Andrea Faulk, Author at SRO PR

March 26, 2021

KATE CLARK Today Releases Single “Wonderwall”—Listen To The Striking Cover Of The Oasis Classic

DT: MARCH 26, 2021

FM: MITCH SCHNEIDER/LYNDIE WENNER
SRO PR (NASHVILLE, LOS ANGELES, LAS VEGAS)

KATE CLARK
TODAY RELEASES SINGLE
“WONDERWALL”
LISTEN TO THE EMERGING COUNTRY ARTIST’S
STRIKING COVER OF THE OASIS CLASSIC HERE
AND WATCH THE VISUALIZER HERE

“For some, covering such a famous song could seem daunting or challenging, but ‘Wonderwall’ was anything but that for me–it was the best therapy one could find,” says emerging country artist KATE CLARK about her striking cover of Oasis’ classic 1995 song “Wonderwall.” Today (3/26), the Nashville-based/Austin-raised singer/songwriter has released it as the follow-up to “No Halo,” her debut single that arrived last month. Listen to “Wonderwall” here and watch the visualizer here.

“Wonderwall,” like “No Halo,” was produced by David Lyndon Huff, who did the same honors for the Doobie Brothers’ multi-artist tribute album Southbound, that featured Zac Brown Band and Vince Gill, and who’s the younger brother of renowned Nashville producer Dann Huff.

“As a songwriter, I feel like I’m always searching for words and melody that help me feel whatever it is I’m dealing with or going through in my personal life,” says KATE. “Lyrics have the power of being almost a release valve when they’re so perfectly matched to a melody. An infamous 3am wakeup call led me to listening to ‘Wonderwall’ on my nightly journey down a rabbit hole. Tornadoes had just decimated Nashville, a half block away from my first place I lived when I moved to town. The pandemic was closing in on changing the world for who knows how long, and I was a new mom to a beautiful baby boy. I found myself retreating into my mind and having long conversations with myself trying to find a way, any way, to slow down my world. I had heard ‘Wonderwall’ before when I was younger and I wasn’t in a safe, creative environment to really be able to feel it the way I do now. To me, ‘Wonderwall’ carries so many different meanings. A friend, a lover, yourself, perhaps your younger self–all hopeful options to potentially reach out and save you from whatever it is you need saving from. But, are we ever really saved? I see ‘Wonderwall’ almost as a frame that outlines life’s major lessons. Love, hope, seeking truth, and the inevitable let down.”

Elaborating on that night she listened to “Wonderwall,” KATE says, “The calm I’d craved all day poured over the house and the candles were lit. Another thunderstorm had passed, my son was tucked in with his crew of stuffed animals, Just myself and a microphone–and I was alive. No one is ever going to hand you what you need most. For me the ‘Wonderwall’ is knowing your true self, and the true nature of humankind.”

Last month’s single “No Halo” announced the arrival of an artist who’s been gifted with an expressive, elastic voice matched with her sharp yet vulnerable sense of songwriting. Listen to the song here and watch the lyric video here. With KATE’s introspective lyrics about maintaining a strong self-identity in the face of life’s obstacles and a melodically bright, uplifting chorus, the song is “a melting pot of old-school and new-school,” says KATE. With “No Halo,” KATE aims straight for the heart with lyrics such as “It ain’t easy/ Nothing’s ever fair/You, me and God know/You can still be good with no halo.”

KATE plans to keep the excitement building throughout 2021; the singer and songwriter will release a series of singles via her label Kate Clark Music distributed by BMD (Brooklyn Music Distribution), a song per month, alternating between original tracks and striking reinterpretations of songs that have inspired her.

Kate Clark
Photo credit: Josh Kranich
Bio here

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For press inquiries, contact SRO PR:

Mitch Schneider, mschneider@sropr.com
Lyndie Wenner, lwenner@sropr.com

March 19, 2021

TOMMY EMMANUEL To Release New Ep ‘Accomplice Series Volume 1 With Rob Ickes & Trey Hensley’ 5/7

DT: MARCH 19, 2021

FM: MITCH SCHNEIDER/ANDREA FAULK/LYNDIE WENNER
SRO PR (LOS ANGELES, NASHVILLE, LAS VEGAS)

TOMMY EMMANUEL
TO RELEASE NEW EP
‘ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY’
ON MAY 7 VIA CGP SOUNDS
SHARES FIRST SINGLE AND VIDEO

“FLATT DID IT”
LISTEN HERE TO THE ALBUM’S FIRST SINGLE “FLATT DID IT,”
RELEASED TODAY (MARCH 19),
AND WATCH THE VIDEO HERE

Acclaimed and Grammy®-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL—one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins—has joined forces with powerhouse Grammy®-nominated acoustic duo Rob Ickes & Trey Hensley to record the EP ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY out May 7.

Today (March 19), they’ve shared the first single and video “Flatt Did It” from the four-song digital-only EP (*see the track listing below) on CGP Sounds. Listen here to the album’s first single and watch the video here. The Zach Pigg-directed video, premiered at The Bluegrass Situation, was shot in Nashville when the three artists recorded the EP. Pre-save and pre-add the EP here.

ACCOMPLICE SERIES VOLUME 1 WITH ROB ICKES & TREY HENSLEY was born out of the deep admiration the musicians have for each other, also underlined by shows they’ve played together intermittently for nearly five years, the first of which was May 5, 2016 at the Palace of Fine Arts Theatre in San Francisco.

Creative sparks fly on the EP, which radiates good vibrations with white-hot picking virtuosity on acoustic guitars and Dobro—it’s all a welcome sanctuary from these upside-down times. There are three cover songs—the Chet Atkins/Doc Watson song “Flatt Did It,” Buck Owens’ “Raz-Ma-Taz Polka” and the standard “Copper Kettle”—plus a rendering of the Emmanuel composition, “It’s Never Too Late,” originally released in 2015.

Here are quotes from TOMMY, ROB and TREY about the EP:

TOMMY EMMANUEL: “The sessions were very spontaneous, and in fact, I suggested ‘Flatt Did It’ and ‘Copper Kettle’ as pieces on the day we recorded them. That’s how it came about. It was very spontaneous.”

ROB ICKES: “Well, it’s always great to work with Tommy. He’s such a great artist, and such a great person. There are always a lot of sparks flying when we play together, and all three of us are into lots of different musical genres, so that’s always fun to explore different musical territories when we get together.”

