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Noted Cardiologist PROFESSOR DR. ERNST VON SCHWARZ, Shares Expert Viewpoints On The Decline Of Heart Attacks Amid The Covid-19 Pandemic

 

DATE:          MAY 12, 2020

FROM:         MARCEE RONDAN/MITCH SCHNEIDER, SRO PR
 

PROFESSOR DR. ERNST VON SCHWARZ,
ONE OF THE MOST PUBLISHED AND RECOGNIZED
CARDIOLOGISTS IN THE WORLD,
SHARES EXPERT VIEWPOINTS ON THE DECLINE OF
HEART ATTACKS
AMID THE COVID-19 PANDEMIC
 
FEWER DIVORCES, LIKELY LESS INFIDELITY,
REDUCED DAILY STRESS AND ROAD RAGE
 
PROFESSOR DR. ERNST VON SCHWARZ–one of the most published and recognized cardiologists in the world and director of the Southern California Hospital Heart Institute, Los Angeles, CAis sharing his expert viewpoints on the decline of heart attacks amid the Covid-19 pandemic.
 
“Right now, there are fewer divorces, likely less infidelity, reduced daily stress and road rage,” PROFESSOR DR. ERNST VON SCHWARZ says. “The Covid-19 pandemic has created a new and different reality. There are reports that heart attacks and strokes are being seen less frequently in the hospitals, which I can confirm from my experience in several hospitals in Southern California, and I’ve heard similar stories from across the U.S.”
 
In California alone,” he elaborates, “ERs have reported a 40-70% reduction in non COVID-related ER visits. Without any doubt it is true that many patients are just too scared to go to the hospital and might delay their needed care; however, there are many more factors involved including patient-related, healthcare-related and environmental factors.”
 
In the bullet points below, PROFESSOR DR. ERNST VON SCHWARZ offers explanations for the current reduction in hospital admissions of patients with acute heart attacks during the pandemic.
 
He explains that “there are three factors to be considered and a few hypothetical pathophysiology mechanisms.
 
●Patient-derived factors.
●Health Care Provider-derived factors
Environmental factors
Pathophysiologic Model of Stress
 
Patient-derived factors:
Patients are scared and stay at home and try to avoid going out; they don’t want to be in a hospital. If that would be the main cause, then we would expect a much higher number of patients dying at home from heart attacks, which has not been reported, yet. Even though the pandemic and home confinement as well as the economic burden can cause enormous chronic stress for many, the  up and downs and daily anxieties from being at work, on the road, running from on appointment to another, stressing out with business associates and customers etc. is off the table for many. It has been replaced by hanging out on the couch and watching ‘Tiger King,’ which in fact, seems to be very relaxing and entertaining for many. The replacement of daily stressors by staying at home might keep the heart calmer.
 
Another patient-related factor might be a reduction in heavy exercising, since all the gyms are closed, and people might stress their heart out less vigorously. That does not mean exercise would be harmful, but if someone has coronary disease with severe blockages, heavy physical activity requires higher oxygen demands and thus possibly ischemia (lack of oxygen) leading to heart attacks and life threatening arrhythmia. 
 
Furthermore, there is likely less infidelity, simply because of lack of opportunities, i.e., no bars or restaurants are open, not even coffee places anymore. Less infidelity causes less stress at home, which might result in fewer triggers for heart attacks (which often appear after stressful situations at home). Even though sexual activity in general has a low incidence of heart attacks and sudden death, few old studies showed that if people die from a heart attack during sex, it was oftentimes with a partner other than the spouse and oftentimes after heavy eating and drinking. Again, no bars, no restaurants, no parties or corporate meetings, no gyms to hook up, therefore less infidelity, and likely less heart attacks.
 
Another patient-related factor is a reduction in court cases including divorces during the pandemic. Divorce is an extremely stressful situation and many patients develop chest pains, angina, even heart attacks during the divorce procedures. The courts are closed right now, nobody gets divorced, nobody undergoes the stressful situation being in court trials which might also reduce the number of heart attacks at least among some patients. 
 
