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Mammoth, Inc. Expands Footprint With New York City Office; Mammoth Northeast To Be Headed By Industry Veteran Sean Striegel

DATE: JUNE 8, 2022

FROM: MARCEE RONDAN

INTRODUCING
MAMMOTH NORTHEAST
NEW YORK OFFICE TO BE
HEADED BY INDUSTRY VETERAN
SEAN STRIEGEL

Leading Midwest promoter Mammoth, Inc. is expanding their footprint by opening a New York City branch and launching Mammoth Northeast. The New York office (in the city’s historic South Street Seaport area) will be headed by industry veteran Sean Striegel.

With more than three decades of experience as one of the nation’s leading talent buyers, Striegel brings his expertise in concert buying and event production to Mammoth, establishing an east coast presence for various live events ranging from clubs and arenas to national tours.

“The Mammoth team has worked hard at creating a forward-thinking, artist friendly business that serves the customer,” Sean Striegel says. “Adding my decades of experience in the live music industry to what Mammoth has built is a natural fit. Combining all of our knowledge and perspective will amplify the great service that artists, agents, managers, venues, and fans have come to expect of Mammoth.”

“We’ve had a long working relationship with Sean that’s developed into a close friendship,” says Mammoth’s Jeff Fortier. “His renowned booking abilities are a huge asset and addition to Mammoth’s capabilities. We’re very excited to have him as part of the growing team.”

Mammoth’s Josh Hunt notes, “Growth is organically happening within Mammoth, when the opportunity to include Sean on the east coast presented itself, it just made sense. We can’t think of anyone better suited to take on the responsibility of opening and running a Mammoth Northeast office.”

This news comes on the heels of the announcement of Mammoth’s expansion into the Pacific Northwest as a result of their recently announced establishment of Mammoth Northwest, a merger with Portland, Oregon’s Mike Thrasher Presents. Read more here.

Launched in 2006, Mammoth produces a wide array of live events including concerts and festivals, as well as national tours. Mammoth’s events range in size from small club shows to amphitheaters and arena shows (including more than 50 historic indoor theaters). The company is headed by Jeff Fortier and Josh Hunt, who together have over 55 years of combined music industry experience. With home offices in Lawrence, KS and Kansas City, MO, Mammoth produces more than 1,000 concerts and live events across the country per year, and those numbers sure to grow with the addition of Mammoth Northeast and Sean Striegel.

For more information, please visit https://www.mammothlive.com/

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“Piece of Me,” New Murder Mystery Web Series, Celebrated with 80s Prom Murder Mystery Dinner at Downtown Vegas’ Millennium Fandom Bar

It’s always a joy to support the vibrant creative community here in Las Vegas, so with that in mind I headed last week to the fun “Piece of Me” 80s Prom Murder Mystery Dinner, a benefit at downtown’s highly cool Millennium Fandom Bar.

The event raised funds for the cast of the new “Piece of Me” murder mystery/dark comedy web series about the COVID-19 pandemic—the pilot for which is now streaming on IFT Network—and The Shade Tree of Las Vegas which assists the women, children, and pets at their shelter who’ve survived domestic violence, human trafficking, and homelessness. Watch the “Piece of Me” trailer here. All six episodes will eventually stream on IFT, an online  platform for indie films and off-Broadway plays, later this month: http://www.iftnetwork.com

I caught up at the event with Darlene Dalmaceda, the producer, actress, and screenwriter who owns ACE Vegas Studios, an independent film production company. She wrote most of “Piece of Me” (collaborating with another screenwriter, Randall Potts) and stars in it as Lisa, the main character.

What exactly inspired “Piece of Me” which was filmed in Vegas and directed by Nicholas Grant?

“It’s based on a real-life incident right before the pandemic when a nerdy young pizza delivery driver came to my door and asked me all kinds of inappropriate questions that creeped me out,” said Dalmaceda. “After I called and complained to the female manager who seemed to know who I was talking about, I wrote the first draft of the pilot. I put it away for a while, but when the pandemic hit, I decided to create a limited web series about it. I couldn’t work on my bigger scale projects because of the Covid restrictions that were in place last year, but I still wanted to do another film project, just on a smaller scale.”