TREY HENSLEY: “Getting to pick with Tommy and Rob any time is always a blast! Working in the studio with Tommy was so much fun, which I think is evident throughout this EP. The great vibe in the studio that day is prominent in the recordings. It was really just the three of us hanging out and playing tunes…what could be more fun?”

Here are quotes from them about “Flatt Did It”:

TOMMY EMMANUEL: “‘Flatt Did It’ is a tribute to Lester Flatt and some of his classic kind of licks. We had the film crew in there for the day and they just rolled the cameras. We actually just played and ignored them almost.”

ROB ICKES: “This song comes from an album that Chet Atkins did with Doc Watson. I love to hear Tommy and Trey play together. There’s a great respect between the two of them. They are both so brilliant. It’s great to hear them feeding off each other. And this song is just the perfect vehicle for a Dobro, so I’m enjoying the whole thing!”

TREY HENSLEY: “Yeah, this one was Tommy’s idea, and it’s a tune from the Doc Watson and Chet Atkins duo record. Rob and I both have a bluegrass background, and this song was written with the great bluegrass icon Lester Flatt in mind. (Hence the title.) It really was a natural fit and recording it with Tommy was so much fun!”

The Full Track List for Accomplice EP #1:

1. Copper Kettle (featuring Rob Ickes & Trey Hensley)
2. Raz-Ma-Taz Polka (featuring Trey Hensley)
3. Flatt Did It (featuring Rob Ickes & Trey Hensley)
4. It’s Never Too Late (featuring Rob Ickes)

Photo Credit: Alysse Gafkjen

ABOUT TOMMY EMMANUEL:

TOMMY EMMANUEL has achieved enough musical milestones to satisfy several lifetimes. At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a CPG (Certified Guitar Player) by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. He’s piled up numerous accolades, including two Grammy Award nominations, two ARIA Awards from the Australian Recording Industry Association (the Aussie equivalent of the Recording Academy); repeated honors in the Guitar Player magazine reader’s poll including a cover story for their August 2017 issue; a cover feature for Vintage Guitar’s July 2020 issue; and was Music Radar’s reader’s poll #1 winner of the Ten Best Acoustic Guitarists in The World (December 2019). A noted fingerstyle guitarist, EMMANUEL frequently threads three different parts simultaneously into his material, operating as a one-man band who handles the melody, the supporting chords and the bass all at once. His talents, which translate in any language, carry him to the far corners of the globe, but EMMANUEL never plays the same show twice, and he improvises big chunks of every date. That leaves him open to those technical imperfections, though they also provide some of the humanity to an other-worldly talent. On May 8, 2020, he released a newly recorded career-spanning double album, THE BEST OF TOMMYSONGS, via CGP Sounds/Cruzen Street Records). Watch the album trailer here which focuses on TOMMY’s unique ability to tell stories without words: https://www.youtube.com/watch?v=-SOQEMWYAQ4&feature=youtu.be

L-R: Trey Hensley, Rob Ickes
Photo Credit: Chad Jenkins

ABOUT ROB ICKES AND TREY HENSLEY

Take a 15-time IBMA (International Bluegrass Music Association) Resophonic Guitar Player of the Year and a Tennessee-born guitar prodigy called “Nashville’s hottest young player” by Acoustic Guitar magazine, and you have Rob Ickes and Trey Hensley, a powerhouse acoustic duo that has electrified the acoustic music scene around the world. Known for their white-hot picking and world class musicianship, as well as their soulful stone country vocals, the GRAMMY® nominated duo cleverly and uniquely melds bluegrass, country, blues, rock, jamgrass, and string band music of all kinds to create a signature blend of music that defies restrictions of genre. NPR has called Ickes and Hensley “two musical phenoms”; Vintage Guitar raved they’re an “acoustic firestorm” who “are changing the rules”; Acoustic Guitar describes their sound as “steel-string bluegrass with all the intensity of rock ‘n’ roll” and No Depression observed they’re “two of the finest musicians playing today.” Ickes and Hensley have shared the stage or collaborated with Tommy Emmanuel, Taj Mahal, Vince Gill, David Grisman, Jorma Kaukonen, Marty Stuart, and Steve Wariner—all admirers of the duo. Ickes, former founding member of bluegrass “supergroup” Blue Highway and highly sought-after Dobro master, has graced the recordings and concerts of artists such as Earl Scruggs, Merle Haggard, Alison Krauss, Tony Rice and more. Hensley, who earned his first IBMA Guitar Player of the Year nomination in 2020, made his Grand Ole Opry debut at the age of 11 (thanks to an invite from Marty Stuart with Earl Scruggs) and has appeared on stage with the likes of Johnny Cash, Peter Frampton and Old Crow Medicine Show. All three of the albums released by Ickes and Hensley have received widespread acclaim, including their debut Before The Sun Goes Down, which garnered a GRAMMY® nomination, and the combo’s most recent release World Full of Blues, which features collaborations with Vince Gill and Taj Mahal.

For more information on TOMMY EMMANUEL, visit:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

SRO PR Assets + Press Releases:
http://sropr.com/portfolio/tommyemmanuel/

For more information on ROB ICKES & TREY HENSLEY, visit:
WEBSITE | FACEBOOK | INSTAGRAM | TWITTER | YOUTUBE

###

For press inquiries regarding TOMMY EMMANUEL, contact:

SRO PR
(Los Angeles, Nashville, Las Vegas)
Mitch Schneider // mschneider@sropr.com
Andrea Faulk // afaulk@sropr.com
Lyndie Wenner // lwenner@sropr.com

March 19, 2021

RICHIE FURAY Shares Live Performance Video Of “Let’s Dance Tonight” From Upcoming 50th Anniversary Return To The Troubadour

DT: MARCH 19, 2021

FM: MITCH SCHNEIDER/ANDREA FAULK

RICHIE FURAY
TODAY SHARES VIDEO OF HIS 2018 PERFORMANCE OF
POCO’S “LET’S DANCE TONIGHT”
AHEAD OF RELEASE OF DOUBLE LIVE ALBUM + DVD
‘50TH ANNIVERSARY RETURN TO THE TROUBADOUR’

WATCH THE VIDEO HERE

RICHIE FURAY today (3/19) shared a live performance video of “Let’s Dance Tonight” from his upcoming 50TH ANNIVERSARY RETURN TO THE TROUBADOUR–a double CD and download as well as a single DVD concert film on DSDK Productions, distributed by MRI Entertainment. The digital audio only is being released April 2, with both the physical CD + DVD release available April 23.

