Here’s a little snapshot of what was happening in the music/culture worlds in 1998 via this promo mailer featuring MSO PR clients on various covers. This was before we changed the name of our company to SRO PR.
Big thanks to Ava Berman + Carlos Adley for inviting me this past Saturday night to see Shannon & The Clams at their sprawling + massively cool Fremont Country Club in downtown Vegas. The vocal harmony-rich Oakland, CA quartet packed out the venue + lit it up with their crazy + playful hybrid of garage, surf, garage, girl group, psych and doo-wop. You definitely can’t pull the reins in on the band, whose latest album “Year of the Spider” marks their sixth, and the crowd was absolutely ravenous. For those who haven’t been, the venue (across from the El Cortez Hotel in a giant brick building that once was the home of Metro Police) has been key to the redevelopment of the East Fremont Street area. Hats off to Ava and “Big Daddy” Carlos, who are not only visionaries but really nice people. Long may they run and keep Vegas vital.
DT: APRIL 13, 2022
FM: KELLY WALSH, SRO PR
ANIME-PUNK ROCK COLLECTIVE
OSAKA POPSTAR
ANNOUNCE NEW RELEASE
‘EAR CANDY’
DUE MAY 6 VIA MISFITS RECORDS
EXPANDED & REMASTERED DELUXE EDITION OF DEBUT ALBUM
‘OSAKA POPSTAR AND THE AMERICAN LEGENDS OF PUNK’
NOW AVAILABLE FOR FIRST-TIME ON VINYL
Cover Artwork by Josh Howard (Dead@17)
Pop culture and punk rock fans rejoice! The anime-meets-NY punk rock collective OSAKA POPSTAR have returned with a second serving of “deeply infectious pop punk” (AMP) on their upcoming May 6 release, EAR CANDY via Misfits Records in association with Demented Punk. Fronted and produced by longtime Misfits and Ramones collaborator John Cafiero (vocals), OSAKA POPSTAR is backed by a revolving line-up of noteworthy punk musicians who deliver crunchy riffs and power pop melodies. EAR CANDY highlights the band’s sweet new original single “Lost And Found” and also brings new energy to classic confectionery singles including The Archies’ “Sugar, Sugar,” The Partridge Family’s “I Think I Love You,” and The Monkees’ “All Of Your Toys.”
EAR CANDY was recorded with Dean Rispler (The Voluptuous Horror of Karen Black) on guitar and bass and Jon Wurster (Superchunk, The Mountain Goats, Bob Mould) on drums and features guest backing vocals from indie rocker Colleen Green. It will be made available digitally as well as on CD and Limited-Edition candy swirl ‘bite’ vinyl, which can be seen included in the cover artwork (pictured above) illustrated by Josh Howard (Dead@17 comics). The vinyl and CD versions will also include a download card with MP3s plus a digital full-color 32-page variant first issue of the upcoming “Sweetie Candy Vigilante” comic book available exclusively with the EAR CANDY release.
Pre-order EAR CANDY on CD +/or LP now at: store.osakapopstar.com
OSAKA POPSTAR recently unveiled a deluxe expanded and remastered edition of their debut album, OSAKA POPSTAR AND THE AMERICAN LEGENDS OF PUNK, which features a backing lineup of punk rock legends Jerry Only (The Misfits), Marky Ramone (Ramones), Dez Cadena (Black Flag) and Ivan Julian (Richard Hell & The Voidoids) along with a special guest appearance from the late outsider music icon Daniel Johnston. The deluxe release includes a new mix of the cereal-inspired track, “Where’s The Cap’n” and newly added bonus tracks including, “Super Hero.”
It also includes a previously unreleased studio version of OSAKA POPSTAR’s cover of Ramones’ “Beat On The Brat”—which is currently in rotation on SiriusXM’s ‘Faction Punk’ station—and was recorded with Cafiero on vocals, Rispler on guitars, Sal Maida (Sparks) on bass and Dennis Diken (The Smithereens) on drums.
