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D.D. VERNI & THE CADILLAC BAND Share “Olivia…That’s Who!” Second Single + Video From Their Debut Album ‘Let’s Rattle’ Out September 17

DATE: AUGUST 18, 2021

FROM: MITCH SCHNEIDER/MARCEE RONDAN

D.D. VERNI & THE CADILLAC BAND
SHARE “OLIVIA…THAT’S WHO!”
THE SECOND SINGLE + VIDEO
FROM THEIR DEBUT ALBUM
‘LET’S RATTLEOUT SEPTEMBER 17
NEW + ORIGINAL SWINGIN’ AND ROCKIN’ BIG-BAND MUSIC
FROM THE SONGWRITER/FOUNDING MEMBER AND BASSIST
FOR HEAVY METAL PIONEERS OVERKILL
WATCH THE VIDEO HERE

LISTEN TO THE SINGLE HERE
AND READ INTERVIEW WITH D.D BELOW

BAND TO PERFORM FIRST -EVER LIVE SHOW
SATURDAY, OCTOBER 30
AT THE VOGEL(COUNT BASIE CENTER FOR THE ARTS)
IN RED BANK, NJ
TICKETS ON SALE NOW

Let's Rattle Cover Art

 

D.D. VERNI & THE CADILLAC BAND today (August 18) unveil “Olivia…that’s Who!” the second single and video from their debut album LET’S RATTLE, due out September 17 (via MVD). As with the album’s lead single and video Cadillac Man,” the new single underlines the high-energy original swingin’ and rockin’ big-band sound from D.D. VERNI, the songwriter/founding member/bassist for heavy metal pioneers Overkill who’ve sold millions of records worldwide and have released 19 studio albums dating back to their 1985 debut album. Listen to the song, which D.D. wrote about his daughter Olivia, here and watch the quick moving video, comprised of storyboard illustrations, here. Pre-order the album here or pre-save the album here

“While the song is about my daughter, I think it speaks to anyone who has a bubbly outgoing spirited girl in their life,” says D.D. “It could be your mom, wife or girlfriend. And I think the drawings capture the spirit of the song. The song lyric says “There’s always enough love to go round” and I think that’s the spirit of the song and the drawings. It’s about how a girl like that in your life can brighten your day and make things always seem OK.” Read more quotes about the song and video below.

LET’S RATTLE is the result of VERNI’s longtime dream of recording a big band album, as his love for the sound dates back many years. The New Jersey-based artist began by writing a fantastic collection of soon-to-be big band classics. Next he recruited longtime Brian Setzer Orchestra upright bassist, John “Spazz” Hatton, to do horn arrangements and play upright bass, while bass player D.D. switched things up playing some guitar on the album. Then D.D. brought in the LA based horn section from Phat Cat Swinger to play the horns and added Brian Setzer Orchestra drummer and current Doobie Brothers member, Tony Pia. Add jazz pianist Dave Moscoe and Hot Rod guitarist Damian Bacci, and you have a star-studded line-up of big band greatness that made this album shake and swing.

With songs like “Cadillac Man,” “Shake It Swing It” and “Olivia…that’s Who!” the album features 13 tracks (nine originals and four covers), was produced by VERNI and mixed by Greg Reely (Coldplay, Sarah McLachlan, Overkill), and recorded in Los Angeles and New Jersey.

In addition, D.D. VERNI & THE CADILLAC BAND have confirmed their first-ever live show, Saturday, October 30 show at the Vogel (Count Basie Center for the Arts) in Red Bank, NJ, the same venue where they filmed the video for “Cadillac Man,” the album’s first single. Tickets are on sale now.

10.30 Show Flyer

DD VerniPhoto Credit: Mark Weiss

Q&A WITH D.D. VERNI ABOUT
THE “OLIVIA…THAT’S WHO!”: SINGLE + VIDEO

–For the “Olivia…that’s who!” video, what inspired you to have a video created with storyboard illustrations?

That was actually my wife Lisa. She thought a storyboard following the lyrics etc. would be a cool idea for a video for that song. I had worked on many projects with an illustrator named Gery Nible for years and she suggested I call him. So I reached out and he was very excited about the idea. We went back and forth on a bunch of ideas and character development, what people should look like and the style/tone for it. I would get sketches from Gery and I would send to Lisa and she would send to Olivia hahaha…so it was a fun project to work on. I really liked her storyboard idea, where it felt more like sketches rather than finished inked and color drawings. I am a comic book fan, as well as Pixar/Disney animated film fan. I have a ton of collectable toys and such from movies, so this was great chance to do a little of that with my own song. I had done an animated video a few records back and had so much fun doing it and this one was similar. Fun to see it come to life.

–How do you feel the video captures the spirit of the song?

While the song is about my daughter, I think it speaks to anyone who has a bubbly outgoing spirited girl in their life. It could be your mom, wife or girlfriend. And I think the drawings capture the spirit of the song. The song lyric says “There’s always enough love to go round” and I think that’s the spirit of the song and the drawings. It’s about how a girl like that in your life can brighten your day and make things always seem OK.

–Who directed the video and who did the illustrations?

The video was edited by Steven Bartashev who was the editor on the Cadillac Man video we just put out. I was really happy with how that turned out so I contacted him about doing this one as well. The illustrations were done by Gery Nible. As I said Gery is a friend who I have worked with on a bunch of projects before. We’ve done album art, t-shirts, all kinds of stuff. He has a similar DNA to mine as far as stuff we like and so the process of doing this was pretty easy. He really ran with the idea, I thought we could get by on a dozen or so drawings and I think it wound up more like 60+ . He even sent a video kind of walking us through it and his ideas which made it very easy to visualize what it would be like in the end.

–You’ve said that your second daughter Olivia told you: “‘where’s my song!’ and then on her 16th birthday I wrote and recorded “Olivia…that’s who!” What does Olivia think of her song and the video (if she’s seen it)?

She loves it! For years she would run around and tell people she has her own theme song. Now she has a video to go along with it.