The “Let’s Dance Tonight” video was premiered 3/17 via Americana Highways which praised the video by saying: “For Poco fans this performance by Richie Furay is essential. And what a wonderful performance it is, evoking Poco and the nostalgia of the time, and a captivating show on its own terms too.” Watch the video here and listen to the single here. Pre-save and pre-add the album here.

The Rock and Roll Hall of Fame inductee–one of the chief architects of the country rock genre as a member of Buffalo Springfield, Poco and the Souther-Hillman-Furay Band—wrote the song for Poco’s sixth album and final one he recorded with them, Crazy Eyes. This marks the third single/video from FURAY’s new live album, following “Kind Woman” and “C’mon,” the latter of which was premiered at Relix with a story hailing him as an “Americana Icon.”

Recorded with The Richie Furay Band at the iconic Los Angeles venue in November 2018, the double album is comprised of two powerful sets: “Still DeLIVErin,’ which encompasses Buffalo Springfield songs, favored Poco tunes and some of FURAY’s finest solo work, and “DeLIVErin’ Again,” a front-to-back performance of Poco’s DeLIVErin’ plus their 1972 signature song “A Good Feelin’ To Know” with Timothy B. Schmit (who joined Poco in 1969 on vocals and bass) singing his parts. The audio for the CD and concert film was mixed and produced by multi-Grammy Award-winning audio engineer Ross Hogarth.

“Let’s Dance Tonight,” which begins with the lyrics “Slippin’ away headin’ out to L.A./Gonna sing in the city tonight,” is a personal song for FURAY. “Well of course being in L.A. at the Troubadour made it a very special opportunity to perform this song,” he points out. “L.A. is where it all began for me and Poco, I don’t think I ever get near the city to do a show where ‘Let’s Dance Tonight’ doesn’t come to mind and find its way into the set list. I guess it’s a way of acknowledging the opportunities I had there to make music. That’s the general way to look at it. There is also the specific, personal way as well as Los Angeles is where I met my wife Nancy, of 54 years. Poco spent a lot of time on the road so coming home to Los Angeles back then was always a refreshing moment.”

FURAY says that “Let’s Dance Tonight” is “a happy upbeat song that our fans were very receptive to. They got on their feet and were clapping and dancing at our live shows.” He adds: “It obviously is a special song as I recorded it twice [for Poco’s Crazy Eyes and his solo album Heartbeat of Love]. I remember doing a ‘reunion’ with Poco at the Belcourt Theater in Nashville; after rehearsing the song, a friend who was there said it was one of his favorite Poco songs and I replied if I ever did another project I wanted to re-record it because I thought it got overlooked with all the drama surrounding Crazy Eyes, so that’s how it ended up on Heartbeat of Love. I see the song as one of a few that were overlooked at the time in one way or another as a top 40 single possibility.”

The Troubadour show in 2018 was truly a magical evening in many ways. The sold-out concert marked FURAY’s 50^th anniversary return to the venue where Poco (originally as Pogo) performed their very first shows in 1968. The evening was marked by Timothy B. Schmit joining FURAY on the Schmit-penned “Hear That Music” from DeLIVErin’ and the above-mentioned “A Good Feelin’ To Know.” Timothy also introduced FURAY onstage after reading a congratulatory note from Cameron Crowe (who intended being at the Troubadour in person but could not make it at the last minute). Timothy then introduced the esteemed artist and producer Peter Asher (Peter & Gordon), who presented FURAY with a commemorative award for his 50th anniversary return to the Troubadour. Also on hand at the show and backstage was Randy Meisner, Poco’s first bass player before Schmit replaced him.

Tracklisting Page in ‘50th Anniversary Return To The Troubadour’

Track listing for 50TH ANNIVERSARY RETURN TO THE TROUBADOUR CD + DVD

CD1: “Still DeLIVErin’”
On The Way Home
Let’s Dance Tonight
We Were The Dreamers
Don’t Let It Pass By
Go and Say Goodbye
Wake Up My Soul
Hard Country
Wind of Change
Anyway Bye Bye
Someday

CD2: “DeLIVErin’ Again”
I Guess You Made It
C’mon
Hear That Music (with Timothy B. Schmit)
Kind Woman
Hard Luck
Child’s Claim To Fame
Pickin’ Up The Pieces
You Better Think Twice
A Man Like Me
Just in Case It Happens, Yes Indeed
Grand Junction
Consequently So Long
Encore: A Good Feelin’ To Know (with Timothy B. Schmit)

Richie Furay Band:

Richie Furay: guitars, vocals
Jesse Furay Lynch, tambourine and vocals
Scott Sellen, guitars, banjo and vocals
Jack Jeckot, keyboards, harmonica, guitar and vocals
Aaron Sellen, bass guitar and vocals
Alan Lemke, drums

Plus:
Dave Pearlman, pedal steel guitar and dobro
Timothy B. Schmit, vocals

Pictured, Richie Furay and his daughter Jesse Furay Lynch
Photo Credit: Howard Zryb


50th Anniversary Return To The Troubadour’ Front Cover Art	‘50th Anniversary Return To The Troubadour’ Back Cover Art

WEBSITE | FACEBOOK | INSTAGRAM

SRO Press Releases + Assets
http://sropr.com/portfolio/richie-furay/

March 18, 2021

‘Top Rankin’: A Punk/Ska Noir Novel By Howard Paar Out May 11 Via Rare Bird Books

DATE: MARCH 18, 2021

FROM: MITCH SCHNEIDER/SRO PR

‘TOP RANKIN’: A PUNK/SKA NOIR NOVEL
BY HOWARD PAAR
OUT MAY 11 VIA RARE BIRD BOOKS
THE BOOK’S PAAR-CURATED SOUNDTRACK
IS NOW AT SPOTIFY

The worlds of punk, ska, crime, drugs and corruption in Los Angeles come together in unexpected ways in Top Rankin,’ a punk/ska novel by Howard Paar due out May 11 via Rare Bird Books. Capturing the anything-goes spirit of L.A. in 1980, with the presidential election of Ronald Reagan just around the corner, Top Rankin’ is populated with real-life characters from the music world in Los Angeles, New York, and London. The novel is available now for pre-order at booksellers everywhere.