The band teamed up with Grammy Award-winning artist “Weird Al” Yankovic for Record Store Day Black Friday 2021 to release a “blistering, accordion-tinged cover” (Rolling Stone) exclusive 12-inch split, BEAT ON THE BRAT which immediately sold out and was listed as one of the Top 5 and Top 10 Record Store Day releases across several notable media outlets including iHeart Radio News. It included a studio version of “Beat On The Brat” recorded with “Weird Al” on vocals and accordion backed by Osaka Popstar in addition to two previously unreleased live tracks (“Beat On The Brat” and “I Wanna Be Sedated”) performed by “Weird Al” and his band on the “Ridiculously Self-Indulgent, Ill Advised Vanity Tour.” Its flip side includes Osaka Popstar’s own studio version of “Beat On The Brat,” featured on the aforementioned expanded release, along with three other live versions exclusively released on vinyl performed by the band. “How could I not contribute to this project,” says “Weird Al.” “I love punk music…I selected ‘Beat on the Brat’ by the Ramones, because I truly believe it’s the most upbeat, danceable song about child abuse ever written.”
Grab a copy of OSAKA POPSTAR AND THE AMERICAN LEGENDS OF PUNK (EXPANDED EDITION) on CD or 180-gram vinyl here: https://store.osakapopstar.com.
Get an in-depth look at the world of OSAKA POPSTAR with a special animated trailer for their expanded release below starring their ‘Crunchy Crossbones’ mascot voiced by Roger L. Jackson, best known as the voice of Mojo Jojo (“Powderpuff Girls”) and Ghostface (“Scream”).
Find all things OSAKA POPSTAR online at:
https://osakapopstar.com/
https://www.facebook.com/OsakaPopstar/
https://twitter.com/osakapopstar
https://www.instagram.com/osakapopstar/
###
For publicity inquiries or advance review requests, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
How cool is it that Las Vegas is home to The Burlesque Hall of Fame, the world’s only museum dedicated to the history + art of burlesque?
And like many nonprofit museums, it depends on contributions from folks who believe in the art of the “Tease.”
That’s the name of the burlesque revue that raised money for the museum this past Saturday night at the packed The Space—a performance/event venue located in a warehouse area in the shadow of The Strip.
And what a sensual, electrifying + ultimately life-affirming event it was, with one beautiful, colorful + sexy performer after another throughout the never-dull two-hour show. And as the 76-year-old iconic burlesque performer Lovey Goldmine (a ‘70s headliner in Paris and L.A.) noted from the stage—during what was a lively history lesson “interview” conducted by the lovably bawdy emcee + burlesque performer Blanche DeBris (wink)—the neo-burlesque movement triumphantly differs from the past in its celebration of body diversity.
So let’s raise our collective glasses to women of all shapes + sizes who proudly celebrate themselves in the face of societal pressure of how women should look. This is a revolution whose time has come, with a singer like Lizzo breaking down boundaries, removing some of the power from those who hold the reins in the advertising world + ultimately making the world a much better place.
Head over to The Burlesque Hall of Fame in the Arts District, whose neon sign outside is as sizzling as the museum’s “several thousand pieces including costumes, stage props, photos, sheet music, magazines, manuscripts, and personal effects from performers at every level of fame.”
Next up is the “The Burlesque Hall of Fame Weekend” at the Orleans Hotel June 2-5. It’s billed as “four days of incredible fun, learning and performance, and a fundraiser for The Burlesque Hall of Fame.”
And long live The “Tease,” which returns to The Space July 16.
DT: APRIL 11, 2022
FM: KELLY WALSH, SRO PR
BLAZING ROCK TRIO
THE BLACK MOODS
TAKE EVERYONE INSIDE
“HOLLYWOOD”
OUT NOW, LISTEN HERE
BAND SHARE DETAILS ON THIRD ALBUM
‘INTO THE NIGHT’
DUE JUNE 3
PRE-SAVE ‘INTO THE NIGHT’ HERE
“We’re hanging out with the worst of them,
we make the bad look good.
After parties where you can’t invite your friends,
yea, this is Hollywood.”
Blazing rock trio THE BLACK MOODS warm up listeners with another new track, “Hollywood,” taken from their upcoming June 3 album INTO THE NIGHT via Wit Hustle/The Orchard/Steelhorse Entertainment. Streaming now across all digital platforms, “Hollywood” unflinchingly looks at the dark side beneath the glitz and glamour of the star-studded entertainment capital. Listen here: https://orcd.co/tbmhollywood.