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The track listing for LET’S RATTLE is:

Cadillac Man
Shake It Swing It
Give Me Your Number
Olivia…That’s Who!
Powerhouse
Cold Hearted Woman
School Of Rock n’ Roll
L-O-V-E
Just Say U Love Me
Manhattan Baby
Close Your Eyes and Dream
Ain’t That A Kick In The Head
The One Who Loves You

DD Verni Press PhotoPhoto Credit: Mark Weiss

WEBSITE
FACEBOOK
INSTAGRAM

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PI JACOBS To Perform Saturday, August 28 Show At The Hotel Café

DATE: AUGUST 18, 2021

FROM: MARCEE RONDAN/MITCH SCHNEIDER

Pi Jacobs LA Show

AMERICANA ARTIST PI JACOBS
SET TO PERFORM
SATURDAY, AUGUST 28
AT HOTEL CAFÉ

SHOW FOLLOWS
AUGUST 13 RELEASE OF
NEW ALBUM
‘LIVE FROM MEMPHIS’
VIA BLACKBIRD RECORD LABEL

Acclaimed Americana singer, songwriter and musician PI JACOBS will perform a Saturday, August 28 show at the Hotel Café in Los Angeles. This will mark the Los Angeles-based artist’s first show following the August 13 release of her latest album LIVE FROM MEMPHIS, her first album for the label and ninth overall, via Blackbird Record Label. Shows in Nashville (September 23 and 25), Washington DC (September 30), New York City (October 3) and her San Francisco hometown (October 15) are also on her concert itinerary.

LIVE FROM MEMPHIS peels back many layers of PI’s life and sensibility in both the songs and the story intro’s that she narrated for each song. The music on LIVE FROM MEMPHIS comes from PI’s live taping for Ditty TV, which was filmed without an audience. For the set list, she drew six songs from 2020’s Two Truths and a Lie and two others from 2017’s A Little Blue. But rather than using the between-songs banter intended for the viewing audience, she took a page from one of her favorite NPR podcasts and decided to share more of herself than ever before by narrating the songs with revealing intros.

An outstanding example of this is the new and third track “No Sin To Be Poor,” which is based on her own life growing up poor in Northern California. The song is accompanied by an imagery-rich animated video created by Turkish surreal artist Mertcan Mertbilek, who did the same honors for the album’s first release, First Thing Tomorrow.” Watch the “No Sin To Be Poor” video here, which was premiered by American Songwriter. Listen to the song here and the story intro here. Pre-order the album here.

With her blend of roots-rock swagger and storytelling soul, Pi Jacobs distinctively amplifies the concert experience on it places eight original songs alongside the self-narrated personal stories that shaped them. Recorded with a full band, the project offers a sincere and sometimes funny look at her formative years, her family relationships, and even a few lessons she’s learned along the way.

The LIVE FROM MEMPHIS track list is here.

Live From Memphis Cover

On the concert front, Pi Jacobs’ upcoming itinerary includes

8/28 – Hotel Cafe’ Los Angeles – TICKETS

9/23 – Nashville, Dee’s – 12-4 – The California Country Show @ Americana Fest – free entry for the festival

9/25 – Nashville – The Bowery Vault – 12 noon – The California Country Shakeup @ Americana Fest – free entry for the festival

9/30 – The Pocket, Washington DC + Annie Stokes – TICKETS COMING SOON

10/3 – Rockwood Music Hall, Rm 3, NYC – TICKETS

10/15 – Amados, San Francisco with Kyra Gordon! – TICKETSTicket alert, our last SF show sold out before some of our longtime fans could get tickets, which was a bummer – so grab em soon!

Pi Jacobs Press Photo

(Photo credit: Deb Morrisson Little, @shotsbymorrison)

www.PiJacobs.com
Facebook.com/PiJacobsMusic
Instagram.com/PiJacobs
Youtube.com/PiJacobsMusic
SRO Press Releases + Assets

###


POP EVIL Postpone Upcoming Tour Dates Due To Positive COVID Test Result

DT: AUGUST 17, 2021

FM: KELLY WALSH

POP EVIL
POSTPONE UPCOMING DATES ON HEADLINING ‘VERSATILE’ U.S. TOUR

DUE TO POSITIVE COVID TEST
BAND TO RESUME TOUR ON FRIDAY, AUGUST 27 IN VIRGINIA BEACH

A picture containing text, stage, dark Description automatically generated
Credit: Tammy Vega

Mainstream rock outfit POP EVIL have been forced to postpone upcoming dates on their current headlining tour across the U.S. due to vocalist Leigh Kakaty testing positive for COVID-19 over the weekend, forcing them to cancel their show on Sunday night in Denver. The band will reinstate their tour on Friday, August 27 in Virginia Beach at Elevation 27 and are currently working on rescheduling all cancelled dates following their last stop in Orlando. The band have also announced their stop on September 1 in Syracuse, NY at Westcott Theater has been cancelled by the venue and promoter.

The currently postponed dates are as follows:

August 17 – Des Moines, IA @ Wooly’s
August 18 – Fargo, ND @ Sanctuary Events Center
August 20 – Joliet, IL @ The Forge
August 21 – Nashville, TN @ Brooklyn Bowl
August 23 – Savannah, GA @ Victory North
August 24 – Asheville, NC @ Orange Peel
August 25 – Jacksonville, NC @ Hooligans

The band issued the following statement:
“To our Evilz, we always want to be fully transparent with our fans and the status of our shows. All of our band members and crew have been vaccinated prior to us starting tour. Yesterday, and again this morning, Leigh Kakaty tested positive for COVID-19.  Leigh wanted to make sure his test wasn’t a false positive before postponing any more shows. With his second positive test this afternoon, out of an abundance of caution, we will be postponing our shows and be back for our show in Virginia Beach on August 27. We are doing our best to move the following shows: Denver, CO (8/15), Des Moines, IA (8/17), Fargo, ND (8/18), Joliet, IL (8/20), Nashville, TN (8/21), Savannah, GA (8/23), Asheville, NC (8/24) and Jacksonville, NC (8/25) to the end of the tour. Leigh is already feeling much better and will be back on his feet in no time. We want to thank everyone for their continued support! See you soon.”

POP EVIL recently shared a lyric video for the latest single, “Survivor,” from their sixth full-length album VERSATILE, released earlier this year via Entertainment One (eONE), which is currently approaching a Top 10 position on Billboard’s Mainstream rock radio charts. Watch it streaming here: https://youtu.be/-B_MjXZ6wI4.