It’s the second novel from Paar following Once Upon A Time In LA in 2015. He is a London native who relocated to L.A. in the late 70s and initially created the ON Klub–the first ska club in the U.S. at the rough and ready pre-gentrified Silver Lake end of Sunset Blvd.–before going on to become a record label executive and multiple award-winning music supervisor for film and television. Paar has curated the Top Rankin’ soundtrack, now posted at Spotify.

Paar began the ON Klub in May 1980, inspired by the racially integrated punky ska revival in England. He booked the bands and spun the vinyl at the ska, soul, and reggae venue. In this hole in the hillside dump of a joint, the dance floor was shared by young Jamaicans, sharp-dressed Asian American girls, South Central kids, London escapees, mods on scooters from Orange County, Latino kids from the neighborhood―all united by the inspiring vinyl they couldn’t hear on the radio or anywhere else in the US. The club’s success also resulted in unwelcome visits from the police and fire department.

“In numerous respects it was the literary and cinematic noir history of Los Angeles that drew and kept me here, says PAAR, “so the city and its now vanished places are a significant aspect of both novels.” He adds: “I wrote this ‘memNoir’ to give readers an authentic, fun experience of 1980, lived in the moment, feeling the power of music in fast changing and dangerous times for many.”

H.P. Photo by Christiana D’amore

AVAILABLE IN HARDCOVER AND E-BOOK
FICTION/NOIR MYSTERY
9781644281932 | US $20.00 | 5.5 x 8.5 in. | 224 pp.
RARE BIRD BOOKS
DISTRIBUTED WOLRDWIDE BY PUBLISHERS GROUP WEST
RAREBIRDBOOKS.COM

Publicity, Marketing, and Bulk Sales: Julia Callahan at RARE BIRD | julia@rarebirdlit.com | 831.227.8550

Independent Publicity: Mitch Schneider at SRO PR | mschneider@sropr.com

###

March 16, 2021

TASH SULTANA Generates Over 1 Billion Streams Overall + Critical Praise For ‘Terra Firma’ Album

DATE: MARCH 16, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

TASH SULTANA
BUILDS ON GLOBAL SUCCESS
WITH MORE THAN ONE BILLION STREAMS
GARNERS FIRST #1 ALBUM
WITH ‘TERRA FIRMA’
IN THEIR NATIVE AUSTRALIA

EARNS CRITICAL ACCLAIM
FOR SOPHOMORE ALBUM RELEASED FEBRUARY 19
ON MOM + POP MUSIC

LISTEN NOW

WORLDWIDE TOUR DATES KICK OFF SEPTEMBER 1

With their sophomore album TERRA FIRMA, TASH SULTANA continues to expand their global success with more than one billion streams and their first #1 album on their native Australian ARIA Albums Chart, along with a Rolling Stone Australia cover story.

The February 19 release of the genre-defying 14-track album on Mom + Pop Music, composed, arranged, performed, engineered and produced by TASH, has been greeted with an array of critical accolades praising the artist’s artistic evolution. TASH–singer, songwriter, multi-instrumentalist and electrifying performer–has added to the looped and layered jams with a dazzling patchwork of soul, funk, R&B, folk, rock, hip-hop–you name it. The result is TASH’s most ambitious triumph to date.

NME (UK) noted in their review that “The Aussie star embraces all sounds but maintains a delicate vulnerability on album number two…” with THE GUARDIAN (UK) saying “TERRA FIRMA is as expansive and chilled as we’ve come to expect from Sultana…” GUITAR PLAYER in the U.S. says: “It’s a deceptively crafty concoction that feels thoroughly organic and effortless.” NPR’s “All Songs Considered” also shined a light on the album in their “New Music Friday” coverage.

“Australian singer Tash Sultana released their sophomore album Terra Firma this week, offering up the grounding track ‘Blame It On Society.’ True to her sound, Sultana combines dizzying guitar chords with her measured lyrical delivery, pointing out the flaws that are ingrained our society.”

–Carolyn Droke, UPROXX, 2/23/21

Home

“…proficiency in around a dozen instruments, all contributing to the vast, looping sonic landscapes of Terra Firma…In many ways, Terra Firma reflects a centered, cerebral moment for Sultana. From the opening instrumental ‘Musk,’ Sultana launches into a bizarro world that’s awash in layered psychedelia. The whole album is like falling down a rabbit hole of serenity, punctuated by Sultana’s inevitable, crescendoing instrumentation.”

–Raffaela Kenny-Cincotta, RELIX, 1/29/21

“…Terra Firma is Tash’s most expansive effort to date. The final product pairs staggeringly raw songwriting with intricate instrumentation and lush production, fusing jazz, soul, funk, psych rock, and R&B influences along the way. Thematically, the album builds toward a sense of liberation, with the closing number literally called ‘I Am Free.’”

–Matt Wallock, AMERICAN SONGWRITER, 2/17/21

“Terra Firma is a record that listeners can get lost in. Sultana’s sonic presentation is spread across a collection of deeply introspective songs that touch on soul, funk, pop, R&B and hip-hop. There are dashes of rock and even folk. It’s a deceptively crafty concoction that feels thoroughly organic and effortless. Intoxicating guitar loops on blissed-out tracks like ‘Pretty Lady’ and ‘Sweet & Dandy’ bury themselves into the thicket of one’s senses, and the cavernous soundscapes that form the musical beds of ‘Coma,’ ‘Let the Light In’ and ‘I Am Free’ unfold like dreams. It’s all dynamic, head-turning stuff…”

—Joe Bosso, GUITAR PLAYER (print), March 2021

“Terra Firma is a masterful mix of R&B, soul, indie-rock, alternative and shoegaze.” 9/10

–Miguel Costa, MUSIC CONNECTION, 2/23/21

“…Terra Firma is mostly rooted in laid-back, gentle grooves (you can slow dance to it, but this isn’t exactly a funk-fest), with more room for personal introspection and ruminations on relationships and one’s place in the larger world (as well as occasional observations on the unexpected consequences of fame)…Sultana’s vocals have gained some range and nuance since their first album, and there’s a welcome sense of the artist embracing the joys of pushing the boundaries; the guitar work here is very fine but not flashy, and shares the stage with keyboards and other flavors that give the tracks a rich and varied sound. In short, Terra Firma confirms Tash Sultana isn’t interested in being your new favorite guitarist as much as they want to be a musician and songwriter with the talent and ambition to go in any direction they choose…they have the talent and vision to be an artist who is going to be around for a while, and it’s fascinating to imagine where they can go next. Terra Firma shows where they are now is already pretty impressive.”