For INTO THE NIGHT, the Phoenix, AZ band–Josh Kennedy (vocals, guitar), Chico Diaz (drums) and Jordan Hoffman (bass)–reenlisted Grammy Award-nominated producer Johnny “K” Karkazis (3 Doors Down, Disturbed), who also worked with the trio on their critically acclaimed 2020 sophomore effort SUNSHINE, which produced the Top 20 rock track “Sunshine.” Unable to tour when the pandemic hit, the band packed up their studio and headed East to the Ozarks and set up a makeshift studio in their label owner’s home. “At first, our plan was to record some songs in his basement,” shares Kennedy. “…but we wound up taking over the entire house from June to October (2020).”
Recording a full album inside a private residence required the band to get creative–drums were tracked in the wide-open living room, guitar amps were placed inside the walk-in closets and so on. THE BLACK MOODS spent the summer immersed in the most dynamic and diverse project of their career, mixing hard-hitting rock & roll with electric blues, punky attitude, and plenty of anthemic choruses. For Kennedy, who’d grown up just a short drive away, he’d come full circle returning to the Ozarks, the place where he’d first fallen in love with music. Citing influence from the classic sounds of Cream, Jimi Hendrix, and Creedence Clearwater Revival and even ’90s mainstays like Counting Crowes and Better Than Ezra, INTO THE NIGHT marked another chance to blend his influences from the past into a sound for the present.
INTO THE NIGHT’s 12 tracks were every bit as inspired as the recording sessions that produced them. “Saturday Night” paid tribute to the wild, celebratory thrill of the weekend, which the band portrayed in the rousing music video seen HERE, while “She Gets Out” (released November 2021) showcased a softer side of the band, with jangling acoustic guitars and tight vocal harmonies giving way to a singalong refrain. INTO THE NIGHT is an album that’s felt as much as heard, rooted in the stomp of drummer Chico Diaz‘s kick drum, the pulse of Jordan Hoffman‘s bass, and the larger-than-life presence of Josh Kennedy.
Pre-save INTO THE NIGHT (out 6/3) at this link: https://orcd.co/tbmintothenight
INTO THE NIGHT Track Listing:
1, Youth Is Wasted On The Young
2. Hollywood (LISTEN)
3. Saturday Night (WATCH)
4. She Gets Out (WATCH)
5. Big Time
6. Leadin’ Me On
7. On & On
8. Junkie Excuses
9. Two Kinds of People
10. Fire & Gasoline
11. Seen Enough
12. The Cure
THE BLACK MOODS will bring their larger-than-life stage presence to audiences over the next few months as they’ve been announced to appear at the first annual Cannaval festival in Phoenix at the Phoenix Event Center on April 30 and the four-day Circus Mexicus festival in Puerto Penasco, MX from June 9-12. They will also perform an intimate acoustic dinner show at Frasher’s Steakhouse in Scottsdale, AZ where they will release a new Sauvignon Blanc version of their very own “Sunshine” wine. For tickets, visit https://theblackmoods.com,
l-r: Chico Diaz, Josh Kennedy, Jordan Hoffman
Credit: Jim Louvau
Find THE BLACK MOODS online:
FACEBOOK | INSTAGRAM | TWITTER | WEBSITE
SRO PR Assets + Releases: http://sropr.com/portfolio/the-black-moods/
###
For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com
DATE: APRIL 11, 2022
FROM: MITCH SCHNEIDER/MARCEE RONDAN
TIMOTHY B. SCHMIT
SHARES “HEARTBEAT,”
THE SECOND SINGLE
LEADING UP TO THE RELEASE
OF HIS SOLO ALBUM ‘DAY BY DAY,’
OUT MAY 6
WATCH THE “HEARTBEAT” LYRIC VIDEO HERE
Photo credit: Dove Shore
An icon of American music since the early 1970s, TIMOTHY B. SCHMIT of The Eagles has spent the past half-century in a creative whirl, blurring the lines between rock & roll, blue-eyed soul, California country, and folk. Leading up to the May 6 release of his seventh solo album DAY BY DAY, the singer, songwriter and bassist has shared its second single, “Heartbeat,” along with a lyric video. Watch the video here and listen to the song here.
“Heartbeat” is built on a subtle R&B groove reminiscent of the Eagles rhythmic classic “I Can’t Tell You Why” that TIMOTHY sang and co-wrote with Don Henley and Glenn Frey. In the song, he candidly gets inside what makes long-term relationships work: devotion, commitment and respect, plus the shared understanding that the two people also exist as individuals: “…you don’t own me/And I don’t own you/All we do is love one another/Two lucky people/Who know how to work things through.”