Survivor” follows previous album singles including their sixth overall #1 trackBreathe Again,Top 10 single Work,” and hard-hitting numbers “Set Me Free” and “Let The Chaos Reign.” Modern Drummer described the track by stating, “Opening with clean guitar chords and a relaxed but driving drum pocket, ‘Survivor’ immediately strikes a more personal tone, giving the listener time to ease into the song, before suddenly being dropped into a head-banging riff accompanied by furious screams, only to be released back into the clean and easy-going feel for the remainder of the song.”

Stream/download VERSATILE now at https://www.popevil-versatile.com/.

POP EVIL are currently scheduled to appear on the upcoming dates.

August 27 – Virginia Beach, VA @ Elevation 27 #
August 28 – Pittsburgh, PA @ Mr. Smalls #
August 29 – Inwood, WV @ Shiley Acres Concert Stage #
September 4 – Pryor, OK @ Rocklahoma
September 8 – Detroit, MI @ St. Andrews Hall #
September 9 – Flint, MI @ Machine Shop #
September 10 – Harrisburg, PA @ XL Live #
September 11 – Mansfield, OH @ Inkcarceration Fest
September 12 – Danville, VA @ Blue Ridge Rockfest
September 15 – Baltimore, MD @ Rams Head Live #
September 16 – Sayreville, NJ @ Starland Ballroom #
September 17 – Portland, ME @ Aura *
September 18 – Hampton Beach, NH @ Wally’s *
September 21 – Huntsville, Al @ Mars Music Hall – Von Braun Center*
September 22 – Atlanta, GA @ Buckhead Theater *
September 23 – Destin, FL @ Club LA *
September 24 – Orlando, FL @ Central FL Fairgrounds – Rebel Rock Fest
October 8 – Sacramento, CA @ Aftershock Festival

# with ZERO 9:36 & BRKN LOVE
* with BRKN LOVE & LIKE MACHINES

For more information on POP EVIL, please visit:
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM

SRO PR ASSETS: www.sropr.com/portfolio/pop-evil

###

For press opportunities and/or show review requests, please contact:
SRO PR
Kelly Walsh – kwalsh@sropr.com

eOne
Bill Meis – BMeis@entonegroup.com

Management
info@gngmgmt.com


THE THE Announce New Single And Video “The Beat(En) Generation”

DATE: AUGUST 13, 2021

FROM: MITCH SCHNEIDER/ANDREA FAULK, SRO PR

 

THE THE
ANNOUNCE NEW SINGLE AND VIDEO
“THE BEAT(EN) GENERATION”
AND LAUNCH LIMITED EDITION SCREENPRINTS
‘THE COMEBACK SPECIAL’ ALBUM, FILM & BOOK
TO BE RELEASED OCTOBER 29
WATCH THE VIDEO FOR “THE BEAT(EN) GENERATION” HERE

THE THE, one of the most intriguing bands ever to emerge from England, today offer a preview of their upcoming album THE COMEBACK SPECIAL with the official live video for The Beat(en) Generation.” The album, due out October 29 in multiple audio as well as video formats, documents their triumphant 2018 Royal Albert Hall in London.

Originally featured on their Mind Bomb album in 1989, THE THE’s classic The Beat(en) Generation” now shines in a new light as Matt Johnson and band performed the song to a sold-out Royal Albert Hall nearly 30 years later. “The Beat(en) Generation” is now available as a single release on all streaming and download services.

The highlight of this multi-format release is an exquisitely designed 136-page art book, which tells the whole story behind THE COMEBACK SPECIAL with hundreds of behind-the-scenes photos, film stills, contributions and stories, as well as 6 discs including exclusive audio content, plus director Tim Pope’s film of the concert on both Blu-ray and DVD.

As another highlight of the new release, THE THE have also launched a variety of new exclusive merch items and bundles on the official album webstore: https://thethe.tmstor.es/

For a brand-new series of four exclusive THE THE prints, the band has teamed up with London’s Atom Gallery. Mark Perronet (print maker and co-owner of the gallery) had previously collaborated with Andy Dog, Matt Johnson’s late brother and designer of many of the group’s early sleeves. Utilising the old analogue technique of screenprinting, visual elements of The Comeback Special tour have been combined to create these vivid new designs. Each of these four new posters are hand-numbered, embossed with the THE THE logo and signed by Matt Johnson.

Ein Bild, das Text enthält.

Automatisch generierte Beschreibung Ein Bild, das Text, dunkel enthält.

Automatisch generierte Beschreibung Ein Bild, das Text enthält.

Automatisch generierte Beschreibung

The track listing of the live performance across all formats is as follows:

  1. Global Eyes
  2. Sweet Bird Of Truth
  3. Flesh & Bones
  4. Heartland
  5. The Beat(en) Generation
  6. Armageddon Days (are here again)
  7. A Long Hard Lazy Apprenticeship
  8. We Can’t Stop What’s Coming
  9. Phantom Walls
  10. Love Is Stronger Than Death
  11. Dogs Of Lust
  12. Helpline Operator
  13. This Is The Night
  14. This Is The Day
  15. Soul Catcher
  16. Bugle Boy
  17. Beyond Love
  18. Slow Emotion Replay
  19. (Like a) Sun Rising Thru My Garden
  20. Infected
  21. I’ve Been Waiting For Tomorrow (all of my life)
  22. True Happiness (this way lies)
  23. Uncertain Smile
  24. Lonely Planet

The Royal Albert Hall concert was the first of a trio of London shows during The Comeback Special tour—the others taking place at Brixton Academy and The Troxy—all of which sold out within minutes of going on sale.

Performing live for the first time in 16 years with a headline appearance at Denmark’s Heartland Festival a few days before the Royal Albert Hall concert, the rejuvenated THE THE, which featured previous members James Eller on bass, DC Collard on keyboards and Earl Harvin on drums and new member Barrie Cadogan on guitar alongside Matt Johnson, would go on to play sold-out shows and make festival headline appearances across the globe throughout 2018.

“Part comeback, part requiem, all extraordinary”
– James Hall, The Telegraph (UK)

“Johnson’s great achievement is to have made a body of work that is completely original, yet flows smoothly into the slipstream of accessible, socially conscious alternative rock.”

– Will Hodgkinson, The Times (UK)

“Johnson retains a gravel-voiced gravitas, and his band are taut and kinetic on barbed missiles such as ‘Armageddon Days (are here again)’… THE THE really shouldn’t leave it 16 years until their next tour.”

– Ian Gittins, The Guardian (UK)

“THE THE sound very much like a band revitalized… Johnson may not have sung publicly for years, but there’s little doubt he’s been practising his scales in private.”