Dalmaceda went on to elaborate that “Lisa is a paranoid young woman who takes social distancing to the extreme. She’s being stalked by an obsessive pizza delivery driver while under quarantine at her apartment and must figure out a way to escape from him, even if it ends up in murder.”

The pandemic has definitely kicked all of our collective asses, and in some cases inspired creatives like Darlene Dalmaceda to use it as a thematic jumping off point for their projects. With “Piece of Me,” Dalmaceda has created a dark comedy designed to get under your skin and follow you around like a stalker.




Depeche Mode Set List, Madison Square Garden, 12/7/05, In Honor of Andrew Fletcher, R.I.P.

In honor of the recent passing of Andrew Fletcher, we wanted to share this set list from the period we handled PR for Depeche Mode (2000-2007). This was a reliably great Depeche show at Madison Square Garden on 12/7/05 when the band toured their ‘Playing The Angel’ album which they released in October that year. Fletch was always so gracious to Mitch Schneider, Marcee Rondan + everyone at Schneider Rondan Organization. May he rest in peace…


Donny Osmond Embodies A Slick Vegas Showbiz Americana At Ongoing Harrah’s Residency

The world may be going to hell in a hand-basket, but there’s Donny Osmond to remind us of a seemingly more innocent time. And he does this really well at his Vegas residency at Harrah’s Showroom. No surprise. He’s been performing in Vegas since he was seven-years-old, as he noted from the stage, starting with the Osmond Brothers, when they opened for Sinatra + Presley. 

Donny embodies a slick Vegas show-biz Americana and has fun with it. At 64, he’s an ace all-around entertainer who delivers the goods: he sang well, he danced, he was self-effacing, he expertly interacted with the packed audience, and his new rhythmic pop songs (from his, unbelievably, 65th album, 2021’s Start Again) fit nicely alongside his solo and Osmond Brothers hits.   

The choreography was sharp, the lighting dazzled, and the production didn’t lag. Plus the archival TV footage and images of old album covers were well-integrated throughout. I noticed on one of the album jackets a track listing that included “Sit Down, I Think I Love You,” a Stephen Stills song by the Buffalo Springfield (not in this show’s set list). He recorded the tune for a 1971 solo album. Who knew? 

Dates for Donny’s show at Harrah’s are listed online through November 2022. It’s definitely a feel-good night out, right down to the finale’s confetti blast. Whenever the end of the world rolls around, I want to go out wearing Donny Osmond’s sequined jacket.





TASH SULTANA Talks About Their New ‘MTV Unplugged, Live In Melbourne’ Album’ And North American 2022 ‘Terra Firma’ Headlining Tour In New Q&A

DATE: MAY 31, 2022

FROM: MARCEE RONDAN/MITCH SCHNEIDER

A person wearing sunglasses and a hat

Description automatically generated with low confidencePhoto credit: Ben McFadyen

TASH SULTANA
TALKS ABOUT THEIR
‘MTV UNPLUGGED, LIVE IN MELBOURNE’ ALBUM’
OUT JUNE 3
AND NORTH AMERICAN 2022
‘TERRA FIRMA’ HEADLINING TOUR
IN NEW Q&A

In a revealing new Q&A, TASH SULTANA, the gender fluid multi-instrumentalist, singer-songwriter, producer and engineer, has offered more details and perspective about their upcoming album–MTV UNPLUGGED, LIVE IN MELBOURNE, out June 3 on Mom + Pop–and North American tour launching June 10 in Las Vegas. The Q&A is below, along with more info about the album and the tour dates.

TASH SULTANA
Q&A:

Q: Congrats on the upcoming release of the MTV Unplugged album. Can you let us know why you feel this live album is an important work for you?

TASH SULTANA: This is important to me because it’s the first record I’ve mixed. I honestly just wanted to give myself a project when I had nothing on the horizon and see what I could do. It took me three months because I was fussy with it, story of my life–I mean there’s always things you will change looking back but I just wanted to have that under my belt.

Q: American concertgoers know you as a solo performer. Can you talk about the dynamic of having a band onstage with you for this live recording?