—ALLMUSIC.COM, 2/19/2021

“Without a doubt Terra Firma is a relatable masterpiece made for the hearts that long to be mended by the power of music. Its intoxicating grooves and hypnotic riffs are instantly inviting, but with depth that reveals its rewards the more you absorb it. From the previously released evocative ‘Greed’ to the enthralling ‘Beyond The Pine,’ Tash departs from looped and layered jams towards meditative combinations of soul, funk, RnB, folk, rock, and hip hop. The 14-track album takes root into far-reaching sonic territory, while each song stands out with its individualistic flare and sound. Ultimately meshing together to create a flawless album that showcases Tash’s musical and lyrical growth.”

–Gibson Shaffer, GRATEFUL WEB, 11/30/2020

“No one makes music like Tash. Their ear for densely layered orchestration culminates in this transcendent, slightly psychedelic new track that reminds listeners that You are enough, to live in the present moment away from negative distractions. As Tash demonstrates their famously proficient guitar ability in the intro, the instrumentation quickly grows to include increasingly intoxicating layers of angelic chimes, organic samples, rich horns, fleeting harps, and much more…”

–Austin Miller, THIS SONG IS SICK, 1-22-21

“Groovy ‘Willow Tree’ is filled with colorful horns and the whimsical guitar, keys, and bass loops that made you obsessed with Tash in the first place. You glide through this magical journey, with Jeome Farah and Tash’s soulful vocals perfectly complementing each other, and you can’t help but get lost in it.”

–Nicole Proctor, EARMILK, 12/22/2020

“Terra Firma remains a remarkable experience that finds a way to demonstrate real human vulnerability while building mystique around its creator. Sultana learned guitar at age 3, reportedly plays 20 different instruments and composed, arranged, performed, engineered and produced just about every note of their first two albums–all by the age of 25. There’s nothing they can’t play and less they can’t do. But it’s the restraint shown in the minimalist moments that show why slowing down was the right choice for Sultana on Terra Firma.” 7/10

–Skott Bennett, RIFF MAGAZINE, 2/15/21

“…soulful and sublime outing. Whether she’s waxing mystical or being more forthcoming, Sultana’s art here is striking.”

–Kevin Wierzbicki, ANTIMUSIC.COM, 2/19/21

“Multi-instrumentalist Tash Sultana’s sophomore effort Terra Firma bumps along, dripping with layers of early 90’s R&B, indie rock, and dream pop escapism. Playing all sounds while delivering floating vocals, Sultana is a musical force over the fourteen neo-new jack swing and soul/pop offerings.”

–Shawn Donohue, GLIDE MAGAZINE, 2/19/21

“Tash Sultana’s Terra Firma is a masterful piece of art that bends sound and genre to her will and gives us an unfettered look into her soul.”

–Austin Miller, THIS SONG IS SICK, 2/19/21

“Tash Sultana’s long-awaited second record Terra Firma firmly secures their intrinsic, holistic artistry. And like the ponderous smoke-tendril of burning incense, Sultana’s slow jam snakes around your earholes with an enchanting athleticism.”

–Cassia Briscoe, HAPPY MAG TV, 2/19/21

“’Terra Firma’ maintains Sultana’s instrumental opulence but with a more mature and seasoned perspective that is flecked with vulnerability… This record definitively shows off the balance of Tash Sultana’s skills as a musician and as a songwriter as they try to find firm ground to stand on amidst the chaos of the world. Sultana is truly gifted, and their biggest challenge right now seems to be finding new ways to innovate and build upon an already complex, remarkably unique sound.”

— Claire Stephens, B-SIDES TV, 2/20/21

ROLLING STONE AUSTRALIA

WORLDWIDE TOUR DATES

September 1 Arena Open Air Vienna, Austria

September 3 Circolo Arci Magnolia Segrate, Italy

September 6 Coliseu dos Recreios Lisbon, Portugal

September 7 WiZink Center Madrid, Spain

September 8 Sant Jordi Club Barcelona, Spain

September 10 Zenith Paris La Villette, Paris, France

September 11 Geneva Arena Geneva, Switzerland

September 16 Freilichtbühne Großer

Garten Junge Garde Dresden, Germany

September 17 Zitadelle Spandau Berlin, Germany

September 18 K.B. Hallen Frederiksberg, Denmark

September 20 Sentrum Scene Oslo, Norway

September 22 Reeperbahn

Festival 2021 Reeperbahn, Hamburg, Germany

September 24 Tanzbrunnen Cologne, Germany

September 26 Olympiahalle Munich, Germany

September 28 Eventim Apollo London, UK

ABOUT TASH SULTANA

Since dropping their debut album two years ago, TASH has only gone from strength to strength in a career already abundant with highlights. With over 1 billion total worldwide streams, has broken attendance records around the world including a sold out Red Rocks Amphitheatre, performing stand out sets at Coachella, Lollapalooza, Governor’s Ball, Bonnaroo, Austin City Limits and more, TASH has also made their US debut TV performance on “Late Night with Seth Meyers.”

In Australia, TASH’s debut album FLOW STATE was nominated for six ARIA Awards including winning the ARIA for Blues and Roots Album Of The Year and they undertook a massive sold out Australian headline tour with over 70,000 tickets around the country. “Jungle” and “Notion” are ARIA accredited 2x Platinum, whilst “Mystik,” “Murder to the Mind” and the NOTION EP all ARIA accredited Gold.

TASH SULTANA’s sophomore album TERRA FIRMA is out now on Mom+Pop Music.