– Jeremy Allen, The Independent (UK)

***

www.thethe.com www.ear-music.net

INSTAGRAM | TWITTER | FACEBOOK

***

 


LORNE BEHRMAN Shares First Single + Video, “When I Hit The Floor,” From NYC Rocker’s Debut Solo EP Due October 15

DT: AUGUST 12, 2021

FM: MITCH SCHNEIDER/ANDREA FAULK/SRO PR

LORNE BEHRMAN
SHARES FIRST SINGLE + VIDEO,
“WHEN I HIT THE FLOOR,”
FROM THE NYC ROCKER’S
DEBUT SOLO EP OF THE SAME NAME
DUE OCTOBER 15 ON SPAGHETTY TOWN RECORDS
WATCH THE ROCKING-BUT-REFLECTIVE VIDEO HERE

“When I Hit The Floor” single artwork

“Real blood and guts rock and roll that bleeds with soul and redemption.”
Jesse Malin, 2021

NYC rocker LORNE BEHRMAN, the singer-songwriter-guitarist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things, today (August 12) shares his debut solo single + video, “When I Hit The Floor.”

The rocking-but-reflective “When I Hit The Floor”–a song about “substance abuse and hitting bottom,” says LORNE—is the first release from his debut solo EP of the same name, due October 15 on Spaghetty Town Records. Watch the video here, premiered yesterday by Glide, which praised LORNE’s “power chord ethos, cryptic electricity, and gritty voice,” adding: “The incisive songwriting stance Behrman takes on this unapologetic rocker holds nothing back with its blunt account of a hard-living past.” The single will be available tomorrow (August 13) at all streaming platforms.

The four-song EP When I Hit The Floor was produced by Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog) at NYC’s Mercy Sound Studios and mastered by Grammy-nominated engineer Joe Lambert. Lorne played all the guitars, wrote all the songs, and sang all the leads. Joining him are drummer Hector Lopez (Alejandro Escovedo/The Sweet Things), keyboardist Rob Clores (Jesse Malin, Black Crowes, Alejandro Escovedo), and singer Dana Athens (Jane Lee Hooker).

The video for “When I Hit The Floor” was directed by David J Barron and set in Brooklyn, specifically the areas of Midwood, Kensington, and Bay Ridge. The video was shot on 9-minutes of film with a Bolex H16 handheld camera from the 1970s.

Below are quotes from LORNE, the song’s lyrics and more info about the EP.

“When I Hit The Floor,” the song:

In January 2020, I was kicked out of my previous band, The Sweet Things. I was really depressed. I had played music for 30 years, and for the first time ever, I felt like it was over for me. Up until then, I had been a lead guitar player, and an occasional songwriter. All those years my focus was really just on playing solos and being a gunslinger—playing fast and showing off. This song changed everything.

When I wrote this song, I was single, and living alone at the time. I have a young daughter who is with me every other weekend. That summer of 2020, after I was kicked out the band, I would go into her room, I guess for strength and to not feel alone. While there, I heard the leaf blowers and lawnmowers, and it made me sad—hearing that noise made me feel like life was passing me by. One Friday this song came to me, I shared it with my friend, Darren—former drummer of The Sweet Things. He said it was really good, and that gave me the confidence to try and record a solo song. It felt like a sign, and from there I wrote the three other songs on the EP.

“When I Hit The Floor” is about substance abuse; it’s about hitting bottom. Consequences come and go, and you stop caring. You scare people away or alienate them by your actions. They worry about you, but then let go. All these feelings closed in on me when I was in my daughter’s room during the time of writing the song.

Before I got sober, every night I would go to bed I would pray to God to take my life. I didn’t want to wake up. I hoped everything I ingested would take me away. I remember one time my daughter said something about me dying; she said “you would never see me again.” That is etched in my mind, and is one of the lyrics in the song. It took a minute to clean up, but on November 30th 2018 I became sober. The chorus in this song is about the faith you find when you fall down the stairs and you’re still alive. It’s sad but triumphant—you come to the edge of the cliff but you don’t jump. Instead, you change the course of your life.

The EP is like a concept record. This first song tells the overarching story—feeling life has passed me by, feeling lost in pain, losing parts of my life that I thought made me who I am, and coming close to throwing life away. It’s about desperation, and that desperation leading to positive change. Doing something drastic that isn’t killing yourself—saving yourself.

“When I Hit The Floor,” the video:

I had a small budget to make this video, and me and the director David J Barron decided we would film it near where the drama unfolded. I have since moved away from the area, so it was emotional to go back there. We had a handheld film camera from the 1970s, and it felt like we had to do it in a series of one-takes. I had to be “on point” and convey the emotions and narrative of the song without a lot of chances. It was kind of exhilarating to rise up to this role. There was no rehearsal, and I had no idea what I wanted to do or how I wanted to move. I just made up my mind to let what comes naturally flow.

It’s funny the first version of the video had no images of me playing guitar. I played every guitar part on the EP, and playing guitar is my life. I think I was just so focused on the sentiment I forgot that. Then it was strongly suggested we add in the guitar footage. We shot me playing in a Brooklyn warehouse one rainy night. I think we did it in 3 minutes of film—we were in and out.

“When I Hit The Floor,” the lyrics:

Well, the leaf blowers are blowing
I know, it’s time to move on
No more days of not knowing
Summer is almost gone

The sadness is overtaking
So, baby, I’m over overmedicating

Have this sinking feeling
Fall is almost gone

Chorus:

It ain’t luck
Things look up
A life of more
When I hit the floor

Well the lights are dimming
And the sinners keep on sinning
Bittersweet swallow
Don’t look back

Well I came close to going
Baby girl, I wouldn’t see you again
Got so desperate not knowing
Nowhere else to go

The ‘When I Hit The Floor’ EP, track listing:

“When I Hit The Floor”
“I Won’t Fade Away”
“Sandcastles”
“Oh Lord, Give Me Time”

The ‘When I Hit The Floor’ EP, production credits:

The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). “Matt played in the East Village rock n’ roll scene as a respected musician, and he produced my old band, L.E.S. Stitches, as well as other punk-influenced artists around town. He then went on to produce songwriter artists,” Lorne says. “I see myself living between these worlds, so he felt like the perfect pick to capture the attitude of my music and the sentiment of my songs. Matt also has a great sense of humor, and that made me feel at ease when singing about some painful things from my past.”