TASH SULTANA: I think it’s important to make the distinction that I am a SOLO performer. I always write everything on all my records. I’ve played all the instruments on everything I’ve ever written (apart from the obvious collabs) or released as well as produced, arranged, co-engineered and so forth and I wanted to stay true to the record by extending the groove. I just physically ran out of arms and legs to play everything and that’s where these session musicians came into the equation.

Q: The MTV Unplugged album shines a light on your body of work so far including your version of Bon Iver’s “Flume.” Can you tell us why you selected these particular songs for this performance and why you feel they work together as an artistic statement?

TASH SULTANA: The actual set was an hour and 30 minutes long. The producers and I had a great time trying to work out what we had to condense for what got shown on air which was another reason why I wanted to release the record in its entirety. It’s just a little bit of everything, it’s a bit of the oldies, the newbies, looping, acoustic, band stuff. I wanted to do the EXACT opposite of what everyone else has done, so as you can see it is not “Unplugged”–it’s very much PLUGGED in and that was the point.

Q: Your upcoming tour has already generated an array of sold-out shows immediately upon announcement, including your return to Red Rocks in Colorado which sold out in a matter of minutes. Can you talk about how deeply satisfying this must be for you as an artist who knows they are connecting with a discerning audience who wants purity over commerciality and who wants to experience musical transcendence instead of seeing a slickly choreographed show?

TASH SULTANA: I think that’s a question better answered by the audience themselves. From what I know, given what they tell me is that they come because it’s REAL. It’s an emotional, physical, metaphysical, spiritual journey from the beginning until the end for myself and everyone bearing witness. It’s how I feel when I play. I am not performing the songs, I become the music. The stage is the pinnacle of my existence and my highest place, I revolve everything in my life around stepping out on stage. I treat my mind, body, spirit like an athlete treats themselves for the gold medal they’ve always dreamt of having. I see the vision, I create it, I work for it, I manifest it, I prepare for it, I train for it and therefore I attain it.  

Q: You’re known as a singer, songwriter, multi-instrumentalist, producer, engineer and mixer. By being so multi-faceted and talented—in a way that brings to mind Prince—nothing gets in the way of your artistic vision. At the same time, are there any challenges for you since you oversee all these aspects?

TASH SULTANA: I appreciate other people’s feedback, respected feedback obviously. I would never listen to someone critiquing me who had no positive impact on my life, I don’t hear the hate, I hear the construct. But I suppose the downfall is being a perfectionist, the bar is always set higher, and I never reach the end, so I only compete with yesterday’s version of myself and sometimes I can be hard to satisfy.

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The North American headlining tour kicks off June 10 in Las Vegas at The Chelsea. Marking their first concerts here in three years, the run includes sold-out shows at the iconic Red Rocks Amphitheatre, Sandy, UT (Sandy Amphitheater), New York City (The Rooftop at Pier 17), Portland, ME (State Theatre), Boston, MA (House of Blues), Victoria BC (Royal Theatre BC), Forest Grove, OR (McMenamins Grand Lodge), Seattle (Paramount Theatre), Oakland (Fox Theater) and Los Angeles (Hollywood Palladium).

The tour also includes stops in Chicago, Philadelphia, the Bonnaroo Music Festival (June 19) and more. These dates follow TASH’s 2022 global ‘Terra Firma’ shows in the United Kingdom and Europe this past March/April with TASH set to return there for additional shows set for September.

The MTV UNPLUGGED album powerfully shines a light on TASH’s body of work and underlines their impact as a singer, songwriter, multi-instrumentalist, producer, engineer and mixer. By being so multi-faceted and talented—in a way that brings to mind Prince—nothing gets in the way of TASH’s artistic vision. The MTV UNPLUGGED, LIVE IN MELBOURNE album track listing is as follows:

01 Musk
02 Big Smoke
03 Mystik
04 Sweet & Dandy
05 Pretty Lady
06 Crop Circles
07 Greed
08 Willow Tree
09 Blame It On Society
10 Coma
11 Dream My Life Away
12 Flume
13 Notion

TASH SULTANA has been dubbed one of the hardest working music exports in Australia. Selling over 500’000 tickets globally in 2019 alone, they are back to make their mark on the world. Their #1 ARIA-charting sophomore album Terra Firma arrives three years after ARIA-winning debut album Flow State–which spawned the 2x Platinum single ‘Jungle’ and the Platinum-selling single ‘Mystik’ as well as accumulating over 1billion worldwide streams.