“Heartbeat” follows the March 18 release of the “Simple Man” single and video, which was praised by Rock And Blues Muse: “One word about ‘Simple Man’ by Timothy B. Schmit–gorgeous” (3/18/22).
DAY BY DAY highlights his enduring appetite for new sounds and timeless melodies. He recorded the album’s 12 songs during breaks in the Eagles’ busy schedule, utilizing his home studio known as Mooselodge–nestled into a rural pocket of Los Angeles County, with the Santa Monica Mountains looming outside–to capture a sound that’s as eclectic as its creator. On DAY BY DAY, his third consecutive self-penned album, guests like Jackson Browne, Lindsey Buckingham, John Fogerty, Benmont Tench, Jim Keltner, John McFee and Kenny Wayne Sheppard all make appearances, as well as many other fine musicians and singers.
As noted by Ultimate Classic Rock, the album “…ranges from the rich harmonics of ‘Simple Man’ to the rocking ‘Mr. X.’ Elsewhere, the Band-like Americana of ‘Grinding Stone,’ the Caribbean flavor of ‘I Come Alive and the rich orchestrations of ‘Taste Like Candy” boast further sonic ventures” (3/18/22).
The DAY BY DAY track listing is as follows:
SIMPLE MAN
THE NEXT RAINBOW
HEARTBEAT
MR.X
QUESTION OF THE HEART
SOMETHING YOU SHOULD KNOW
I COME ALIVE
FEATHER IN THE WIND
GRINDING STONE
TASTE LIKE CANDY
CONFLICTED
WHERE WE BELONG
WEBSITE | FACEBOOK | TWITTER | YOUTUBE
Read the album’s launch press release here.
For TIMOTHY B. SCHMIT press inquiries, please contact SRO PR:
Mitch Schneider, mschneider@sropr.com
Marcee Rondan, marcee@sropr.com
###
DT: APRIL 11, 2022
FM: MITCH SCHNEIDER, KELLY WALSH / SRO PR
THE SWEET THINGS
TODAY ROLL OUT
“BROWN LEATHER,”
THEIR NEW POTENT SINGLE AND ACTION-PACKED VIDEO
WATCH THE VIDEO HERE
AND LISTEN TO THE SONG HERE
THE FREEWHEELING NEW YORK ROCK BAND
ALSO SHARE Q&A ABOUT “BROWN LEATHER,”
THE TITLE TRACK OF THEIR SECOND ALBUM
DUE JUNE 3
VIA WENDIGO PRODUCTIONS NYC/ SPAGHETTY TOWN RECORDS
Freewheeling New York rock band THE SWEET THINGS today (April 11) roll out “Brown Leather,” their potent new single and action-packed video. The song is the title track of the band’s second album due June 3 via Wendigo Productions NYC/Spaghetty Town Records, an 11-song disc that’s rife with a sweet mix twangin’ bangin’ country blues, bluesy country and Southern rock and roll. Watch the video streaming below or at YouTube here and listen to the track here.
The “Brown Leather” video was filmed by award-winning director Video Rahim (Mastodon, Blackberry Smoke) and shot at the Boot Bar in Manhattan, with exterior scenes filmed shot at Chips Bar and Grill in Winder, GA. Read a Q&A with the band on the making of the video and what “Brown Leather” really means below.
BROWN LEATHER tells timeless tales that sound familiar yet fresh at the same time. The album was recorded with producer Matt Chiaravalle at the iconic FAME Recording Studios in Muscle Shoals, AL (The Beatles, Allman Brothers Band, Lynyrd Skynryd) with finishing touches added in NYC’s Flux Studios and Mercy Sound.
BROWN LEATHER Track listing
THE SWEET THINGS includes founding members Dave Tierney and Sam Hariss along with two new members: string-bending extremist and slide marksmen Tobin Dale on guitar and Bronx-born emigre to Queens Hector Lopez on the drums. The band’s debut album IN BORROWED SHOES, ON BORROWED TIME was released in 2019. Faster and Louder praised the record stating “In Borrowed Shoes is The Sweet Things’ Exile On Main St. It runs the stylistic gamut from trashy rock n’ roll to blues to country to soulful ballads” while Sleaze Roxx compared it to if the “1972 Stones were exiled in the New York City’s East Village instead of the south of France.”