‘When I Hit The Floor’ album graphic:

Wyldlife bassist Spencer Alexander designed the EP artwork, and it is a subtly playful homage to the cover of Don Henley’s first solo album, I Can’t Stand Still.

‘When I Hit The Floor’ EP album artwork

Photo Credit: Alex Bershaw

WEBSITE
FACEBOOK
INSTAGRAM

For more info about LORNE BEHRMAN, contact SRO PR:

Mitch Schneider // mschneider@sropr.com
Andrea Faulk // afaulk@sropr.com

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PI JACOBS Releases Evocative Track “No Sin To Be Poor” From The Acclaimed Americana Artist’s New Album ‘Live From Memphis’ Out August 13 Via Blackbird Record Label

DATE: AUGUST 12, 2021

FROM: MITCH SCHNEIDER/MARCEE RONDAN

PI JACOBS Live From Memphis

AMERICANA ARTIST PI JACOBS
RELEASES EVOCATIVE TRACK
“NO SIN TO BE POOR”
WITH IMAGERY-RICH ANIMATED VIDEO
CREATED BY TURKISH SURREAL ARTIST MERTCAN MERTBILEK

THE SONG MARKS THE THIRD RELEASE
FROM THE ACCLAIMED AMERICANA ARTIST’S
NEW ALBUM ‘LIVE FROM MEMPHIS’
OUT AUGUST 13 VIA BLACKBIRD RECORD LABEL

UPCOMING SHOWS INCLUDE LOS ANGELES (AUGUST 28),
NEW YORK CITY (OCTOBER 3),
NASHVILLE (SEPTEMBER 23 AND 25),
WASHINGTON DC (SEPTEMBER 30)
AND HER SAN FRANCISCO HOMETOWN (OCTOBER 15)

WATCH THE VIDEO HERE
LISTEN TO THE SONG HERE
AND THE SONG INTRO HERE

On her new album LIVE FROM MEMPHIS, due August 13 via Blackbird Record Label, acclaimed Americana singer, songwriter and musician PI JACOBS peels back many layers of her life and sensibility in both the songs and the story intro’s that she narrated for each song.

An outstanding example of this is the Los Angeles-based artist’s new and third track “No Sin To Be Poor,” which is based on her own life growing up poor in Northern California. The song is accompanied by an imagery-rich animated video created by Turkish surreal artist Mertcan Mertbilek, who did the same honors for the album’s first release, First Thing Tomorrow.” Watch the “No Sin To Be Poor” video here, which was premiered yesterday by American Songwriter. Listen to the song here and the story intro here. Pre-order the album here.

With her blend of roots-rock swagger and storytelling soul, Pi Jacobs distinctively amplifies the concert experience on LIVE FROM MEMPHIS (her first album for the label and ninth overall): it places eight original songs alongside the self-narrated personal stories that shaped them. Recorded with a full band, the project offers a sincere and sometimes funny look at her formative years, her family relationships, and even a few lessons she’s learned along the way.

In the compelling “No Sin To Be Poor,” Pi reflects about the hardship of poverty:

Oh Mary get back in the line
As if you got nothing but time,
You gotcha kids counting on you
Waiting on stamps for food
But it’s no Sin
Three jobs and a couple a babies
Oh Mary you ain’t never been lazy
But you can’t make water from wine
You’re paying that rent on time
Girl it’s no sin..

–What inspired the song “No Sin To Be Poor”?

PI: I was thinking about my mom, who was young, single and didn’t have a lot of support. She worked SO hard, but occasionally we had to go on public assistance. She ended up becoming the first person in our family to graduate college. She went on to become a public-school teacher, and a shining example of public service.  When I was young, I didn’t know we were poor, but of course as I got older, I started feeling different and “other” because my house was janky, or because I only had a few cheap clothes, or got picked up in a car that had the paint peeling off.   Kids can be cruel sometimes. The crazy part is that we had SO MUCH FUN, even with nothing. We made up games in the dirt, simply by using our imaginations. And as poor as we were, my mom always saw to it that we had art, literature, and music in our lives, and ironically, those things made me feel very rich.

–Can you talk about the video for the song and why you chose that direction?

PI: I really fell in love with Mertcan Mertbilek’s style. He is so fun and surreal, while conveying the deep heart of any story. I had him listen to the “story intro” for “No Sin To Be Poor,” as well as the lyrics. The story intro talks a lot about the government food we had to live on when I was young, and how we grew veggies in a garden and supplemented that. I think he really grasped the “making a bad situation good” aspect of “No Sin To Be Poor.”

–Your songs have always been revealing. What led you to decide to record a story intro for each song on the album? In these story intro’s, you peel back even more layers of yourself.

PI: Well, I might live to regret it ha-ha!

In last year’s lockdown, I really couldn’t write music, but I felt a deep need to get these stories off my chest. I felt like I had been being a bit chickenshit, because in a song, you can be a little vague. I wanted to really tell the truth, in fact writing the stories felt quite compulsive, I just couldn’t stop. All I can hope is that these stories resonate and help people.  I asked myself who they were for, because “Adult Children of Hippies” are a really SMALL segment of society. Then I realized that my friends who grew up ultra-religious had the same issues. Being brought up “outside the norm” with parents who are purposefully “rejecting society” or aspects of society, well that’s hard as a kid–You’re not ‘normal’, it’s not your choice, and there’s nothing you can do about it.  I wanted to really own the things I’d been dancing around in my songs. I was terrified to show these stories to my mom, but it turns out, she is ok with them. She even helped coach me on how to deliver them (she’s an actress and writer). There’s been a lot of growth and healing for us, and I no longer feel like I’m hiding myself from everyone.

On the concert front, Pi Jacobs’ upcoming itinerary includes shows in Los Angeles (August 28), Nashville (September 23 and 25), Washington DC (September 30), New York City (October 3) and her San Francisco hometown (October 15).

8/28 – Hotel Cafe’ Los Angeles – TICKETS

9/23 – Nashville, Dee’s – 12-4 – The California Country Show @ Americana Fest – free entry for the festival

9/25 – Nashville – The Bowery Vault – 12 noon – The California Country Shakeup @ Americana Fest – free entry for the festival

9/30 – The Pocket, Washington DC + Annie Stokes – TICKETS COMING SOON

10/3 – Rockwood Music Hall, Rm 3, NYC – TICKETS

10/15 – Amados, San Francisco with Kyra Gordon! – TICKETSTicket alert, our last SF show sold out before some of our longtime fans could get tickets, which was a bummer – so grab em soon!