TASH’s 2022 North American dates are as follows:

Date City/State Venue
6/10 Las Vegas, NV The Chelsea at the Cosmopolitan
6/11 Sandy, UT Sandy Amphitheater SOLD OUT
6/12 Morrison, CO Red Rocks Amphitheatre SOLD OUT
6/14 St. Paul, MN Palace Theatre
6/15 Chicago, IL Riviera Theatre
6/17 Cleveland, OH The Agora Theatre
6/18 Newport, KY Promowest Pavilion at Ovation
6/19 Manchester, TN Bonnaroo Music Festival
6/21 Pittsburgh, PA Roxian Theatre
6/22 Buffalo, NY Asbury Hall at Babeville
6/24 Philadelphia, PA The Fillmore
6/25 Washington, DC The Anthem
6/26 New York, NY Pier 17 SOLD OUT
6/28 Portland, ME State Theatre SOLD OUT
6/29 Boston, MA House Of Blues SOLD OUT
6/30 Montreal, QC Festival International de Jazz de Montréal
7/2 Sherbrooke, QC Sherblues and Folk Festival
7/4 Toronto, ON HISTORY
7/5 Toronto, ON HISTORY
7/7 Quebec City, QC Festival d’été International de Québec
7/8 Ottawa, ON RBC Ottawa Bluesfest
7/10 Winnipeg, MB Winnipeg Folk Festival
7/12 Edmonton, AB Edmonton Convention Centre
7/15 Victoria, BC Royal Theatre SOLD OUT
7/16 Vancouver, BC Orpheum Theatre
7/17 Forest Grove, OR McMenamins Grand Lodge SOLD OUT
7/19 Seattle, WA Paramount Theatre SOLD OUT
7/21 Oakland, CA Fox Theater SOLD OUT
7/22 Oakland, CA Fox Theater
7/23 Los Angeles, CA Hollywood Palladium SOLD OUT
7/24 Pomona, CA Fox Theater

CONNECT WITH TASH SULTANA

WEBSITE | FACEBOOK | INSTAGRAM
SPOTIFY | APPLE MUSIC | YOUTUBE

For press inquiries, please contact SRO PR:

Marcee Rondan, marcee@sropr.com
Mitch Schneider, mschneider@sropr.com

 


LA Rockers BUDDERSIDE Search for “The Truth” In Latest Music Video Single Out Today, 5/27, via oneRPM

DT: MAY 27, 2022

FM: KELLY WALSH, SRO PR

BUDDERSIDE
SEARCH FOR
“THE TRUTH”
IN NEW “OUT-OF-THIS-WORLD” MUSIC VIDEO

WATCH HERE

FOUNDING MEMBER/VOCALIST PATRICK STONE
DISCUSSES ‘LOANING’ BAND’S MEMBERS & SHARES TRUE MEANING OF BAND’S NAME IN EXCLUSIVE Q&A

Los Angeles-based rock outfit BUDDERSIDE beg to find the truth of life and its meaning with their new single “The Truth” out today, Friday, May 27, across all digital streaming platforms. Stream/download it at https://onerpm.link/TheTruthBudderside. Vocalist, songwriter and founding member Patrick Stone seeks out these answers in the song’s music video filmed at a valley in Santa Barbara nearby where his Mother used to live. Watch “The Truth” music video, directed by Vicente Codero, streaming below or via YouTube HERE.

