEW TIMES (Phoenix, AZ , 8/8/24)

“In 2022, when Megadeth released their sixteenth album The Sick, The Dying…And the Dead, it was not just an album that fans loved, it was also one of the band’s most successful. Hearing the title-track of the album kick off Megadeth’s set for the evening really brought the point home – you just don’t mess with the best…Megadeth always puts on a clinic and what separated them from everyone over a period of four decades.”
CRYPTIC ROCK (Denver, CO, 8/6/24)

“A blistering, hour and a half set filled with a voracious amount of classic Megadeth thrash…”
WILL TO ROCK (Los Angeles, CA, 8/9/24)

“Something about this Megadeth show felt particularly special above any other that I’ve seen in recent years. The band was truly firing on all cylinders, and by the time the opening notes rang out on ‘Holy Wars…The Punishment Due,’ I was exhausted and completely satisfied. Decades later, Megadeth is still a band worth seeing live.”
SF SHAMELESS (San Francisco, CA, 8/11/24)

“The thunderous chant of “MEGADETH, MEGADETH, MEGADETH” echoed through the venue, setting the tone for the fans’ unwavering enthusiasm throughout the band’s entire performance…Attending a Megadeth concert is a must for metal fans of all ages.”
LA METAL MEDIA (Phoenix, AZ, 8/8/24)

“Dave Mustaine has not lost a step, and his current lineup featuring James LoMenzo on bass and backing vocals, Dirk Verbeuren (Drums), and Teemu Mäntysaari (guitars and backing vocals) did not fail to deliver an explosive set featuring their defining songs from all eras. The highlights of the 17-song set were ‘Angry Again,’ ‘Sweating Bullets,’ ‘Skin O’ My Teeth,’ and ‘Countdown to Extinction’- delivered with an intensity unmatched on recorded medium to an ecstatic crowd that remained on their feet from the first note to the fading refrain of the encore.”
NM ENTERTAINS (Albuquerque, NM, 8/5/24)

“Mustaine was a transfixing figure onstage, his signature flowing hair rippling in the breeze as he ripped solo after solo and led the band through songs from 11 different albums in his catalog.”
ROCK CELLAR MAGAZINE (Los Angeles, CA, 8/15/24)

“Dave Mustaine was on fire on both nights of the tour in LA…There are just not enough successful words to describe Megadeth’s performance on this evening and throughout the tour.”
METAL INSIDER (Los Angeles, CA, 8/15/24)

“Megadeth brought their iconic thrash metal mastery to West Palm Beach, and fans of all ages converged to witness one of the most legendary bands in metal… The energy in the amphitheater was electric as Mustaine’s signature riffs and snarling vocals reverberated through the crowd… Megadeth’s performance was a masterclass in precision and passion—brutal yet technical, polished yet raw.”
CBS 12 NEWS (West Palm Beach, FL, 8/25/24)

“Megadeth’s concert at PNC Music Pavilion Friday may not have been a comeback, but it sure felt like one. A triumphant one in fact. Aided by a killer light show and a trio of seasoned (yet still a bit younger) musicians, 62-year-old Dave Mustaine and his band were in better form than I’d ever seen them.”
CHARLOTTE OBSERVER (9/7/24)

Megadeth pulled zero punches with an all-killer-no-filler setlist…Megadeth is a must-see band for any metal fan. Witnessing this level of energy and impact they carry with each note, riff, guitar solo, and bass groove can only be experienced with your own eyes and ears in person, not through a video, to appreciate this level of high-level, unparalleled showmanship.”
NEW NOISE MAGAZINE (Tinley Park, IL, 9/3/24)

“Megadeth’s creator and sole original member, lead singer and guitarist Dave Mustaine, conjured the vigor that made him a heavy-metal icon on the band’s classic material.  His trademark biting vocal delivery on fan favorite ‘Sweating Bullets’ earned some of the loudest and most sustained cheers of the evening, and on ‘Symphony of Destruction,’ he delivered his best and longest guitar solo of the evening.”
TIMES UNION (Albany, NY, 9/10/24)

A group of men standing together outside Description automatically generatedMEGADETH
(l-r: James LoMenzo, Dirk Verbeuren, Dave Mustaine, Teemu Mäntysaari)
Photo Credit: Ryan Chang

DAVE MUSTAINE Q&A

Q: Without a model, how did you know what would be appealing to fans?