The music on LIVE FROM MEMPHIS comes from PI’s live taping for Ditty TV, which was filmed without an audience. For the set list, she drew six songs from 2020’s Two Truths and a Lie and two others from 2017’s A Little Blue. But rather than using the between-songs banter intended for the viewing audience, she took a page from one of her favorite NPR podcasts and decided to share more of herself than ever before by narrating the songs with revealing intros.

The LIVE FROM MEMPHIS track list is here.

Pi Jacobs Press Photo(Photo credit: Deb Morrisson Little, @shotsbymorrison)

www.PiJacobs.com

Facebook.com/PiJacobsMusic

Instagram.com/PiJacobs

Youtube.com/PiJacobsMusic

SRO Press Releases + Assets

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BLUE RIDGE ROCK FESTIVAL Sells Out Two Months In Advance Of Event

DATE: AUGUST 11, 2021

FROM: MARCEE RONDAN

BLUE RIDGE ROCK FESTIVAL 2021
SELLS OUT JUST FOUR DAYS AFTER
ANNOUNCING FULL LINE-UP:
160,000 TICKETS WERE SOLD
MORE THAN TWO MONTHS
PRIOR TO EVENT

DAY BY DAY LINE-UP REVEALED FOR
SEPTEMBER 9–12 FESTIVAL
AT COMPANY’S RECENTLY PURCHASED
BLUE RIDGE AMPHITHEATER

HEADLINERS
FIVE FINGER DEATH PUNCH, ROB ZOMBIE,
SHINEDOWN, BREAKING BENJAMIN, LIMP BIZKIT
AND MORE THAN 180 ACTS
SET TO APPEAR

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For the first time in the event’s four-year run, the Blue Ridge Rock Festival is completely sold-out with tickets sales of 160,000. This not only is the festival’s first sell-out, but it also marks the only time the event has sold-out well in advance. For the September 9–12 event at Blue Ridge Amphitheater (a long-awaited large-scale concert venue in Southwest Virginia), PURPOSE DRIVEN EVENTS has amassed a line-up of 180+ bands. The day-by day line-up is as follows:

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The 2021 line-up includes headliners Five Finger Death Punch, Rob Zombie, Shinedown, Breaking Benjamin, Limp Bizkit and more than 180 bands who will appear on six stages over four days. The weekend-long event will also include additional onsite activities and activations. Special features include Club Experience–a first-ever, one-of-a-kind soundproofed club at a rock festival. Headliners for this special club include headliner Ludacris, T-Pain, and Lil Jon. Also on tap: the Hellzapoppin Circus Sideshow Revue, a vaudeville freak show of wonder by Hellzapoppin’s Ringleader and Producer, Mr. Bryce “The Govna” Graves. In addition, excitingly, the festival will be hosted by Steve-O: delivering stunts, comedy, and emcee duties for the first time ever at a rock festival; and special guest Lou Brutus.

Noting the festival’s dedication to their longtime fans and the full transparency between the promoter and the fans, PURPOSE DRIVEN EVENTSChief Executive Officer JONATHAN SLYE revealed the sell-out news via social media, saying, “ROCK’s NOT DEAD. 160,000. Just 4 Days after releasing our Full Lineup, Blue Ridge Rock Festival 2021 is now Sold Out. THANK YOU. We will never stop listening to you, fighting for you, breaking the status quo, and innovating to curate a Festival that we truly hope becomes the highlight of your year–every year. This Festival was not built on business, it was founded on YOU. It was constructed to harness the passionate love we share for Rock & Metal, to bring unity and joy to the masses. We may be small, we may be young, but something special is happening here. We are The FAN DRIVEN Rock Experience. Our Underdog Story Lives On…”

The 2021 BLUE RIDGE ROCK FESTIVAL line-up (in alphabetical order) is as follows:

10 Years, A Day To Remember, Adelitas Way, All Good Things, All That Remains, Another Day Dawns, Anthrax (40th Anniversary), Asking Alexandria, Atreyu, August Burns Red, Avatar, Ayron Jones, Bad Omens, Badflower, Beartooth, Black Label Society, Body Count (feat. Ice-T), Brand Of Sacrifice, Breaking Benjamin (only festival performance of 2021), Burden Of The Sky, Bush, Chelsea Grin, Chevelle, Clutch, Corrosion of Conformity, Crown The Empire, Currents, Cypress Hill (30th Anniversary), D.R.U.G.S. (first show in nearly a decade), Drowning Pool, Escape The Fate, Falling In Reverse, Fame on Fire, Fever 333, Fire From The Gods, Fit For A King, Five Finger Death Punch, Fozzy, From Ashes To New, The Ghost Inside (rare comeback show), Gojira, Halestorm, Hatebreed, The Hu, Ice Nine Kills, Ill Niño, In Flames, Islander, I Prevail (only show of 2021), Jelly Roll, Killswitch Engage, Knocked Loose, Lamb of God, Lil Jon, Light The Torch, Limp Bizkit, Ludacris, Mastodon, Megadeth, Miss May I, Motionless In White, Nonpoint, P.O.D. (performing their multi-platinum album “Satellite” in its entirety for its 20th anniversary), Papa Roach (playing “Infest” in its entirety + greatest hits), Philip Anselmo & The Illegals (Performing Pantera’s Greatest Hits), Pop Evil, Rev Run (Run-DMC), Rise Against, Rob Zombie, Sabaton, Saul, Seether, Sevendust, Shinedown, Skillet (full pyrotechnic performance), Slaves, Spiritbox (United States debut), Spite, Stitched Up Heart, Tallah, Tech N9ne, Testament, Texas Hippie Coalition, Theory of a Deadman, Trivium, T-Pain, Underoath, Wage War, We Came As Romans and many more local and regional acts.

BLUE RIDGE ROCK FESTIVAL will be held at Blue Ridge Amphitheater, a 35,000-capacity outdoor festival site (just off Route 29 on the Chatham-Danville line). The venue will be convenient for fans from neighboring cities including Lynchburg, Roanoke, Danville, and Greensboro. 2021 sponsors include Monster Energy Drink; LitBar; Good Life Alternatives, LLC; Danville Toyota; Mortus Viventi; MAKO Medical; Thunder Road Harley Davidson; URW Credit Union; and ZYN. Follow on social media Facebook, Instagram and Twitter.