PHOTO CREDIT: GIULIA MCGAURAN & PAT FOX

CONNECT WITH TASH SULTANA www.TASHSULTANA.com

February 26, 2021

KATE CLARK—Emerging Country Artist—Today Releases Debut Single And Lyric Video “No Halo”

DT: FEBRUARY 26, 2021

FM: MITCH SCHNEIDER/LYNDIE WENNER
SRO PR (NASHVILLE, LOS ANGELES, LAS VEGAS)

KATE CLARK—
EMERGING COUNTRY ARTIST—
RELEASES DEBUT SINGLE AND LYRIC VIDEO
“NO HALO”
TODAY, FEBRUARY 26
LISTEN TO THE SONG HERE
AND WATCH THE LYRIC VIDEO HERE

“No Halo,” the debut single and lyric video released today (February 26) by emerging country artist KATE CLARK, announces the arrival of a fresh talent who’s been gifted with an expressive, elastic voice matched with her sharp yet vulnerable sense of songwriting. With KATE’s introspective lyrics about maintaining a strong self-identity in the face of life’s obstacles and a melodically bright, uplifting chorus, the song is “a melting pot of old-school and new-school,” says the Nashville-based and Austin-born-and-raised artist. “No Halo” was co-written and produced by David Lyndon Huff, whose extensive Nashville credits include producing the Doobie Brothers’ multi-artist tribute album Southbound with such artists as the Zac Brown Band and Vince Gill, and who is the younger brother of renowned producer Dann Huff. Listen to the song here and watch the lyric video here.

KATE plans to keep the excitement building throughout 2021; the singer and songwriter will release a series of singles, a song per month, alternating between original tracks and striking reinterpretations of songs by Oasis (“Wonderwall”), the Doobie Brothers (“Black Water”), and Justin Timberlake (“Drink You Away”).

With “No Halo,” KATE aims straight for the heart with lyrics such as “It ain’t easy/ Nothing’s ever fair/You, me and God know/You can still be good with no halo.”

“Writing ‘No Halo’ was both unfortunately and fortunately a very easy topic for me to write about,” reveals KATE. “Perfection. Why do we seek perfection? We know it’s unattainable, but even knowing this we put ourselves down. For girls and women especially, we’re conditioned from a young age to be ‘good’…you know, ‘be a good girl.’ I was far from perfect. I endured profound pain that over the years turned into profound joy and freedom. It’s amazing what real self-acceptance can do for the human spirit. The ‘Halo’ to me represented perfection, so the title ‘No Halo’ just made sense. I hope when people hear this song it can be another reminder, in the midst of commerce selling perfection, to embrace your ‘flaws,” learn from your failures, and most importantly allow yourself to grow. You can still and always will be good if you can love yourself just as you are, right where you are, even if you’ve misplaced your ‘halo’ or you never had one to begin with.”

Kate Clark
Photo credit: Josh Kranich

Bio here

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For press inquiries, contact SRO PR:

Mitch Schneider, mschneider@sropr.com
Lyndie Wenner, lwenner@sropr.com

February 26, 2021

RICHIE FURAY Shares Live Performance Video Of Poco Classic “C’mon” From Double Album Out 4/2

DT: FEBRUARY 26, 2021

FM: MITCH SCHNEIDER/ANDREA FAULK

RICHIE FURAY
TODAY SHARES LIVE PERFORMANCE VIDEO OF
POCO CLASSIC “C’MON”
AHEAD OF APRIL 2 RELEASE OF DOUBLE LIVE ALBUM + DVD
‘50TH ANNIVERSARY RETURN TO THE TROUBADOUR’
WATCH THE VIDEO HERE

Rock and Roll Hall of Fame inductee RICHIE FURAY–one of the chief architects of the country rock genre as a member of Buffalo Springfield, Poco and the Souther-Hillman- Furay Band–today (2/26) shared a live performance video of Poco’s in-concert favorite “C’mon” from their classic 1971 live album DeLIVErin.’ The video and single are taken from FURAY’s upcoming 50TH ANNIVERSARY RETURN TO THE TROUBADOUR–a double CD and download as well as a single DVD concert film on DSDK Productions, distributed by MRI Entertainment—out April 2. Watch the video here and listen to the single here. The video was premiered yesterday via Relix. Pre-save and pre-add the album here.

The FURAY-penned “C’mon” is emblematic of Poco’s soaring feel-good songs, one that galvanized its loyal fanbase at headlining shows at venues like New York’s Carnegie Hall and Fillmore East. “’C’mon’ was a song that certainly captured the heart of Poco’s audiences,” says FURAY. “It was a concert closer for our set for quite a few years having that upbeat tempo that just drew our audiences in.”

Lyrically, “C’mon” is a relationship song and one about peace, too, with lines like “I believe that you and I as friends/Should love one and another/Satisfied, have a peace of mind/ Love your neighbor as your brother.” Explains FURAY: “The song broadened out in the third verse to a message of hope for a world that was struggling with war. Either way, I wrote the song hoping it would convey a universal, positive message–that no matter how life looked, there was hope.”

The Troubadour show was truly a magical evening in many ways. The sold-out concert marked FURAY’s 50^th anniversary return to the venue where Poco (originally as Pogo) performed their very first shows in 1968. The evening was marked by Timothy B. Schmit joining FURAY on the Schmit-penned “Hear That Music” from DeLIVErin’ and the above-mentioned “A Good Feelin’ To Know.” Timothy also introduced FURAY onstage

after reading a congratulatory note from Cameron Crowe (who intended being at the Troubadour in person but could not make it at the last minute). Timothy then introduced the esteemed artist and producer Peter Asher (Peter & Gordon), who presented FURAY with a commemorative award for his 50th anniversary return to the Troubadour. Also on hand at the show and backstage was Randy Meisner, Poco’s first bass player before Schmit replaced him.

Pictured, from left: Richie Furay and Timothy B. Schmit
Photo Credit: DSDK Productions

Tracklisting Page in ‘50th Anniversary Return To The Troubadour’

Track listing for 50TH ANNIVERSARY RETURN TO THE TROUBADOUR CD + DVD

CD2: “DeLIVErin’ Again”

I Guess You Made It
C’mon
Hear That Music (with Timothy B. Schmit)
Kind Woman
Hard Luck
Child’s Claim To Fame
Pickin’ Up The Pieces
You Better Think Twice
A Man Like Me
Just in Case It Happens, Yes Indeed
Grand Junction
Consequently So Long
Encore: A Good Feelin’ To Know (with Timothy B. Schmit)

Richie Furay Band:

Plus:
Dave Pearlman, pedal steel guitar and dobro
Timothy B. Schmit, vocals

Pictured, Richie Furay and his daughter Jesse Furay Lynch
Photo Credit: Howard Zryb


50th Anniversary Return To The Troubadour’ Front Cover Art	‘50th Anniversary Return To The Troubadour’ Back Cover Art

WEBSITE | FACEBOOK | INSTAGRAM

SRO Press Releases + Assets
http://sropr.com/portfolio/richie-furay/

February 19, 2021

TASH SULTANA Today Releases Their New Album ‘Terra Firma’

DATE: FEBRUARY 19, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

TASH SULTANA TODAY RELEASES
THEIR NEW ALBUM
TERRA FIRMA
LISTEN NOW

ARIA Award winner TASH SULTANA has today released their sophomore album, TERRA FIRMA, out now on Mom + Pop Music.