Healthcare-derived factors:
Doctors are seeing less patients in their clinic, so they are sending less patients to the hospitals. Telemedicine is done, but even though we do have the technical capabilities to get EKGs in the patients’ homes and to evaluate those via telemedicine media, most doctors do not have this opportunity, so less EKGs are done, less heart attacks are diagnosed, less heart attack patients come to the hospital. Furthermore, doctors and healthcare providers are not performing elective surgeries. If there are no elective surgeries, then there are no periprocedural heart attacks. In other words, even a minor surgery can have a small risk of a cardiovascular event such as a stroke or heart attack if the patient has underlying but often undiagnosed heart disease. Even though these numbers are low, most of heart attacks that occur during hospital admissions for other than cardiac reasons occur during elective surgeries. No elective surgeries, no gall bladder removals, no knee surgeries, no cosmetic surgeries, etc., therefore no periprocedural heart attacks. Furthermore, many doctors do not perform ‘high risk’ procedures during the pandemic since those could occupy hospital beds, ICU beds and ventilators and staff and therefore, are postponed until after the pandemic crisis.
 
Environmental factors:
The air is cleaner, there is less air pollution, less traffic on the streets and freeways, less motor vehicle accidents, less road rage, all of which reduces the daily stress we all go through during ‘normal’ times.
 
Pathophysiologic Model of Stress:
One hypothetical explanation for less heart attacks could also be caused by the well- published phenomenon of ‘preconditioning.’ This is an interesting concept from experimental animal research. We among many other groups have published studies demonstrating that some degree of stress makes the heart more tolerant towards subsequent stress. If a coronary artery in an experimental animal model is artificially occluded (for example by putting a surture around an artery in a pig model), then 70-80% of the heart tissue is going to die as a result of lack of oxygen within one hour. If we, however, block that artery for only 10 minutes and then reperfuse the heart and then block that artery thereafter, then only 20% of the heart tissue dies. This is called ‘ischemic preconditioning.’ The temporary lack of oxygen (which is stress for the heart but not enough to cause permanent damage) then renders the heart more tolerant towards subsequent lack of oxygen, and thus, protects the heart. In medicine, however, we cannot stress the heart with lack of oxygen BEFORE a patient has a heart attack. It has been shown that the stress of major disasters–for example the Northridge earthquake in 1994 or the Los Angeles riots–have resulted in more people dying of heart attacks acutely during the disaster but significantly less people died in the weeks thereafter. It has been proposed that the acute stress eliminates the weak patients but also renders the less weak ones more tolerant towards dying from a heart attack. This stress might therefore have some preconditioning protection which represents a ‘survival of the fittest’ in a social Darwinistic sense. Just food for thought.”
 
WEBSITE: 
For press inquiries regarding DR. ERNST VON SCHWARZ, contact:
SRO PR
Marcee Rondan // marcee@sropr.com
Mitch Schneider // mschneider@sropr.com
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Melodic Doom/Metal Artist IVA TORIC Shares New Single “Finally Today”

DT: MAY 8, 2020
FM: KELLY WALSH, SRO PR
  

MELODIC DOOM/SYMPHONIC METAL ARTIST
IVA TORIC
UNVEILS NEW SINGLE
“FINALLY TODAY”
 
 
In advance of her upcoming debut album THE DEVIL’S MARK due out later this year, San Francisco-based melodic doom/symphonic metal artist IVA TORIC has shared its emotionally resonant third single, “Finally Today,” with a personal lyric/music video as which premiered yesterday, May 7, via Metal Injection as seen below.
 

Finally Today” was recorded by producer/mixer Jim Kaufman with guest musicians Gregg Cash (Josh Todd and the Conflict, ex-Dorothy) on bass, Kemble Walters (Juliette & The Licks, Aeges) on guitars, Dylan Howard (Aeges) on drums and Sasha Smith on keys.

Of the track, IVA shared: “If ever you’ve experienced such painful longing as being separated from the one you love for what feels like an eternity, and you are counting the days until you are reunited, I hope you’ll feel this song resonate deep within your soul.”

Iva Toric - Finally Today
IVA TORIC – “Finally Today”
 
IVA‘s music–which Kerrang! lauds as a “syncretic approach to dark culture, mixing the organic darkness of Uada, the psychedelic hues of Soundgarden, and the goth elegance of Maria Brink”–presents an ethereal hue influenced by aspects of modern paganism and witchcraft while her lyrics stem from personal battles with mental health issues, self-esteem and body image issues. “Finally Today” follows two previously released single/videos, “Action Speaks Louder” and “Dark Side Of Me.”
  