About PURPOSE DRIVEN EVENTS

PURPOSE DRIVEN EVENTS is the new umbrella organization for events led by Chief Executive Officer Jonathan Slye. The name of the entity falls in line with their mission to provide a purpose behind each event produced that goes far beyond just music. With their headquarters in small town Virginia, and originating from a decade of very humble beginnings, the group continues to expand its footprint and is developing into one of the fastest rising promoters in the industry. The company and Slye are best known for producing the annual Blue Ridge Rock Festival, a locally developed event founded in Central Virginia and known as “The Fan Driven Rock Experience.” Following the event’s breakout year in 2019, Blue Ridge became a full-time operation heading into last year. Though the top eleven acts were never announced for the 2020 iteration, the festival was forced to postpone due to the pandemic. While live events have largely disappeared over the last year, Purpose Driven Events has expanded significantly in that time. The company now has a full staff successfully recruiting over a dozen major players in the music business from across the country, to join their team locally to maximize results. Beyond the recent acquisition of the Blue Ridge Amphitheater, PURPOSE DRIVEN EVENTS also includes ownership of six festivals, their recently acquired 1,700 capacity concert hall, The Ridge, opening in late 2021.

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SoCal Rockers SLEEPING DOGS Share Vampire Love Story In New Single/Video “Let’s Be Friends”

DT: AUGUST 10, 2021

FM: MITCH SCHNEIDER, KELLY WALSH/SRO PR

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Credit: Harmony Gerber

SLEEPING DOGS
ROLL OUT SECOND SINGLE +
MUSIC VIDEO “LET’S BE FRIENDS”

TRACK IS FROM
DEBUT EP DUE THIS NOVEMBER BY
GROUP THAT IS THE SPINOFF OF WANK

Coming off their debut single + video “No Mercy” this past June, Southern California band SLEEPING DOGS today (August 10) have rolled out their second single + video, the upbeat and melodic rocker “Let’s Be Friends.” Watch the video, a modern-day vampire love story, here. It was premiered yesterday (August 9) by New Noise. Listen to the single, which will be available tomorrow (August 11) at all streaming platforms, here.

Filmed in Orange County with Jarrod Anthonee (Megadeth, Lamb of God, Social Distortion, and the Offspring) behind the lens, the “Let’s Be Friends” video stars two huge Internet personalities as the romantic couple: The Girl IQ (over 1.9 Million followers on TikTok, known for empowerment and inclusion) and The Magic Crasher (over 3.2 million Followers on TikTok, known for his creative viral “Magic Prank” videos). Says the band: “The Magic Crasher and The Girl IQ had great romantic chemistry, which really brought the story to life. They were awesome.”

“Let’s Be Friends” was written by the band’s lead guitarist/songwriter Danny Walker and produced by Paul Miner (New Found Glory, Agnostic Front, Adolescents, Zebrahead, H2O). It will be featured on SLEEPING DOGS’ debut EP in November, to be followed by a full-length album in early 2022. “Let’s Be Friends” is the follow-up to the band’s debut single No Mercy. Raved MXDWN: ’No Mercy’ is laid-back mid-tempo ska at its best, led by a slinky guitar lead from Walker. The upstrokes are never in much of a hurry, laying down an almost-funky groove for Amodeo to deliver the song’s message.” Below are quotes from the band about “Let’s Be Friends.”

SLEEPING DOGSBobby Amodeo (bass, vocals), Danny Walker (lead guitar), Higgins X-13 (guitar) Spider (drums) and George Hughes, Jr. (keys), who is keyboardist for Ziggy Marley–is a spinoff of the So Cal band WANK, who first made their mark in 1998 with their debut album on Maverick Records, which featured “Larry Brown” (produced by Mike Ness) and the KROQ hit “Forgiven.” WANK, who played shows with Social Distortion, The Specials, Goldfinger, and Deftones, split in 1999. In 2000, Walker formed and fronted HANDSOME DEVIL (RCA Records), and toured with Lit, The Used, Hoobastank and Zebrahead, and released three albums. WANK reformed in 2017 and released the full-length album White Knuckle Ride in 2020 and are currently on hiatus. WANK’s Amodeo, Walker, Higgins X-13, formerly of the Offspring, and Spider have joined forces with George Hughes, Jr. in SLEEPING DOGS. Says Walker, “He brings so much to our songs, creatively, musically, and vibe-wise, that we asked him to join the band. George makes us better–plain and simple.”

QUOTES FROM SLEEPING DOGS ABOUT “LET’S BE FRIENDS”

Song:

I wrote “Let’s Be Friends” for a musical I am writing about vampires. It’s about people from different worlds falling in love. I like the romance and simplicity of the lyrics. I did not intend it for Sleeping Dogs, but when we played it at rehearsal, it was special. We had to track it. Everybody in the band brought tasty riffs to the session. (Danny Walker)

Love this song. Musically and lyrically, it hits on all points. Monster chorus kicks you right in the gut. (Bobby Amodeo)

This song is a little different for us–I love the almost spooky sound of the chorus. I was trying to channel a guitar vibe inspired by memories of Bowie songs from the Deram Anthology album. I’m very thankful too that the boys kept my little guitar melody on the track! I love this song! (Higgins X-13)

It’s always fun creating new music—and hope this makes it to your favorite playlist. We should be friends. (George Hughes, Jr.)

Here’s a new song to ask her to slow dance to. (George Hughes, Jr.)