STONE elaborated on the inspiration for “The Truth” stating: “My mother’s home use to sit at the top of the valley where we filmed the video in Santa Barbara. I’ve seen some of the most beautiful flowers and sunsets in my life there and had always thought it would be an amazing place to shoot. I remember sitting on her porch, it was like a theatre to watch God paint every day and night. It’s the exact opposite of where you’d expect to see this song explained. The truth is– no pun intended–that this song is so dark it’s dangerous to focus on its lesson. Hopefully, sharing it this way will allow listeners to lean into the grove and dual guitar solo more than its honest lyrics. For once, I’m actually happy to avoid explaining and more devoted to distracting with the visuals. It had to be daunting somehow, though, and I got fixated on the rapture and how insane that would be to see. Religious beliefs are not our brand, but what lies beyond the stars and the secrets we keep played out well into this story.”

Read a Q&A below with Stone on new music, how the band’s name was formed and on how other rock bands keep borrowing the band’s musicians.

The Truth” is one of the many highlights on the band’s upcoming and as-yet-untitled album. Due this fall via oneRPM, it was recorded with producer Matt Good (Asking Alexandria, Hollywood Undead). “The Truth” follows the devilish single “Never Worth It” which made its radio debut on KLOSNew & Approved with Matt Pinfield” radio show earlier this month. Previously released singles include the mental health awareness oriented “Too Far,” the self-questioning “Ghostlighting” (and its Scooby Doo-inspired music video) and the album’s debut anthemic track “Voices.”

BUDDERSIDE is rounded out by a talented group of handpicked musicians who after being enlisted by Stone have been poached by some of rock’s top acts to lend their skills on tour and recording duties. Guitarist Sam “Bam” Koltun can be seen playing on tour with hard rock outfit Dorothy and glam rock/metal icons Faster Pussycat. Bassist Gabe Maska was cast as the lead role of Kurt Cobain for the Las Vegas rock show “27.” In addition, guitarist Logan Nikolic can be seen touring with rock singer Diamante, who are currently opening for Shinedown.

Q&A with BUDDERSIDE’s
PATRICK STONE

Can you share how BUDDERSIDE’s new album compares to past releases? What inspired or led to those artistic/style changes and why?

STONE: “It’s finally the music I’ve always wanted BUDDERSIDE to be. Not that my heart and soul isn’t in everything that came before, but the whole band being as talented as they are really makes a difference in the writing, the music and the vibe. I also blame our entertainment lawyer and close friend, Eric German. He had the balls to tell us what wasn’t working and wasn’t afraid to be completely blunt. I’ve always respected Eric and the artists he works with and instead of letting his advice break me, it set me on fire.”

You worked with producer Matt Good on the new album who’s worked with a lot of mainstream radio rock acts including Asking Alexandria and Hollywood Undead. Can you share how he may have added to developing BUDDERSIDE’s overall sound on the album? What did he bring to the table that you felt differed from past producers?

STONE: “Eric German introduced us to Matt and BUDDERSIDE quickly became his band, too. He demands greatness and constantly challenged us with styles and sounds we were uncomfortable with. It was exactly what we needed. Going in, I was completely hopeful a metamorphosis would happen, and it did. He’s hands-on about every detail and we don’t move forward until we all agree it’s perfect. We landed in a very unique and radical space with the new sound. “

“His style is what makes him stand out from the rest. Matt is producing what hasn’t been done before. He’s the leader in his genre if you ask me. I love the bands he’s worked with, and you can tell the difference in the songs they’ve recorded with him and those without. He brings that special energy. Something about me changed and you can hear it in the new music. My preconceived notions about vocals dissolved from technique to truth. I was like a guitar being plugged into an amp for the first time. Everything was on 11. Putting Matt Good’s name on ours is one of our proudest achievements.”

What inspired you to write “The Truth”?

STONE: “The truth. Pun intended this time. What the f*ck does this life mean? What are we doing here? What happens next? I’m suffering. Life seems to be one struggle on top of another and I don’t see the light at the end of the tunnel. I’m constantly afraid the next thing is going to push me over the edge. Have I lost sight of who I am? My bandmates believe in me and writing this song together helped me see I’m not alone. We all want to know. Give me the truth! Killing ourselves to mean something to someone, for something.”

If you had the chance to be abducted by a UFO, would you take the plunge? Why or why not? If so, what truths would you expect to find from such an experience?

STONE: “Definitely. I’d expect to find exactly that, ‘the truth.’ To know the truth and to unlock the great mystery would be extremely exciting and yet bring abundant peace.”