DAVE MUSTAINE (DM): “You know, we didn’t have a model to do that so the only way that I knew that this was going to be appealing to the fans was my experience as a tape trader in the very beginning. When I was in my first band Panic, and then freshly into Metallica, we would trade tapes with people around the world and people would write letters, if you could believe that–Jeez, snail mail back in the day –but we also had really cool other magazines that would tell us stuff that was happening. This cut that down from weeks to get a reply from one of your friends to just a couple of seconds.

With the way that the website was set up, we didn’t really know much about it with the layout or anything like that because when you think about the normal blueprint of stuff and when they say that there is a room here and a room there, you think about a two-dimensional drawing and the overview, looking down into a floor plan. So for me, thinking about what all these different rooms are, it was, I don’t know, maybe a misnomer. It didn’t work for my mind’s eye to see what the layout of what this internet and this website and this chat room would be, but I figured out that that stuff didn’t matter, it was just a word. As we clicked on other stuff like photos and mp3s and then we got into more of the advanced stuff–the chat room and so on–that was something that just blew everybody’s mind.”

Q: There’s a funny story about a call with Gene Simmons, can you recount it?

DM: “When Megadeth Arizona was launched, a lot of people went there because they couldn’t understand, the same way that I couldn’t, what all of these rooms were on the internet and having a chat room and so on. So it was really exciting one by one as we would hear people that noticed it and I was blown away when I heard from one of my favorite musicians and rockstars, Gene Simmons. Legend has it, he said ‘I want a website just like Mustaine’s’ and you can imagine how stoked I was to hear that. And I had asked his manager, Doc McGee, and I had gotten a video sent back to me of Gene repeating what he had said. So hats off to you Gene. Love you guys!”

Q: Media and the internet has changed so drastically since the launch of the site.  What/how as a band are you continuing to engage your audience?

DM: “When we first started out, we were stuck having to write to our fans, whether it was typing letters out on typewriters if you can believe that, or getting a handwritten letter, and I used to do that a lot, in fact I got something that was a photocopy just the other day from one of my friends of a letter that I had sent them and it was really nostalgic and cool. But you’re trying to conduct business and when you want to be an international band, it sucked. When we started playing, a lot of the bands we knew in town, they really didn’t look at things like it was going to be an international thing. They were just worried about being popular in their hometown, which for me, never crossed my mind, I wanted to be the biggest band in the world, so we would write, write, write. We would trade tapes with people around the world. Every once in a while, I would pick up the phone and make a long-distance phone call and have to deal with the shock of seeing the phone bill later. But once the Megadeth Arizona site started, that was great. We were able to push the launch button on this site and go into the Megadiner and like I said before, anyone that was a member of Megeadiner in the beginning are definitely IT. They have tremendous street credibility. Now, with the chats and stuff that had happened with the launch of Megadiner, people have chat rooms everywhere. We were just in a chat room the other day getting tech support. You gotta remember that a chat room is a chat room. It was really neat to be able to develop all of this stuff together with the fans that we have become friends with. Megadeth.com was born out of Megadeth Arizona and that has led to some really long lasting friendships. I’m looking forward to the party tonight.

Q: Will you be doing anything on the current site to honor the anniversary? Should fans be looking for any easter eggs?

DM: “In honor of the 30th anniversary for Youthanasia and Megadeth Arizona, I participated in a chat room on the Megadeth Discord server. Fans were able to ask questions and chat with me directly, in real time, just like back in the day. Before the chat started, everyone watched a stream of our old documentary, ‘Evolver,’ which was cool. We are also adding something special to Megadeth.com to pay tribute to Megadeth Arizona and some of the rooms from the past like Megadiner, Vic’s Cactus Hut, and the Digital Drive in if you haven’t seen it already. There will be some easter eggs you can find if you play around with the page and search hard enough.”

Q: The website launch was tied to the release of Youthanasia, which means that album is also celebrating an anniversary.  The album was recorded in Arizona, how was the recording process different than in a studio in LA, NY or another big city?

DM: “Youthanasia was recorded in Arizona, but it could’ve been the moon for all I care. We built the different sound enclosures for each artist, and we built a control room for Max Norman to work in, and we had to get this gigantic console and get that moved out to Arizona and into this control room we had built. That was cool if you were taking a shop class in highschool or something, but having to go build a studio you have to build a record in…I don’t know. I liked it, but it was unnecessary.”

Find MEGADETH online at:
WEBSITE | FACEBOOK | INSTAGRAM | X | YOUTUBE

SRO PR
Marcee Rondan, marcee@sropr.com
Kelly Walsh, kwalsh@sropr.com


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