For more information on IVA TORIC, please visit:
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For press opportunities, please contact:
SRO PR
585-765-5162
Kelly Walsh – kwalsh@sropr.com

THE BLACK MOODS Drop New Album ‘Sunshine,’ Announce Virtual Record Release Show (Sat., May 9)

 
DT: MAY 8, 2020
FM: KELLY WALSH, SRO PR
 
 
 
THE BLACK MOODS
TITLE TRACK “SUNSHINE”
MARKS FOURTH SINGLE TO DEBUT ON
BILLBOARD TOP 40 ACTIVE ROCK CHARTS,
SOPHOMORE ALBUM OUT TODAY (MAY 8)

 

BAND TO LIVESTREAM RECORD RELEASE SHOW ON SATURDAY, MAY 9 AT 8:00 PM PT VIA FACEBOOK LIVE
 
AZ-BASED ROCK AND ROLL TRIO FEATURED ON COVER OF
PHOENIX NEW TIMES
 
 
Rock and roll trio THE BLACK MOODS today (May 8) release their highly anticipated sophomore album SUNSHINE via Steelhorse Entertainment/The Fuel following the news of its title track becoming the fourth single to debut in the Top 40 of Billboard‘s Mainstream Rock charts at #37 earlier this week. “Sunshine“-the band’s most recent single which premiered in April with an animated music video seen here-follows the previous Billboard charting singles “Bad News” (#24), “Bella Donna” (#29) and “Whatcha Got (#30).
 
Order SUNSHINE on CD now at https://the-black-moods-shop.myshopify.com/.

 

Stream/download SUNSHINE now at:
The Arizona-based band received hometown support with a cover feature (seen below) for the current weekly print issue of Phoenix New Times who praised the album saying, “Sunshine is a fun, refreshingly simple record-the kind that will have critics talking about a return to a bygone era of rock ‘n’ roll.” They further share: “‘Bad News’ is one of those bangers you would expect to hear during the end credits of a ’90s Jerry Bruckheimer action blockbuster, while ‘Bella Donna,’ inspired by The Doors, is a perfect summer single, its bluesy riff practically begging you to break out your air guitar.”
 
 
THE BLACK MOODS recorded SUNSHINE with Grammy Award-winning producer Johnny Karkazis who turned their rehearsal space into a makeshift studio in order to capture the energy of their live performance which has seen the band tour alongside acts including The Doors’ Robbie Krieger, Shinedown, Jane’s Addiction, Whitesnake, Adelitas Way, and Otherwise. Its 10 tracks are “mostly chugging, big-chorused tunes with at least one foot in classic rock” (Houston Press, 4/30/20).
 
While unable to tour or perform live due to coronavirus restrictions, THE BLACK MOODS have been hosting weekly live stream concerts from their studio and have announced they will be performing a virtual record release show tomorrow, Saturday, May 9 at 8:00 PM PT via Facebook Live. RSVP and find further details at:
 
(Lineup [l-r] Jordan Hoffman (bass), Josh Kennedy (vocals, guitars), Chico Diaz (drums); Photo Credit: Jim Louvau)
 
For more information on THE BLACK MOODS, please visit:
FACEBOOK | INSTAGRAM | TWITTER | WEBSITE
 
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For press inquiries and/or interview requests, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
585-765-5162

 

 

TOMMY EMMANUEL Sets Two Livestreams For This Friday’s Album Release

 

 

DT:     MAY 6, 2019
 
FM:    MITCH SCHNEIDER/ANDREA FAULK
          SRO PR (LOS ANGELES)
 
          LYNDIE WENNER
          SRO PR (NASHVILLE)
 
 
TOMMY EMMANUEL
SET FOR TWO LIVE STREAMING PERFORMANCES
THIS FRIDAY, MAY 8,
THE SAME DAY HIS NEW ALBUM
‘THE BEST OF TOMMYSONGS’ IS RELEASED
 
THE ALBUM’S SIXTH VIDEO, “THOSE WHO WAIT,”
WILL PREMIERE THIS THURSDAY, MAY 7
 

Photo Credit: Alysse Gafkjen
 

“When I was a kid, I wanted to be in show business. Now, I just want to be in the happiness business. I make music, and you get happy. That’s a good job.” 
 –Tommy Emmanuel
 
 
TOMMY EMMANUEL, the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter, is set for two live streaming performances this Friday, May 8. This is the same day he will release a newly recorded career-spanning double album, THE BEST OF TOMMYSONGS, via CGP Sounds/Cruzen Street Records.
 