This has got to be your most asked question but you’ve shared different answers in previous interviews—for once and for all, will you tell us what the name ‘Budderside’ means and why you chose it for the band?

STONE: “There is no exact answer. What does life mean? Answer that and you’ve described its definition. How about the “F” word? Use BUDDERSIDE like you use that word and you get it. If you can explain it, you ain’t got it! Narrow minded people don’t get it. Lemmy got it and that was good enough for me. The people that understand me and accept me for who I am are behind the name. To challenge that is a fight you will lose. You could say Gandhi or Einstein are strange rolling off the tongue, but not once you understand what they stood for. Once you understand us, you’ll see it and say it differently, like we do. It’s the name of a very meaningful rock band.”

When people see/hear the name Budderside, what do you think they think the band sounds like? What do you want them to think?

STONE: “I would expect them to be very curious. When they hear it, I want them to be totally blown away.”

Knowing that you handpicked the members of the band, how does it feel now that other large rock bands have been ‘borrowing’ them for tours, etc?

STONE: “Dorothy thanked me backstage last night for letting her ‘borrow Sam’ for her recent tour. I’m sure she knows she didn’t have to say that, but she did anyways and made me feel really good about it. I love her talent and her songs, and she deserves the very best. She knows that’s exactly what Sam is. I’m really proud to be a part of BUDDERSIDE. BUDDERSIDE is Sam’s band just as BUDDERSIDE is Logan’s band, who’s opening for Shinedown in arenas every night with Diamante currently… and that’s where we belong. Five fingers of a hand clawing its way into the life we deserve, together.”

A group of men posing for a photo Description automatically generated with medium confidence(l-r): Sam “Bam” Koltun, Jeff Dewbray, Patrick Stone, Gabe Maska, Logan Nikolic
Photo Credit: Mathias Fau

ABOUT BUDDERSIDE:

BUDDERSIDE was formed by STONE following his stint as vocalist of Adler’s Appetite, after receiving encouragement from the late Lemmy Kilmister of Motörhead who he worked for as part of his infamous ‘road crew’ and was also a close friend. Lemmy signed them to his own label, Motörhead Music and they released their self-titled debut album in 2016. The band released their sophomore album Spiritual Violence in March 2021 via Motörhead Music/ Silver Lining Music which was recorded by legendary producer Jay Baumgardner (Bush, Godsmack, Papa Roach) and mastered by Grammy Award-winning engineer Howie Weinberg (Nirvana, The Smashing Pumpkins, Garbage) with guest appearances from Motörhead guitarist Phil Campbell and Butcher Babies vocalist Carla Harvey.

BUDDERSIDE has toured extensively in the U.S. supporting acts including Motörhead, Slayer, Anthrax and L.A. Guns as well as being featured on international festivals including Rocklahoma, Wacken Open Air, Motörboat, Malmö Festival and the Monsters Of Rock cruise.

For more information on BUDDERSIDE, please visit:
FACEBOOK | INSTAGRAM | WEBSITE

SRO PR
Assets: www.sropr.com/portfolio/budderside

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


Nashville-based Alternative Rock Artist J.D. HUGGINS Share Music Video For “Who Have You Become”; Debut Album ‘Head Full Of Monsters’ Due 7/11

DT: MAY 26, 2022

FM: KELLY WALSH, SRO PR

NASHVILLE-BASED ALTERNATIVE ROCK ARTIST
J.D. HUGGINS
REVEALS MUSIC VIDEO FOR NEW SINGLE
“WHO HAVE YOU BECOME”
OUT DIGITALLY THIS FRIDAY, MAY 27

WATCH IT HERE

DEBUT ALBUM
‘HEAD FULL OF MONSTERS’
DUE JULY 1 VIA
STRUGGLE JENNINGS’ ANGELS & OUTLAWS RECORD LABEL

A person sitting in a chair Description automatically generated with medium confidence

J.D. HUGGINS’ combination of Southern blues and dirty alternative rock is exemplified in his newest single “Who Have You Become” which takes an introspective look at oneself with its probing lyrics, “Who have you become, what are you hiding from? HUGGINS debuted its music video via YouTube yesterday (May 25) which depicts him playing a dual role cross-examining himself dressed in opposing light and dark clothing. Watch it streaming below or HERE.