L-R: Hector Lopez, Tobin Dale, Sam Hariss, Dave Tierney
Credit: Robert Butcher
THE SWEET THINGS “BROWN LEATHER” Q&A
with DAVE TIERNEY
–Where was the video shot?
DAVE TIERNEY: “Most of the video was shot at the Boot Bar in Manhattan, but the exteriors were shot at Chips Bar and Grill in Winder, GA.”
–Who directed it?
DAVE TIERNEY: “The video was directed by Video Rahim from Atlanta. We’ve been huge fans of his work for years, so once we came up with the concept and started discussing options to direct, he was the obvious first choice. We reached out to him with the song and the basic idea and he was super into it, so we just hit the ground running from there.”
–Who came up with the concept for the video and what are your thoughts about it?
DAVE TIERNEY: “Sam, my girlfriend Scarlett (she plays the orange haired skater in the video), and I were sitting around one night talking about what the video for
this song should look like. ‘I’m seeing roller skates and butts,’ Scarlett said. We
bullshitted the idea around for a couple hours and filled in all the blanks until the
concept had materialized. The Brown Leather Roller Disco Bar in the video is basically
the kind of place we would want to play or hang out at, but since it didn’t exist in the real
world (that we know of), we had to create it. Hopefully nature takes its course now, and
some of that life imitates art shit happens so that a place like this will open that we can
actually hang out at and play.”
–Can you talk about your general excitement about the video and how it captures the essence of The Sweet Things and the band’s new chapter with the upcoming album.
DAVE TIERNEY: “We love the video. It’s fun to watch it now after months of it just being an idea we had dreamed up. We had a lot of shows cancelled in the Spring/Summer of 2019 (as did just about everyone), and now we’re finally relaunching ourselves as a full live band getting back on the road. It seems appropriate to kick it all off with a video centered around a live performance like this one. This video is very optimistic, it’s the world in which we want to live. Hopefully, we play lots of shows where brawls break out if anyone dares to show up not wearing roller skates.”
–The video has a strong feminist vibe. Can you talk about that?
DAVE TIERNEY: “The skaters are definitely the stars of this video, and they did an amazing job. From the beginning, we were trying to create a world inhabited by these women who were cool badass motherfuckers. Scarlett skates for the Bronx Gridlock in the Gotham Roller Derby league, and we hang out in that world a lot. We’re huge fans of what they do, so once the idea of a country and western roller disco video started to come together, asking other skaters from Gotham to be a part of it was a no-brainer. About ¾ of the skaters in the video are from the league. Within the context of the video, this is definitely their bar and we’re just playing at it. We’re very pleased that these characters we dreamed up are Sweet Things fans and asked us to play their bar.”
–With all the action taking place in the video, did anything particularly wild + crazy happen on the video set?
DAVE TIERNEY: “We had a lot of fight choreography planned out for the skaters and taught it to them before filming those scenes, but once the cameras started rolling, we realized that it was completely unnecessary. Each time Rahim called ‘action,’ every skater just went 100% nuts throwing themselves and each other all around the place. It was amazing to watch and slightly hard to stay in character while the whole room was going crazy. Stephen, who plays one of the line dancers, was talking after the shoot about how hard some of the skaters were going when the show turns violent, and he remarked that a lot of the pulled punches he got hit with weren’t really pulled. There’s a moment captured in the video when Danger (another Gotham skater) is punching Stephen repeatedly in the ribs and this appears to be some of those punches he was referring to. He may never dance again.”
–Focusing on the song itself, what inspired the lyrics?
DAVE TIERNEY: “In our world someone saying, ‘that’s very brown leather’ is sort of similar to saying, ‘that’s not very punk rock.’ It’s meant derisively in a way intended to criticize someone’s taste and even their cred a bit. It’s lighthearted, but also intended as a dig. The song ‘Brown Leather’ is basically us saying we don’t give a fuck what other people think, we’re just gonna do what we like and what we think is cool. The video itself is just an extension of that attitude, since we’re singing about doing what we like, we’re gonna make a video of what we’d like to see…we think other people will like it too.”