Look for TOMMY to perform and be interviewed this Friday on Paste Magazine‘s “The Happiest Hour” livestream, which begins at 2pm PT/5pm ET and also features Hayes Carll. Watch here:

https://www.youtube.com/watch?v=EcXUYobzjwk

Later that day, at 6pm PT/9pm ET, TOMMY will be livestreaming a full-length concert from his San Jose, CA home where he will be playing whatever pops into his heart–just like at all his shows. For more info, please go to TOMMY‘s webstore: https://store.tommyemmanuel.com/
 
THE BEST OF TOMMYSONGS was launched March 4 when Guitar Player magazine premiered the Fuel video. This was followed by four more video premieres: Timberland with Vintage Guitar; Sail On with American Songwriter; The Wide Ocean with Elmore Magazine;Luttrellwith Bluegrass Situation andSong for A Rainy Morning with Glide Magazine. A sixth video,“Those Who Wait,” will premiere this Thursday (May 7) with Stereo Embers Magazine. It was shot at Tunesmith Studio in Goodlettsville, TN in spring of 2020 and was directed and edited by Joshua Britt and Neilson Hubbard with Neighborhoods Apart, as were all the videos from the album.
 
THE BEST OF TOMMYSONGS is a double album that features some of Tommy Emmanuel’s best original songs. Emmanuel solely wrote, produced, and recorded all the tracks on this record. Emmanuel has been playing some of these songs for over 30 years, and they have evolved over time. He wanted to rerecord them to suite the modern arrangements and to make them sound bigger than ever. The album features some of EMMANUEL‘s most well-known works such as “Angelina,” “Lewis & Clark,” and “It’s Never Too Late” along with fan favorites such as “Mombasa” and “Train to Dusseldorf.” It also has 5 brand new songs including the heart-thumping “Fuel” and the beautifully melodic “Song For A Rainy Morning.” Watch the album trailer here which focuses on TOMMY‘s unique ability to tell stories without words: https://www.youtube.com/watch?v=-SOQEMWYAQ4&feature=youtu.be
 
All the songs on the album written, performed, and produced by TOMMY EMMANUEL. It was engineered by Rory Rositas and Brad Benge at OmniSound in Nashville; mixed by Marc DeSisto and TOMMY EMMANUEL at Luke’s Room Studio in Los Angeles; and mastered by Marc DeSisto at Luke’s Room Studio in Los Angeles.

 

Album Cover
Track List
  1. Song for A Rainy Morning*
  2. Angelina
  3. Halfway Home
  4. Fuel*
  5. The Wide Ocean*
  6. It’s Never Too Late
  7. (The Man With The) Green Thumb
  8. The Mystery
  9. Timberland*
  10. Timberlake Road
  11. Sail On*
  12. Blood Brother
  13. Endless Road
  14. Luttrell
  15. Ruby’s Eyes
  16. Lewis & Clark
  17. Train to Dusseldorf
  18. Mombasa
  19. Cowboy’s Dream
  20. Rachel’s Lullaby
  21. Questions
  22. Those Who Wait
  23. Drivetime
  24. Stay Close To Me

*Previously Unreleased Songs


ABOUT TOMMY EMMANUEL:
TOMMY EMMANUEL has achieved enough musical milestones to satisfy several lifetimes. At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a Certified Guitar Player by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. He’s piled up numerous accolades, including two Grammy Award nominationstwo ARIA Awards from the Australian Recording Industry Association (the Aussie equivalent of the Recording Academy) and repeated honors in the Guitar Player magazine reader’s poll including a cover story for their August 2017 issue. A noted fingerstyle guitarist, EMMANUEL frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. His talents, which translate in any language, carry him to the far corners of the globe, but EMMANUEL never plays the same show twice, and he improvises big chunks of every date. That leaves him open to those technical imperfections, though they also provide some of the humanity to an other-worldly talent.
 