Who Have You Become” will be featured on HUGGINS debut album, HEAD FULL OF MONSTERS, out July 1 via Struggle JenningsAngels & Outlaws record label. Pre-orders will go live on Friday, May 27 at this link: https://onerpm.link/headfullofmonsters. The album was led with three previous singles, “Where We Come From,” “Cage” and title track “Head Full of Monsters,” which features guest vocals from labelmate Caitlynne Curtis.

HUGGINS was raised in the Appalachian Mountains in a small town in Georgia where he spent his time fishing, hunting, camping and teaching himself how to play the guitar. Born into a musical family, he began songwriting at an early age taking influence from his surroundings. He then moved to Nashville to front the southern rock band Heathen Sons who released two full-length albums and an EP and received notoriety for their single “Temporary Queen” which was featured on the hit ABC show “Blood & Oil.” Before disbanding in 2019, the band was seen performing with acts including Nikki Lane, Jericho Woods, Whiskey Myers, Will Hoge, Leah Blevins and Goodbye June, as well as appearing at Whiskey Jam and SXSW.

J.D. Huggins – “Who Have You Become” Official Music Video

Find more on J.D. HUGGINS online:
WEBSITE | FACEBOOK | INSTAGRAM
SRO PR Assets: www.sropr.com/portfolio/jd-huggins

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


Detroit Rock Band KALEIDO Reveal Horror-themed Music video for “RUN”; Share Top 10 Favorite Songs From Horror Movies

DT: MAY 26, 2022

FM: KELLY WALSH, SRO PR

Shape Description automatically generated with medium confidence

DETROIT HARD ROCK BAND
KALEIDO
SHOW THEIR FANGS IN HORROR-THEMED MUSIC VIDEO FOR
“RUN”
OUT FRIDAY, MAY 27 ON ALL DIGITAL PLATFORMS
PRE-SAVE IT
HERE

BAND ANNOUNCE HOMETOWN GIGS ON 5/27 & 5/28;
SHARE LIST OF “TOP 10 FAVORITE SONGS FROM HORROR MOVIES”

“Run” Single Artwork

KALEIDO unleash their combustible and catchy signature blend of hard rock, pop punk and alternative music with a biting new single “Run” due this Friday, May 27 across digital platforms. The 2x Detroit Music Award-winning band have revealed a horror-movie inspired music video for the track which was premiered yesterday (5/25) via Metal Injection who described it as “catchy-as-hell” and lauded its “pretty huge” chorus. Watch the “Run” music video, directed by Tom Flynn (Lamb of God, All That Remains, Body Count), now via YouTube or streaming below. Pre-save/add “Run” on your preferred streaming platform here: https://lnk.to/KaleidoRun. To go along with the video’s haunting theme, KALEIDO shared a list of their “Top 10 Favorite Songs From Horror Movies” which can be found below.

“Every step of the process, from beginning to end, in creating the song and music video has been exhilarating,” shares unabashed frontwoman Christina Chriss. “From the moment we began writing ‘Run,’ riding high off the energy from just completing three months on the road touring, we knew there was something special and captivating about the song. We’re huge fans of all things horror and spooky, so we were in our element making the music video and it allowed us to bring our love of that world to life.”

KALEIDO – “RUN” Official Music Video

KALEIDOChriss (vocals), Joey Fava (drums), Cody Morales (bass) and Drew Johnston (guitar)–will perform “Run” for the first time to hometown audiences this weekend with two shows: Friday, May 27 at Diesel Concert Theatre in Chesterfield, MI and Saturday, May 28 at The Music Factory in Battle Creek, MI. The band were last seen touring in fall and winter of last year as direct support for Sebastian Bach, who handpicked them after discovering them via YouTube. Previously the band has shared the stage with acts ranging from Aerosmith, Slash and Kid Rock to Butcher Babies, Halestorm, Twenty One Pilots and Rob Zombie in addition to appearances at Kiss Kruise Shiprocked!, SUMMERFEST and more.