This song will play with your emotions. A love that shouldn’t exist somehow thrives. (Spider)

Video:

Really enjoyed making this video. Fun watching the story come to life. The Magic Crasher and The Girl IQ killed it with an incredible chemistry that brought it all together. (Bobby Amodeo)

The ‘Friends’ video was a blast to make – simply magic. I would have rather filmed it during the day but it was a pleasure to finally be able to work with a real life vampire. (Even though we had stay up all night to get it done.) David is a very, very cool guy. (Higgins X-13)

There are no rules in rock n roll. It’s fun to take a chance on a new music idea and see where it takes you. Let’s Be Friends; a modern-day film noir, takes you through the challenges of a beastly love for a fair maiden. (Spider)

Working with Production Team:

I love that David (Magic Crasher) and Rachel (The Girl IQ) wrote a treatment that aligned with the original theme of the song–vampire love. An improbable love story. It was great having their energy and enthusiasm on the planning and execution of this video. We all got to play a little role in the drama sequence too. I am a terrible actor, but it was a fun time with the crew. (Danny Walker)

Their ability to capture the concept of the song, lay out a video treatment in days of production was simply remarkable. The videographer captured our best musical moments, while never forgetting the story line. (Spider)

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SLEEPING DOGS Social Links:
https://www.instagram.com/sleepingdogsofficial
https://www.facebook.com/SleepingDogsOfficial/
https://www.tiktok.com/@sleepingdogsmusic
https://twitter.com/Sleepingdogsusa

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For press inquiries about SLEEPING DOGS, please contact:
SRO PR
Mitch Schneider – mschneider@sropr.com
Kelly Walsh – kwalsh@sropr.com


THE ODDITIES FLEA MARKET Announces Rescheduled Los Angeles Dates on October 23-24 @ Globe Theatre

DT: AUGUST 4, 2021

FM: KELLY WALSH

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THE ODDITIES FLEA MARKET
FINALIZES VENDOR LINEUP FOR
RESCHEDULED LOS ANGELES EVENT
OCTOBER 23-24, 2021
AT GLOBE THEATRE

GA & VIP TICKETS AVAILABLE NOW

Having been postponed due to the halt of events as a result of the pandemic, ODDITIES FLEA MARKET is excited to announce their annual Los Angeles event is confirmed to take place on Saturday, October 23 through Sunday, October 24 at The Globe Theatre. The market, curated by osteologist RYAN MATTHEW COHN (star of Discovery’s Oddities) and his wife REGINA MARIE COHN, features a truly unique assortment of vendors offering attendees of all-ages a chance to peruse through endless curiosities ranging from medical history ephemera, osteological specimens and taxidermy to macabre and one-of-a-kind jewelry, décor, fashion and art.

The event is sponsored by Memento Mori LA, Alligator Jesus, The Olde World Emporium, Century Guild, Veneration of Light, Bearded Lady Vintage & Oddities and The Mystic Museum and features vendors including Duel Diagnosis (founded by Dave Navarro & PADHiA), Oddball Oddity and Alex Streeter. For a full list of vendors, please visit https://theodditiesfleamarket.com/events. The event will also feature DJ sets throughout both days from Portland industrial/goth outfit, Dead Animal Assembly Plant.

General Admission one-day tickets are available for both days which offer two options of entrance between two time slots (12pm – 3pm or 3pm – 6pm) in order to mandate safe social distancing regulations. A limited amount of VIP tickets are available which offer early entry from 10am -12pm on either day ensuring prime access to vendors’ collections and the ability to stay throughout the remainder of the event. Children aged 10 and under are free. Tickets can be purchased via Eventbrite at https://www.eventbrite.com/e/oddities-flea-market-los-angeles-tickets-157999575985.

Take a peek inside the home of RYAN and REGINA in the below video showcasing their personal collection for an example of some of the items you might find up for grabs at ODDITIES FLEA MARKET this October.

Find more details on THE ODDITIES FLEA MARKET
WEBSITE | INSTAGRAM | FACEBOOK

SRO PR ASSETS: http://sropr.com/portfolio/odditiesfleamarket/

 

(l-r: Ryan Matthew Cohn, Regina Marie Cohn; photo credit: Emily Birds)

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For press inquiries regarding ODDITIES FLEA MARKET and/or RYAN & REGINA COHN, please contact:

SRO PR
Kelly Walsh – kwalsh@sropr.com


Folk artist JEREMY SQUIRES Shares Emotional Video “Burst” Alongside Release of 11th Album ‘UNRAVEL’

DT: AUGUST 2, 2021

FM: MITCH SCHNEIDER, KELLY WALSH / SRO PR

 

FOLK ARTIST
JEREMY SQUIRES
RELEASES EMOTIONAL MUSIC VIDEO FOR
“BURST”
ALONGSIDE RELEASE OF 11th ALBUM
‘UNRAVEL’
OUT NOW VIA BLACKBIRD RECORD LABEL

WATCH HERE
STREAM/DOWNLOAD ALBUM HERE

UNRAVEL Cover Artwork

North Carolina-based dream-folk singer-songwriter and multi-instrumentalist JEREMY SQUIRES released his 11th studio album UNRAVEL last Friday, July 30 via the California-based Blackbird Record Label featuring 10 tracks that aims for the head and heart with its distinctive songcraft and intimate vocals and musical performances. Stream/download UNRAVEL now at https://smithmusic.ffm.to/jeremysquires_unravel. CD’s and merch bundles can be found exclusively at https://jeremysquires.bandcamp.com/merch.

In conjunction with the album’s release, SQUIRES also shared a deeply emotional music video for the single, “Burst,” which was written right after the loss of his grandmother who raised him and later recorded at the home he grew up in with childhood friends/former bandmates. The video was described by Vents Magazine via an exclusive premiere on July 29 as “a rather minimalistic but very experimental clip that captures perfectly all the feelings and emotional states, especially those of grief and depression through especially a series of nature footage and much more.”

“I struggle everyday with my mental health, but this song goes deeper than that, shares SQUIRES. “I was struggling with my faith–not necessarily in a religious sense but faith in everything in general. A lot was going on in my life at the time. There were ups and downs and struggles I was dealing with. I was a caregiver and I needed to be strong, but I was falling apart (unraveling) on the inside.”

“It’s a song about finding strength and balance. It was hard to find stable ground. Writing music helps with that. It gives me an inner peace and helps me sort everything out and zone out. It was important for me to be able to record this song in the house where I grew up and learned to play music. I can’t express enough how much I needed to have Carlos and Sammy come over and play this song with me. Everything comes full circle. We all grew up there and we all got to say goodbye.”

Watch “Burst” on Vevo HERE or streaming directly below.

JEREMY SQUIRES – “Burst” Music Video

Credit: Shelley Ann Squires

For more information on JEREMY SQUIRES, please visit:
WEBSITE | FACEBOOK | TWITTER | INSTAGRAM

SRO PR Assets: www.sropr.com/portfolio/jeremysquires

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For press opportunities, please contact:
SRO PR
Mitch Schneider – mschneider@sropr.com
Kelly Walsh – kwalsh@sropr.com


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