For more information on TOMMY EMMANUEL, visit:
 
SRO PR Assets + Press Releases:
 
 
###
 
For press inquiries regarding TOMMY EMMANUEL, contact:
 
SRO PR
(Los Angeles)
Mitch Schneider // mschneider@sropr.com
Andrea Faulk // afaulk@sropr.com
(Nashville)
Lyndie Wenner // lwenner@sropr.com

 


HEATHER ANNE LOMAX Shares Elvis-inspired Title Track from May 1 Release ‘All This Time’

 

DT: APRIL 30, 2020
FM: KELLY WALSH/MITCH SCHNEIDER, SRO PR

SOULFUL AMERICANA/COUNTRY-ROCK ARTIST

HEATHER ANNE LOMAX
SHARES ELVIS PRESLEY ‘THE SUN SESSIONS’-INSPIRED LYRIC VIDEO
FOR TITLE TRACK ‘ALL THIS TIME’

ALBUM OUT TOMORROW (MAY 1)
LIVE LISTENING PARTY FROM LOS ANGELES
TO BE HOSTED ON FACEBOOK AT 1:00 PM PT
 

To celebrate the release of her second album ALL THIS TIME tomorrow, May 1, soulful and fearless Americana/country-rock artist HEATHER ANNE LOMAX has shared its title track with a spirited lyric video debuting on Americana Highways who declared, “… This video is a gem…Heather Anne Lomax has created a sound that directly taps into our nostalgia and longing for all that Elvis Presley represented in ‘All This Time.'” HEATHER has also announced she will host a virtual ‘live’ listening party for the album on Friday from Los Angeles via her Facebook page starting at 1:00 PM (PT). Follow her now at www.facebook.com/heatherlomaxmusic

All This Time” was musically and sonically inspired by Elvis Presley‘s classic The Sun Sessions album which is alluded to in the lyric video with vintage clips of culture in the 1950’s mixed with performance footage of HEATHER and her ‘live’ band (Zachary Ross-electric guitar/backing vocals, Jason Hiller-bass/backing vocals, Aubrey Richmond-fiddle/backing vocals and Rob Humphreys-drums). As HEATHER told Americana Highways: “I really wanted to honor Elvis and the trajectory of his career. This video is just a nod to the Sun Studio sessions, RCA, his movie era, American Sound Studios, and his ‘Aloha From Hawaii’ TV special /Las Vegas years. ‘All This Time’ was written and inspired by the sonics and energy of those early Sun Studio years. The whole song lyrically is a double entendre of personal struggles with highlights from Elvis’s life and career. Elvis had a phoenix moment after his years doing film, and came back in the ’68 TV special. He also eclipsed that with the ‘Aloha From Hawaii Via Satellite’ special that was broadcast via satellite to over 40 countries live.”
 
Leading up to the release of ALL THIS TIME, HEATHER has been receiving coverage on her new material from outlets including The Bluegrass Situation, American Songwriter, DittyTV and Guitar Girl Mag. She has also garnered critical reviews including Glide Magazine (4/27/20) which lauded it as “an album that dazzles with flawless execution and a tireless commitment to the music,” and Music Connection (May 2020) which declared: “This beautiful album is pleasantly placed, from moderate rockers to traditional countrified rave-ups and ballads.There is an authenticity and urgency that states ‘I am here and I am for real.'”

Originally hailing from Kansas City, HEATHER is now based in Los Angeles where she recorded ALL THIS TIME with producer/mixer Jason Hiller along with enlisting an all-star team of renowned musicians to guest on the album including Zachary Ross, Ty Bailie, Ben Peeler-Weissenborn, Aubrey Richmond, David Goodstein, Chris Joyner, Rob Humphreys, Rosa Pullman-Wurlitzer, Maesa Pullman, Ronee Martin, John “JT” Thomas, and Danielle Fife.
 
HEATHER has recently brought her fiery energy to stages across the U.S. opening for acts including Wynonna and The Big Noise, Lee Ann Womack, Blake Shelton, Kenny Rogers, Jeff Bridges, John Hiatt, Richie Furay, Don McLean, Judy Collins, Marshall Tucker Band, Joan Osborne, Melanie, WAR and Blood Sweat & Tears.
 