KALEIDO shared a deluxe edition of their critically acclaimed breakthrough album EXPERIENCE in 2020 which debuted at #11 on Soundscan s “Top New Artists Albums” chart and earned the band various TV placements including promo spots for the MLB team, Pittsburgh Pirates. Its hit single “Die Tryin’” peaked at #22 on Billboard’s “Rock Indicator” charts and reeled in over 200k streams.

A group of people dancing Description automatically generated with medium confidenceL-R: Drew Johnston, Christina Chriss, Joey Fava, Cody Dawiz Morales
Credit: Tom Flynn

KALEIDO’s “Top 10 Favorite Songs from Horror Movies”

“We all know the most famous horror themes of all time (Halloween, Jaws, The Exorcist, etc.) so we wanted to dig a little deeper and pick 10 of our favorite songs from horror movies. As huge horror fans, these songs stand out and have influenced us in our lives and in our music. While creating the music video for our new single ‘Run,’ many of these horror films served as inspiration for our own concept. We’ve grown up with most of these classic films and they’re not only nostalgic, but they also hold a special place in our dark, creepy little hearts.”

10. From Autumn to Ashes – “The After Dinner Payback” (Freddy vs Jason)
“This was one of the songs that turned us on to heavy music early on, and hearing it paired with the battle between two of the most iconic horror movie slashers of all time is super epic.”

9. Lynyrd Skynyrd – “Free Bird” (The Devil’s Rejects)
“Already one of the most well-known songs of all time, hearing it play during that final scene in The Devil’s Rejects brought it to a whole new level. Now every time we hear the song, we imagine that ending of the movie.”

8.  Ramones – “Pet Semetery” (Pet Sematary)
“We love that the Ramones wrote the title track for the 1989 Steven King film adaptation of Pet Cemetery. This was one of the first scary movies we watched as kids, and it gave us nightmares!”

7. Huey Lewis And The News – “Hip To Be Square” (American Psycho)
“Patrick Bateman’s dialogue critiquing Huey Lewis, followed up by the brutal murder while the song plays, is easily one of the most horrifying yet hilarious horror movie scenes of all time.”

6. Luniz – “I Got 5 On It” (Us)
“The eerie synth line starting the song pairs perfectly with Jordan Peele’s story in ‘Us,’ and it’s really cool how he brings the song back in throughout the movie.”

5. Dokken – “Dream Warriors” (Nightmare on Elm Street 3: Dream Warriors)
“Another written-for-film song, Dream Warriors, is a classic 80’s hair metal banger. The title track, ‘Dream Warriors’ is also one of our favorite sequels in the Nightmare on Elm Street franchise. The music video featuring Dokken flipping the script and haunting Freddy is pretty awesome as well.”

4.  Dream Widow – “Lacrimus dei Erbium” (Studio 666)
Studio 666 is one of our favorite new horror films and features one of our favorite bands, the Foo Fighters. Watching ‘evil’ Dave Grohl rip through the doomy guitar riff in the film was killer! We watched this movie not long before shooting our music video and it was really inspiring. RIP to the late, great, Taylor Hawkins.”

3. Blue Oyster Cult – “(Don’t Fear) The Reaper” (Halloween [1978])
“Easily one of the greatest horror movie scores ever, John Carpenter’s Halloween is our most beloved horror film of all time. ‘The Reaper’ really sticks out, as it’s one of the only songs by a band in the entire movie.”

2. KISS – “God of Thunder” (Rob Zombie’s Halloween)
“As big fans of KISS, it was cool to hear this song playing in young Michael Myers’s room in Rob Zombie’s reimagining of Halloween. We grew up loving KISS, so it was pretty funny to see our favorite horror icon as a fan as well.”

1. Gerard McMahon – “Cry Little Sister” (The Lost Boys)
“The Lost Boys was a huge inspiration for us while creating our music video for ‘Run.’ We wanted to give a nod and pay homage to one of our favorite movies. The song ‘Cry Little Sister’ is synonymous with The Lost Boys, it’s a pairing of two classics and so universally loved.”

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For press inquiries, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com


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