DATE: JUNE 13, 2022

FROM: MARCEE RONDAN/MITCH SCHNEIDER

JOE PERRY
SETS THREE SOLO JULY PERFORMANCES FOR
THE JOE PERRY PROJECT
INCLUDING A HOMETOWN SHOW
IN BOSTON

Legendary AEROSMITH guitarist and songwriter JOE PERRY has confirmed three Northeast solo gigs in July for THE JOE PERRY PROJECT: Thursday July 21 at Hampton Beach Casino (Hampton, NH); Friday, July 22 at Leader Bank Pavilion (Boston, MA); and Saturday, July 23 at the Atlantic City Hard Rock Casino (Atlantic City, NJ). These performances mark the first solo shows for PERRY in more than four years (around the release of his 2018 SWEETZERLAND MANIFESTO album).

Photo credit: Aaron Hirsch

“Since my schedule has freed up and we have a slot of time to play some shows, I wanted to jump on that opportunity,” JOE PERRY says. “Aside from the obvious, terrible effects the pandemic brought with it, I missed being on the road. However, it is actually the first time that myself and my wife Billie were able to sleep in our own bed for this long of a period without having to think about packing our bags. So it has been a new experience for us. Now, I’m really excited to do these shows, especially with this lineup of The Joe Perry Project: Buck Johnson on keyboards (Aerosmith, Doobie Brothers, Hollywood Vampires), Joe Pet on drums (one of the original members of the Joe Perry Project), Chris Wyse on bass guitar (Hollywood Vampires, The Cult and Ozzy Osbourne) and the incredible Gary Cherone on vocals.”

The Rock and Roll Hall of Fame inductee continues, “The setlist will have a couple of new songs, a couple of my other solo songs, and a couple of Aerosmith songs that Aerosmith usually doesn’t play, and everything in between, lol…”

“I am also releasing another solo album on vinyl called Sweetzerland Manifesto MKII later this year, so it seemed like the perfect opportunity to get some of the new songs out there. And since people will probably be sharing the new tracks on social media, the two new songs from the set—which I recorded in London with my sons Roman and Tony–are “Quake,” with vocal by Gary Cherone and “Fortunate One” which features Chris Robinson. The new album will also include a couple of songs from the first release (Sweetzerland Manifesto), some of which weren’t ready to go on that initial record.”

Following these shows, PERRY will return to his Aerosmith commitments. “We are gearing up to celebrate the 50^th anniversary of the band and will definitely have some incredible forgotten treasures for our fans that we found deep-diving into the vaults and there’s a lot more to come! On the live side, we can’t wait to get back on the stage together! We have a special date in Maine in September and our big 50^th anniversary show at home at Fenway [Boston] before we head back to Vegas for the two residencies.”

DATE VENUE CITY

Thurs, July 21 Hampton Beach Casino Hampton, NH
**Fri, July 22 Leader Bank Pavilion Boston, MA
Sat, July 23 Atlantic City Hard Rock Casino Atlantic City, NJ

**Special guest with ZZ Top

For more information, visit:

joeperry.com
http://facebook.com/OfficialJoePerry
twitter.com/joeperry
https://www.instagram.com/joeperryofficial/

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DATE: MAY 26, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

JOE PERRY
CONTRIBUTES MUSIC TO
‘CITY OF LIES’ FILM OUT JUNE 8 ON BLU-RAY AND DVD
AFTER INITIALLY BEING RELEASED IN THEATERS
AND VOD EARLIER THIS YEAR

Alberto Bof and Joe Perry

Legendary AEROSMITH guitarist and songwriter JOE PERRY has contributed five songs to the Brad Furman-directed City of Lies film. Released earlier this year in theaters and VOD and starring PERRY’s Hollywood Vampires bandmate Johnny Depp, City of Lies is due out on Blu-ray and DVD June 8.

Based on the book LAbyrinth by Randall Sullivan and adapted by Christian Contreras, City of Lies (Saban Films) is a dramatic crime thriller that follows the investigation into the infamous murder of iconic rap artist Notorious B.I.G. Depp stars as determined LAPD detective Russell Poole (who spends nearly 20 years trying to solve the murder) with Forest Whitaker as Jack Jackson (a journalist who teams up with Poole in search of the elusive truth). Together they explore why the case remains cold–and why a secretive division of the LAPD is seemingly set on keeping it that way.

While the film was in production, PERRY–who was staying at Johnny Depp’s house working on his last solo album Sweetzerland Manifesto (2018, Roman Records)–was invited by Depp to view some clips from the movie.