Photo Credit: Neil Kremer
 
 
Find more information on HEATHER ANNE LOMAX online here:
 
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For press inquiries, please contact:
SRO PR (formerly MSO PR)
Kelly Walsh – kwalsh@sropr.com
Mitch Schneider – mschneider@sropr.com

 


STEVE HOWE of YES to Release New Solo Album ‘LOVE IS’ 7/31 Via BMG Records

 

DATE:           APRIL 29, 2020
 
FROM:         MITCH SCHNEIDER/ANDREA FAULK-SRO PR
 
 
STEVE HOWE OF YES
TO RELEASE NEW SOLO ALBUM
‘LOVE IS’
OUT JULY 31 VIA BMG RECORDS
 
Steve Howe; Photo credit: ©Will Ireland/Prog Magazine/Future Publishing
 
Legendary YES guitarist STEVE HOWE has announced he will release LOVE IS via BMG Records on July 31. LOVE IS marks HOWE‘s first solo album since the all-instrumental Time in 2011 and has a balance of five instrumental tracks and five songs.
 
The album will be available as a CD in a gatefold digi-sleeve with a 12-page booklet, and a black vinyl 180gm LP with a gatefold sleeve, liner notes and lyrics.
 
Link to Steve Howe Official store pre-orders: https://SteveHowe.lnk.to/D2CPR
 
STEVE HOWE sings lead vocals and plays electric, acoustic and steel guitars, keyboards, percussion and bass guitar on the instrumentals, while Yes vocalist Jon Davison provides vocal harmonies and plays bass guitar on the vocal tracks. The album also features Dylan Howe on drums.
 
Many years in the making, LOVE IS brings together a consistently strong and polished listening experience, forging the very best from the writing and playing throughout the album. This may well be considered the real ‘stand out’ album of Howe‘s solo career. The instrumentals keep a highly progressive rock guitar style to the fore, with songs that explore stories of lives lived and lives only just begun. “Love Is A River” is the central longer song with several textural shifts, featuring a theme played on 12-string and steel guitars.
 
“I called the album LOVE IS because it hints at the central idea that that love is important but also love of the universe and the ecology of the world is very important,” says Steve Howe. “Alexander Humboldt went around the world and recognized we are destroying the planet but that was 200 years ago! We are still destroying the planet and, I suppose, my songs show the yearning I have for the love of nature and how beauty, art and music all stem from nature. There is a theme about those things, love, beauty, ecology, nature and wonderful people.
 
“‘Love Is A River’ just seemed a very important track to me, a sort of quintessential track with lots of moods, lots of interesting things going on with steel guitars and acoustic guitars. Further tracks grew from time spent writing in my studio.
 
‘See Me Through’ looks at the idea that we get through life by not driving ourselves that hard but attempting to achieve things with people who help you along the way, and ‘Imagination’ is dedicated to my granddaughter Zuni. It’s about how I see some of the things she’s experienced in her short seven years.
 
“I invited Jon Davison to sing harmonies with me and add bass on the songs. If he was singing on the songs I thought why doesn’t he play bassas well and it turned out nice. He’s been with Yes for seven or eight years and he’s a great guy, great performer and a great interpreter of Yes songs.
 
“I’ve been singing for years, mainly in harmony but I’ve sung lead on lots of my own albums before and I feel that, as I’ve got older, I’ve got a grip on that and, hopefully, it’s improved over the years.”
 
The album includes many distinctive STEVE HOWE signatures among the instrumental tracks from the delicate beauty of “Fulcrum,” “Beyond The Call” and “Pause For Thought” to upbeat rock, “The Headlands,” and the jazz-tinged “Sound Picture.”
 
“The instrumentals are like a mood, a place I went to one day, thought this is nice and then I develop that to a point where it’s a finished track. There might be key ingredients that I thought about using musically that I like, that I’m drawn to, and then developing them into something.” LOVE IS was written, engineered and produced by STEVE HOWE with further engineering and mixing by Curtis Schwartz. “I write in my own studio and then go to see Curtis in his studio,” Howe explains. “We expand the tracks and put them on Pro Tools and everything starts to be possible. At some point, probably around 2 years ago, Dylan came down to Curtis’s studio and we recorded the drums on some of the tracks. I could see a balance of five instrumental tracks and five songs and there was a feeling that it was an album, sitting there, looking at me.”
 