LISTEN TO TERRA FIRMA NOW

Having already given fans five tastes of the music one can expect on TERRA FIRMA (“Sweet & Dandy,” “Willow Tree” feat. Jerome Farah, “Greed,” “Beyond The Pine” and “Pretty Lady”), the album showcases 14 tracks that are recognisably TASH SULTANA, but its lyricism delves deeper, its impact more nuanced. The expansive “Coma” flows with vision, the evocative “Greed” proffers a soul-funk examination of the corrupting influence of wealth and fame. And the idyllic love song “Let The Light In” feels close and warm–“I’ve just found my one. She’s a golden gem,” they smile when they speak of their fiancé. “Sweet & Dandy” is a slinky indictment on the internet era’s information overload. “But where’s the wisdom? Where’s the knowledge?” TASH asks. “Vanilla Honey”–named after the two flavoured cigars gifted to TASH from their partner–is a tender ode to how love can centre us amidst the chaos.

TERRA FIRMA sees TASH bare their soul on two levels. Spiritually, it arrived in a time of global detachment and acted as a conduit to reconnect to their core selves–something TASH had been dismissing during strenuous global tours. And musically, where its 14 tracks take root into far-reaching sonic territory.

TASH has added to the looped and layered jams with a dazzling patchwork of soul, funk, R&B, folk, rock, hip-hop–you name it. The result is TASH’s most ambitious triumph to date. “It’s Erykah Badu meets Bon Iver, meets John Mayer, meets whatever.”

Written and recorded over a full year, from October 2019 to October 2020, TERRA FIRMA saw TASH in full flight as they recorded, engineered, performed, arranged, and produced the album themselves. Four to six days a week were spent in their Melbourne studio, and just when TASH surpassed the 200-day mark on the project, it was done.

Presented with a title inspired by finding their home within themselves, TERRA FIRMA is the work of a more confident, dynamic, and experienced musician. The record was conceived amid a period of self-reflection when life was involuntarily slowed down amid a global pandemic. When TASH wasn’t in the studio, they found time for surfing, gardening, writing poetry and a healthy balance from the hectic touring lifestyle that defined their existence.

While TERRA FIRMA still cements the oft-used description of a “one-person band”, the record hosts a first for TASH SULTANA with four carefully chosen co-writers. TASH collaborated with fellow ARIA winners in artist Matt Corby and producer Dann Hume (Courtney Barnett, Amy Shark) on “Pretty Lady,” “Crop Circles,” “Beyond the Pine” and “Greed.” Meanwhile, “Willow Tree,” the nocturnal groover about get-rich-quick pyramid schemes, features TASH’s high school friend Jerome Farah. Farah is signed to TASH’s own Lonely Lands Agency, launched in 2019. Finally, “Dream My Life Away,”an ethereal, guitar-driven duet, was co-written with close friend Josh Cashman, who TASH tapped as their tour support through America in 2017.

For TASH SULTANA, artistic growth is paramount. It makes sense then, that the live shows for TERRA FIRMA will showcase TASH in a new light. “2020 was about recording and writing the music. And this year will be about creating the show and bringing it to people,” says TASH. “The new live show is everything the live show already was, plus a few things up my sleeve–but you’ll have to be there to understand,” they tease.

“I’ll always be solo,” TASH adds. “That will never, ever, ever change.”

For TERRA FIRMA, the goal seemed simple: to make music that comes from a place that’s unashamedly honest and ventures new territory. “Because if it does, you’ll never fuck up,” TASH reflects. “I want to be an artist and make music non-stop, and just set the bar for myself every single time.… I just wanted to feel better, be better, perform better, play better, sing better. To be a better musician. And I think this record does that.”

ABOUT TASH SULTANA

TASH SULTANA’s sophomore album TERRA FIRMA is out now on Mom+Pop Music.

PHOTO CREDIT: GIULIA MCGAURAN & PAT FOX

CONNECT WITH TASH SULTANA www.TASHSULTANA.com

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February 11, 2021

OZZY OSBOURNE And Post Malone’s “It’s A Raid” Animated Video Debuts Today

DATE: FEBRUARY 11, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

OZZY OSBOURNE’S
“IT’S A RAID”
ANIMATED VIDEO DEBUTS TODAY (FEBRUARY 11)
AT 7:30 PM (ET)/4:30 PM (PT)

WATCH PARTY AND LIVE YouTube CHAT WITH
COLLABORATOR POST MALONE
SET FOR 7:00 PM (ET)/4:00 PM (PT)
ON OZZY’S CHANNEL

SONG IS THE FINAL RELEASE FROM
OSBOURNE’S #1
‘ORDINARY MAN’
ROCK ALBUM

Later today (February 11), OZZY OSBOURNE will premiere a new animated video for “It’s A Raid” from his #1 and acclaimed 2020 ORDINARY MAN album. The clip will debut at 7:30 PM (ET)/4:30 PM (PT), with OZZY and collaborator Post Malone set to host a watch party beginning at 7:00 PM (ET)/4:00 PM (PT) on OZZY’s official YouTube channel.

At a SiriusXM listening party last year to celebrate the release of ORDINARY MAN (Epic Records) OZZY recounted the song’s inspiration. While recording Black Sabbath’s VOL. 4 in Bel Air, California, OSBOURNE triggered the home’s security alarm and police surrounded the home, which he says had “piles of marijuana and cocaine.” OSBOURNE adds, “I’m shouting, ‘IT’S A FUCKIN’ RAIIIIID,” before hiding the drugs and ingesting cocaine while hiding in one of the home’s bathrooms.”

In the video, directed by Tomas Lenert, OZZY and Post Malone team up for a truly wild ride. The clip begins with OSBOURNE and Malone at the infamous Bel Air, CA house (which served as the inspiration for the song) before they lead police through the streets of the city and passing iconic Los Angeles landmarks on their journey.