“There was always something going on at Johnny’s place, so it wasn’t unusual for him to give me a call to come down and join in,” says JOE. “We watched some clips and talked about some of the scenes that they needed some music for, and Brad Furman[director, music producer], Alberto Bof [one of the key musicians also working on the soundtrack], Johnny and I started talking about ideas on what I could add. I never had a chance to work with someone as classically trained and as talented as Alberto on a one to one basis, so it was definitely an exciting experience for me, aside from the fact it was for one of Johnny’s movies. As we worked our way through each piece of music, Alberto and I played in a style that was definitely not in my everyday wheelhouse and it ended up that we worked on and off together over the next two or three weeks on bits and pieces of the soundtrack.”

Brad Furman, Joe Perry, Alberto Bof

PERRY’s contributions took about three weeks to complete, but once his work was done, he got an urgent call from Furman. PERRY recalls:

“I was finished with that project and I was on my way home from the airport after a month on the road with Aerosmith. I was about 10 minutes from my house, I hadn’t seen Billie [PERRY’s wife] in over a month, and I was anxious to get home. I noticed a phone call came up on my phone from an LA area code, I happened to pick it up and it was Brad. He said ‘I’m glad I got a hold

of you. I have an emergency.’ As it turns out they wanted me to contribute more music to the film. Brad had called me to fix one cue I worked on and said the score was elevated and inspired by my work he wanted me to add more guitar to other cues. I said ‘sure, I can maybe get into a studio this weekend.’ I told him I was on my way home and he said, ‘you don’t understand, I need it now.’ I didn’t know where a studio was in my area, and he said he would call me back in five minutes. Five minutes later, he called back and said ‘I found a studio, it’s 10 minutes from where you are and it will be open for us in an hour.’ So I got home, gave Billie a hug and kiss, explained to her what was going on, dropped off my stuff and grabbed my guitar, drove over to the studio and I was recording within an hour. A few minutes turned into a few hours as Brad described to me the scenes where they needed additional music. This was a pretty flipped-out recording session, considering he was in London, I was in Florida. In my whole career, I’ve never had to switch gears so fast on a project as important as this.”

“Working with Alberto was an amazing experience and we actually recorded quite a bit of us jamming and a lot of what we did is actually what ended up in the film. We found ourselves being inspired by the film clips and with Brad, Johnny, Alberto and myself, it was the kind of creative musical experience you just dream of.”

“Working with Joe on this film is a pinnacle experience in my music career,” says Alberto Bof. “He is one of the pillars of rock music and I still remember being in awe while listening to his sound so close during our recording sessions. Coming up with ideas with such a complete musician was a flawless experience and his countribution and taste have been fundamental in the direction and making of the soundtrack.”

“Working with Joe on ‘City Of Lies’ was a dream,” Brad Furman says. “As a child one of my favorite tracks was Aerosmith’s ‘Dream On.’ I would wait by the juke box in the canteen and use all my saved coins to play it over and over. I monopolized the jukebox. Never did I imagine I’d be working side by side with Joe Perry, one of the greatest rock guitarists of all time. On each session and cue note I gave him (and yes I was nervous) Joe humbly and artistically took his gifts and kept uplifting and inspiring our score. He always wanted another take as he never stopped striving for greatness. The bond and synchronicity Joe and Alberto Bof shared was magical and took my breath away. They danced together as if they had been doing it for years. As a result, I watched our movie and score be transformed in unimaginable ways. The notes of their musicianship rang through all the rooms of Johnny Depp’s studio creating a palpable feeling that held you captive…I was spellbound.”

PERRY’s “City of Lies” contributions include:

● “11th and Albany” by Joe Perry and Alberto Bof (Score)

● “Big Come Up” by Alberto Bof, Hal Linton, Joe Perry, Roman Perry, Mike Zonshine (song)

● “Lucidity” by Joe Perry and Alberto Bof (score)

● “DMack’s Ambitionz” by Moghul Veyron & Joe Perry (score)

● “Party Is Over” by Alberto Bof, Joe Perry (score)

● “Kick in the Door (Remix)” by The Notorious B.I.G. , remixed by Brad Furman and Alberto Bof, featuring Joe Perry and Colin Smith (additional vocals) (song)

For more information, visit:

joeperry.com

http://facebook.com/OfficialJoePerry

twitter.com/joeperry

https://www.instagram.com/joeperryofficial/

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