The track listing for Steve Howe‘s LOVE IS album is:
1 Fulcrum *
2 See Me Through
3 Beyond The Call *
4 Love Is A River
5 Sound Picture *
6 It Ain’t Easy
7 Pause For Thought *
8 Imagination
9 The Headlands *
10 On The Balcony
* instrumental
 
Love Is Album CoverLOVE IS Album Cover
 
Formats:
CD Catalogue No. 538608592
Gatefold digi leeve with 12 page booklet with liner notes by Steve Howe & lyrics
LP – Catalogue Number – 538608601
180gm Black vinyl in Gatefold sleeve with liner notes by Steve Howe & lyrics
 
 
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For more information on STEVE HOWE, please contact SRO PR:
Mitch Schneider, mschneider@sropr.com
Andrea Faulk, afaulk@sropr.com
 

 


Australia’s IN HEARTS WAKE Announce Carbon Offset Album ‘Kaliyuga,’ Reveal “Son Of A Witch”

 

 
 
DT: APRIL 24, 2020
FM: KELLY WALSH
 
 
 
 
AUSTRALIAN METALCORE BAND
IN HEARTS WAKE
ANNOUNCE CARBON OFFSET ALBUM ‘KALIYUGA’
OUT AUGUST 7

 

RELEASE SECOND SINGLE/ MUSIC VIDEO
“SON OF A WITCH”
WATCH
HERE
 
BAND LAUNCH THEHOUSEOFKALI.COM INTERACTIVE SITE
 
Photo Credit: Sally Patti
 
Australian metalcore outfit IN HEARTS WAKE will release their fifth studio album KALIYUGA on August 7 via UNFD, marking their first new music in three years. Known throughout their career for their passion and dedication to environmental awareness, the band have minimized their environmental footprint on the release by carbon offsetting the entire process and using recycled materials to create physical products for the music. IN HEARTS WAKE today have shared a new single/music video for the track “Son Of A Witch” (see below) that follows the previously released debut single/video for “Worldwide Suicide” for which the band vowed to plant one native tree per every 1,000 views it receives.
 
Son Of A Witch” is influenced by IN HEARTS WAKE frontman JAKE TAYLOR‘s experience of the devastating Malibu Fires in 2018. This experience kindled the creation of the single, which was penned before the great burning of the Amazon Rainforest and the destructive 2020 wildfires in Australia.  Filming for the song’s live action clip was restricted due to the COVID-19 pandemic.
 
“Coronavirus turned our video cartoon,” says TAYLOR of the animated video. “These challenging times are forcing us to adapt, evolve and discover new ways of doing things. I scoured the internet for an animation team who could bring to life this emotive, sensitive and archetypal narrative about humanity’s neglect and mistreatment of Mother Earth. I’ve never written or directed animation before, but it opened up new possibilities and for that I’m grateful.”
 

IN HEARTS WAKE – “Son Of A Witch” Official Music Video

 
IN HEARTS WAKE calculated the recording process of the album to be 26.37 tonnes of CO2e which has been entirely offset through the purchase of carbon credits in the Yarra Yarra Biodiversity Corridor of Western Australia. The album will also be packaged and manufactured plastic free. 
 
“During the recording process for ‘Kaliyuga’ we measured every power socket, counted every light, pound of freight, food consumption, driving mile and airfare taken,” says TAYLOR. “We were then able to find the total carbon footprint and offset it by supporting a rewilding project in Australia on First Nations land.”
He continues, “Our mission to help support and sustain life on Earth has made us realize that less is more. Many industries are evolving, and as musicians we feel it’s time to do our part. It’s been challenging to navigate the retail hurdles, find sustainable materials and successful companies that embody our ethos, but through a bit of research we’ve discovered that there are many solutions out there.”
 
KALIYUGA is accompanied by a brand-new website, https://thehouseofkali.com/, which is now live. The site offers album news, insights, exclusive content and clues as well as a host of important information. 
 
 
IN HEARTS WAKE are long time champions of the earth, with their last three albums themed around the natural elements that make life here possible. Earthwalker (2014) explored the element of Earth, Skydancer (2015) explored air, and Ark (2016) focused on water. All three albums debuted in the Top 5 of the ARIA charts with the themes of social and environmental justice and self-accountability steady throughout.  It is uncanny that the band’s fourth album, KALIYUGA, would be born of fire, inspired and bookended by the devastating fires that occurred in California and Australia throughout 2018, 2019 and 2020. 
 
KALIYUGA takes a surgeon’s scalpel and a sledgehammer to cut and smash through dysfunction. A ruthless scrutiny of self and the social and eco injustices and abuse at play today blazes throughout the album as IN HEARTS WAKE aim to break the barriers of apathy, distraction, disinformation, anxiety and despair to spread the band’s purpose and passion like wildfire.
 