“A couple of years ago I didn’t even know who Post Malone was,” OZZY says. “Since then we’ve worked together on two studio tracks and have performed together twice. Understandably Covid-19 made it difficult to get together to shoot a music video for ‘It’s a Raid’ so we opted for this wildly imagined animated video for the final single from the ORDINARY MAN album.” OZZY, who’s been in the studio working on a new album with producer Andrew Watt, adds that he “can’t wait to for everyone to hear my new music.”

This marks the second duet with Malone. The two previously teamed on “Take What You Want” from his Hollywood’s Bleeding album (which they also performed at last year’s “American Music Awards”). The track was produced by Watt, who collaborated with OSBOURNE for ORDINARY MAN as both producer and co-writer.

Here’s some critical feedback on “It’s A Raid”:

BILLBOARD (2-20): The track is “is a blitz of screaming metal that finds Osbourne in classic spooky grandpa mode, wailing about voices breathing through the phone, never feeling alone and the horrifying revelation that God is actually Satan, and he’s waiting right here for you. ‘Out in Hollywood, I’ve been locked up for seven days/ I’m never coming out/ Why do i feel my life accelerate/ I’m never coming down,’ Osbourne sings on the chorus over raging, double-kick drums and a wall of high-speed guitars. Leaving behind his hip-hop cadence, Posty straight up sings in his best Ozzy bellow, lamenting, ‘Outside my window, there’s a silhouette/ My rifle’s right beside my bed/ Hold on, I’m runnin’ out of cigarettes/ F–k!’ The thundering track ends with a final raging chorus featuring both singers and some flat-out shouting of the title over a light speed guitar solo.”

ROLLING STONE (2-20) described the song as “the thrashy new track, Osbourne takes the lead with Malone serving as Osbourne’s backup singer and hype man for the rest of the track.”

LOUDWIRE (2-20): “the high-energy number ‘It’s a Raid.’ The blistering rocker lands among the eleven tracks on Osbourne’s twelfth solo album Ordinary Man…A punky but catchy burst of audio, it’s perhaps the most adrenaline-fueled of the growing collaborations between the “Prince of Darkness” and the rock-indebted rapper.

IHEART (2-20): “The explicit track is set at a breakneck tempo and features Ozzy and Malone trading lines before unfolding into a half-time crawl in the bridge.”

SPIN (2-20): “The song is a banger…”

In its first week of release, the critically acclaimed ORDINARY MAN—OSBOURNE’s first new solo album in ten years–was the #1 rock album in the world, topping multiple charts in its triumphant first week of release. Worldwide, ORDINARY MAN entered the charts in the Top Ten in seven countries (including America and the U.K.) making it the highest charting album of OZZY’s career.

ORDINARY MAN marks OSBOURNE’s first new solo music in almost 10 years. Recorded in Los Angeles, the album features producer Andrew Watt on guitars, Duff McKagan (Guns N’ Roses) on bass and Chad Smith (Red Hot Chili Peppers) on drums. Beyond the core band, ORDINARY MAN, features a who’s-who of OZZY friends and collaborators including Elton John, Slash, Post Malone, and Tom Morello.

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February 5, 2021

TOMMY EMMANUEL To Release New Live Album ‘Tommy Emmanuel–Live From The Balboa Theatre’ 2/12

DT: FEBRUARY 5, 2021

FM: MITCH SCHNEIDER/ANDREA FAULK/LYNDIE WENNER
SRO PR (LOS ANGELES, NASHVILLE, LAS VEGAS)

TOMMY EMMANUEL
TO RELEASE NEW LIVE ALBUM
‘TOMMY EMMANUEL–LIVE FROM THE BALBOA THEATRE’
OUT FEBRUARY 12 ON CGP SOUNDS

LISTEN HERE TO THE ALBUM’S FIRST SINGLE “LOCOMOTIVATION,” RELEASED TODAY (FEBRUARY 5), AND WATCH THE VIDEO HERE

“My memories of the Balboa show are filled with adrenaline, wonder and joy,” says the acclaimed and Grammy-nominated acoustic guitarist, singer and songwriter TOMMY EMMANUEL about his new digital-only live album TOMMY EMMANUEL–LIVE FROM THE BALBOA THEATRE out February 12 on his label, CGP Sounds. Listen here to the album’s first single “Locomotivation,” released today (February 5), and watch the video here. Pre-save and pre-add the album here.

Featuring 17 tracks (see the track listing below), LIVE FROM THE BALBOA THEATRE is a classic TOMMY EMMANUEL concert filmed on February 13 and 14, 2011 at the Balboa Theatre in San Diego, CA. The album features special guest performers such as Pam Rose, Anthony Snape, and Frank Vignola & Vinny Raniolo. Both Pam Rose and Anthony Snape are acclaimed songwriters who have co-written songs with TOMMY. Frank Vignola and Vinny Raniolo are masters in the jazz world who are also longtime touring collaborators with TOMMY.

This album–and the accompanying DVD (released in 2011)–was produced by KPBS in San Diego, and it was exclusively available through PBS pledge drives. It will now be available for the first time on all digital outlets.

“Playing with Frank and Vinnie, singing with Pam and Anthony, having fun with the audience and working with the PBS network made it a once-in-a-lifetime event, I hope you enjoy it and feel it too!” says TOMMY.

In other exciting TOMMY news, his guitar work graces Barry Gibbs’ newly released solo album Greenfields: The Gibb Brothers’ Songbook. EMMANUEL plays on the Bee Gees’ classic “How Deep Is Your Love” featuring Little Big Town.

Track Listing for TOMMY EMMANUEL–LIVE FROM THE BALBOA THEATRE:

1. Guitar Boogie
2. Locomotivation
3. Haba Na Haba (with Pam Rose, Anthony Snape, Frank Vignola, & Vinny Raniolo)
4. My Life (with Pam Rose)
5. The Trails
6. Everlasting (with Anthony Snape)
7. Frequency (with Anthony Snape)
8. My Beloved (with Pam Rose)
9. I’ll Still Be Loving You (with Pam Rose & Anthony Snape)
10. Avalon (with Frank Vignola & Vinny Raniolo)
11. How High The Moon (with Frank Vignola & Vinny Raniolo)
12. Hungarian Dance No. 5 (with Frank Vignola & Vinny Raniolo)
13. Smokey Mountain Lullaby
14. Nine Pound Hammer
15. The Diggers’ Waltz
16. Moon River
17. What A Wonderful World (with Frank Vignola & Vinny Raniolo).