Find more about on THE SWEET THINGS online at:
FACEBOOK | INSTAGRAM
PR ASSETS: http://sropr.com/portfolio/the-sweet-things/
###
For press inquiries, please contact:
SRO PR
Mitch Schneider / mschneider@sropr.com
Kelly Walsh / kwalsh@sropr.com
DATE: MARCH 31, 2022
ALDO NOVA
REVEALS ANXIOUSLY AWAITED NEW EP
‘THE LIFE AND TIMES OF EDDIE GAGE’
ROCK OPERA
ALDO ROLLS OUT VIDEO RECAP
OF THE EP’S THREE CLIPS
Thumb through your record collection, Spotify library, or YouTube search history and, chances are, you’ve listened to ALDO NOVA at some point.
The GRAMMY® Award-winning phenomenon and singer, songwriter and guitarist has not only penned various definitive rock anthems from his multi-platinum solo anthems such as “Fantasy,” “Monkey On Your Back” and many more but his touch can be felt on dozens of influential records from Céline Dion, Jon Bon Jovi, Faith Hill, and many more.
Tomorrow (April 1), ALDO unleashes the epic THE LIFE AND TIMES OF EDDIE GAGE 10-song EP. Get it here. Today (March 31), he has rolled out a video recap of the EP’s three clips for “Burn Like The Sun,” “Free Your Mind,” and “King Of Deceit.” Watch the trailer here.
This 10-track preview EP with songs taken from his 25-song, two hours plus-long rock opera THE LIFE AND TIMES OF EDDIE GAGE proves equally relevant in terms of rock’s past, present, and future. ALDO tells a story like never before about Eddie Gage, a young musical prodigy that becomes the ultimate Rockstar but then gets drawn into the sordid reality of the darker side of the music industry where he then falls, and with faith and hope, is reborn. This is not your average story though, since it is also based in theology, and mysticism, where names must be decoded, and lyrics read to discover the true characters hidden in the story. Eddie Gage essentially doubles as the musician’s own avatar through all those years recording music under major label shackles to this point in his career where he releases this EP of all new material on the 40th anniversary of the release of his multi-platinum top ten eponymous first album. all the songs were written, performed, produced, engineered and mixed by ALDO.
ALDO sets the stage for the EP with the singles “King Of Deceit,” “Burn Like The Sun,” “Free Your Mind,” and “Hey Ladi Dadi,” generating streams in the hundreds of thousands already and earning early acclaim including praise from Goldmine Magazine (3/22/22): “It’s a magnificent return and a reflection of how broad and striking his musical talents have always been.” Elsewhere, Sonic Perspectives (2-16-22) raved: “Its ten tracks are a group of diverse, high-energy rockers packed with Aldo‘s thunderous guitar work, soaring vocals, and heartfelt lyrics.”
With THE LIFE AND TIMES OF EDDIE GAGE EP, ALDO is delivering an expansive vision as the culmination of his incredible journey thus far, and it only hints at more to come. This prolific presence has quietly helped shaped the sound of rock and popular music since the onset of his career. He’s bringing a dream vision to life in 2022.
Allow ALDO to introduce you to Eddie Gage now…
About ALDO NOVA:
Born Aldo Caporuscio, he opened this channel forty years ago with his 1982 double-platinum top ten self-titled debut, Aldo Nova, and its definitive Hot 100 smash single “Fantasy.” On the heels of the platinum-selling Subject…Aldo Nova and Twitch, he emerged as a trusted collaborator for some of the biggest stars in the world. He co-wrote the song “Mr. Big Time” for the soundtrack of the movie, “Armageddon,” and worked closely with Jon on his soundtrack album for the film, “Young Guns 2,” writing the signature riff from Jon Bon Jovi’s “Blaze of Glory.” Bon Jovi returned the favor by collaborating on ALDO’s 1991 Blood on the Bricks. Working closely with Céline Dion, he penned “A New Day Has Come,” “Your Light,” “I Can’t Fight the Feeling,” and “You and I,” even garnered a GRAMMY® Award in the category of “Album of the Year” for co-writing and producing 3 songs from her diamond-selling album Falling Into You. Not to mention, his discography also includes writing songs for everyone from Faith Hill, Carole King, and Clay Aiken to Garou and Blue Öyster Cult.
Contact:
SRO PR
Mitch Schneider, mschneider@sropr.com
Marcee Rondan, marcee@sropr.com