“Ancients from different cultures spoke of Four Ages of Humanity,” says TAYLOR. “The Hindu ancients called the Age we are in right now, ‘KALIYUGA’ – a time when negativity such as discord, greed, materialism and fear create strife and imbalance for life on earth. We’re seeing this in the world around us and in the chaos of recent events. But I believe we were born into this age for a reason-that we can transform the challenges we face by seizing the opportunity to grow and change the way we live on the earth and with each other.”
 
KALIYUGA is geared for inciting widespread positive action and breaking new ground in order to tackle the most pressing crises on the planet today. This is inspiring conscious heavy music for these times.
 
 
 
For more information on IN HEARTS WAKE, please visit
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For press opportunities and/or to speak with IN HEARTS WAKE, please contact:

SRO PR
Kelly Walsh – kwalsh@sropr.com
585-765-5162
 

 

 

SUNNY OZELL Debuts “Church Sessions” Video Series And Catches Up With Graham Norton From Los Angeles Quarantine

DATE:       APRIL 23, 2020
 
FROM:      MARCEE RONDAN
 
 
 
 
 
SINGER-SONGWRITER
SUNNY OZELL
DEBUTS “CHURCH SESSIONS”
VIDEO SERIES, MERGING HER
LOVE OF MUSIC, HISTORY AND TRAVEL
 
FIRST VIDEO FOR ALBUM’S
“DOWNSTREAM” TRACK OUT NOW
WATCH HERE
 
SUNNY CATCHES UP WITH GRAHAM NORTON
FROM LOS ANGELES QUARANTINE
WATCH HERE
In advance of the release of her next single from her album OVERNIGHT LOWS , singer-songwriter SUNNY OZELL has shared the first in a series of video shorts that merge her love of music, history, and travel. Titled the “Church Sessions,” the three videos were filmed at centuries-old churches throughout the UK early this year. With the recent shelter at home global lockdown, SUNNY is currently planted firmly in Los Angeles, where she and her husband were recently featured on Graham Norton’s UK show. Watch a clip here.
 
For the first video (out now) in the “Church Sessions” series, SUNNY gives us a virtual tour of Saint Mary’s church in Bloxham, West Oxdfordshire. SUNNY offers a brief history lesson along with an acoustic performance of “Downstream” from her OVERNIGHT LOWS album, live in the soaring nave of an ancient house of worship. Watch the clip here.
 
“Ever since I was a child, I’ve loved old buildings,” SUNNY explains. “Though growing up on the West Coast didn’t afford for much in the way of ‘old,’ Virginia City (a Nevada silver ‘boom town’ from the late 19th century) was about as old as anything I’d seen. So, when I first started spending regular amounts of time in the UK, I relished the wealth of centuries-old historical buildings and dove headlong into studying them. In particular, the church architecture of ancient England swept me off my feet.
 
“I’m not remotely a religious person, but these houses of worship, where parishioners have gathered and marked their lives for hundreds and hundreds of years, hold so many treasures to be discovered. All the applied arts of the medieval era can be found in fragments here and there, and I’m especially interested in the bits that survived the sweeping destructions of the Reformation. Studying history is a pastime I find immensely calming; it is an escapist pursuit, but it also brings comfort when you find that fellow human beings from centuries past wanted the same things we do–love, freedom, selfhood, etc. When I connect with medieval church buildings, I’m also connecting with the human lives who have come and gone through the doors. It seemed perfectly sensible to bridge two of my passions–music and history–in these short videos.  Americana songs and medieval ecclesiastical architecture may seem a strange marriage, but they both act as ‘records’ of human life and it was truly a delight to sing in these majestic spaces.”
 
OVERNIGHT LOWS gleams with engaging melodies and intelligent wordplays, performed with a sophisticated fluency in pop, jazz, soul and Americana dialects. In SUNNY‘s words, OVERNIGHT LOWSreflects the soul and simplicity of her passion for such inspirations as Bonnie Raitt, David Byrne, Cassandra Wilson, and Aretha Franklin. Players on the album include Jay Bellerose (Robert Plant, Aimee Mann, Alison Krauss), Tyler Chester (George Ezra, Maddison Cunningham), Andy Hess (The Black Crowes, David Byrne), Adam Levy (Norah Jones, Roseanne Cash), and Rich Hinman (Sara Bareilles). The album was recorded at Village Studios in Los Angeles, and engineered by Mike Piersante.
 
 

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